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Shake!: Otis at Monterey

Shake!: Otis at Monterey

1989
Documentary
Music
Short Film
19m
Practically unknown - and right before his death - Otis Redding seduced the "love crowd" with his performance at the 1967 Monterey Pop Festival. (Criterion Collection)
Your probable score
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Shake!: Otis at Monterey

1989
Documentary
Music
Short Film
19m
Your probable score
Avg Percentile 71.15% from 56 total ratings

Ratings & Reviews

(55)
Compact view
Compact view
Rated 29 Aug 2015
60
62nd
All about Tenderness. Twenty-five at the time. I believe the first time I saw Otis Redding was via a VHS videocassette of a documentary entitled SUPERSTARS IN CONCERT (1973, directed by Peter Clifton, which is currently available to view in low definition here: https://www.youtube.com/watch?v=s3GGI1u3j2E), which I probably watched in the early 1980s: of all the many performers, he left the biggest impression.
Rated 30 Jan 2013
90
94th
Redding has incredible energy to his voice that lifts this film above other concert films. The contrast between his stiff body movements and beautiful and powerful music coming out of his mouth is intriguing to me, and the turn to the audience closeups for the final song is a stroke of genius from Pennebaker.
Rated 17 May 2016
95
96th
One of the best things is 60s soul artists doing their stuff live. Sam Cooke could go through 40 songs in 18 minutes.
Rated 16 Jul 2021
80
37th
Viewed July 11, 2021. Otis Redding's performance of "I've Been Loving You Too Long" in Monterey Pop is pure bliss - both great filmmaking and, more importantly, one of the most powerful vocal performances ever captured, a stirring proclamation of longing and heartache. This presents Otis' full set from the festival and it's similarly great, especially when a rousing performance of "Try a Little Tenderness" becomes a backdrop to Pennebaker's images of 'the Love crowd' sharing in communal joy.
Rated 13 Aug 2010
84
80th
Otis Redding's stage dynamicism reaches into your soul and smacks you in the face. As he drifts off stage, "I gotta go... I don't wanna go..." his immaculate performace - and later fate - adds some sad depth to the joy.
Rated 13 Sep 2020
80
78th
Redding brought his A-game to Monterey in 1967, exuding so much energy as he performed. As I watched this (and Monterey Pop), I kept thinking about how many of those performing artists would be gone so quickly (Jimi, Janis, Keith Moon, and Otis himself) -- but then I decided to focus on the music they left us, which still says a lot.
Rated 19 May 2021
70
46th
You were TIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIRED
Rated 25 Jan 2022
80
68th
Otis Redding's set at the Monterey Pop festival had one of the biggest impacts. Redding had mostly played for black audiences prior to this show, so most of the festival audience was unfamiliar with him. He turns in a riotously energetic set that sadly was only 5 songs due to rain and the lateness of hour (there was an impending curfew to deal with). I think the highlight of the set was his blistering version of "Try (A Little Tenderness)". Sadly, he died 6 months after this show.

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