Sequels in Transfigured Time: 'Visual Essays: Origins of Film No. 3'

The film returns to Georges Méliès, notably portions of A Trip to the Moon (1902) and other early Méliès films, and uses techniques of 'frozen stills becoming movement', stills which are initially 'abstractions' through the absence of movement and denial of depth (via graphic solarization). The stills are meditations on the "becoming of motion-picture reality" through movement and seamless editing (the "invisible"cut), mechanisms in the 'creation of narrative' (Visual Alchemy)