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Steve Jobs

Steve Jobs

2015
Drama
Biography
2h 2m
Set backstage at three iconic product launches and ending in 1998 with the unveiling of the iMac, Steve Jobs takes us behind the scenes of the digital revolution to paint an intimate portrait of the brilliant man at its epicenter. (official movie site)
Your probable score
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Steve Jobs

2015
Drama
Biography
2h 2m
Your probable score
Avg Percentile 54.05% from 2024 total ratings

Ratings & Reviews

(2024)
Compact view
Compact view
Rated 28 Oct 2015
80
77th
In the final minutes of the movie I was honestly shocked that the audience didn't stand up and one by one go up to Steve Jobs and put the tip of his penis ever so delicately in their mouths while crying tears of joy but it looks like Boyle cut right before that happened. (PS: Kutcher version is like a high school drama production compared to this)
Rated 24 Oct 2015
80
67th
The ending was a forced attempt at redemption, but the rest of the movie was a drama that played out like a thriller. Even though each act followed the same formula and it did lose a bit of its impact, it was still pretty gripping. At times I forgot I was watching a movie, especially when Woz and Jobs were going at it. Fassbender deserves nominations, everyone else also did a great job.
Rated 25 Oct 2015
45
36th
Steve Jobs spends its entire runtime cementing the title human's asshole reputation, only to undermine it at the end with a half-hearted "redemption." The Social Network, Sorkin's other tech CEO pseudo-biopic, ended with a dagger through the heart, unwilling to glorify the faults of the protagonist. Steve Jobs ends with the Applause sign lighting up like it's the Tonight Show with Jay Leno. I can't help but wonder if Sorkin's personal connection to Jobs led to such an incongruous ending.
Rated 15 Oct 2015
75
54th
A one act play done three times. The first one is interesting; the second two are predictable. The ending was definitely unearned -- and contrasts strongly with the tone/arc of the movie.
Rated 23 Jul 2019
70
65th
Sometimes movies are actually plays.
Rated 26 Oct 2015
87
92nd
A superbly-acted stage drama summoning the acolytes and apostates of Jobs' cult of personality as a Greek chorus commenting on success, leadership, genius, and hubris. Unlike the average biopic, there is no easily digested moral lesson. Any hagiography is tempered by Sorkin's verbal fireworks, which both celebrate and scald the mercurial business mastermind.
Rated 18 Oct 2015
81
90th
Well-acted, well-shot, mostly well-written. An unusual structure and a fearlessness to paint the protagonist as a flawed & unredeemable gives way, at the end, when sentimentality wins and the movie collapses into cliche.
Rated 03 Feb 2016
7
57th
? -- ? -- asshole
Rated 01 Nov 2015
61
69th
Sorkin's script is delectable as usual, and it's incredibly well acted, as well as a worthy biography of one of the most iconic personalities of the last half century. It's biggest flaw, though, is one of its strengths: reducing a lifetime to three days of conversations adds an impressive sense of dramatic unity and economy of storytelling, but it also denies deeper layers or any real conclusions.
Rated 29 Dec 2015
65
42nd
The problem isn't Fassbender portraying Jobs, any of the cast, the script, or Boyle as director. The problem is that Jobs as a man isn't that compelling of a story. He's a tech giant but when you look at his life and personality he's no different than any other highly ambitious and successful person who acted like an asshole most of the time. There's nothing particularly introspective or enlightening about this type of portrayal. Competently done but the subject matter is dull on film.
Rated 29 Feb 2016
63
26th
Okay so this movie portrays Steve Jobs as a total jackass almost incapable of human empathy, which I enjoyed. Unfortunately the movie sucks overall. The casting is awful, the entire movie takes place backstage at press conferences, and just all feels repetitive and unimportant.
Rated 25 Dec 2015
84
88th
Garbage ending that undercuts the story and is an absolute lie but I'm a sucker for Sorkin arguments. Most conversations only make sense if you understand every rapid-fire detail in context, an impossible goal for anyone not already intimately knowledgable of Jobs and Apple. But I do so I thought it was great! Everyone nails their roles, terrific acting.
Rated 01 Jan 2016
7
57th
Steve Jobs isn't a biopic of the man, but instead an interesting, fly on the wall gloss; over three iconic product launches. Danny Boyle's direction & Aaron Sorkin's screenplay both impressively and seamlessly camaflauge the repetition of the same formulae. What Michael Fassbender does with the character is quite remarkable and Seth Rogan & Jeff Daniels also impress. But creative talents aside, ultimately I just don't think that the Steve Jobs story is particularly fascinating or impactful.
Rated 21 Oct 2015
85
82nd
Sorkinese is the language of Apple in the new biopic that attempts to correct what the previous films have desperately gotten wrong. Fassbender is incredible, Danny Boyle's directing is energetic and busy despite the monochromatic ways of Mr. Jobs, and the writing; oh the writing. It is sharp, it is quick, it is nonstop, it is elegant, beautiful, and on point. This is two hours of dialogue and I couldn't get enough of it.
Rated 16 Dec 2015
88
88th
Sorkin is the king of the dialogues!
Rated 14 Dec 2015
76
59th
Steve Jobs is a good movie. It really is. Writing, acting and directing are all superb. Fassy in particular is brilliant. I'm not quite sure what the problem here and what the missing element is. Maybe I don't care a Steve Jobs biopic enough. And also I'm not sure if it is good writing that portraying your main character as an asshole for the whole movie and then trying to compensate it in the last 10 min by showing how kindhearted he is. I didn't buy that but everyone else did apparently.
Rated 02 Feb 2016
80
86th
That Sorkin fella sure can write. He litters his refreshingly different biopic script (non-traditional in that the plot is limited to three product launches) with great lines that I just couldn't get enough of.
Rated 26 Nov 2015
6
44th
An interesting subject matter that has been told in an unusual, very wordy manner. Excellent performances.
Rated 24 Dec 2015
64
78th
"Lisa needs braces!"
Rated 03 Mar 2016
75
93rd
This movie was pure dialogue and was more riveting and engaging than 90% of today's action films. Just goes to show what a great cast, script and director can accomplish.
Rated 26 Oct 2015
80
54th
The too-sentimental ending doesn't kill everything that worked before, and it's enough in line with what came before to be passable. But the purestrain Sorkin dialogue and killer performances shine the most, and when you've set out to make 'Heated Conversations: The Movie', that's a winning combo. Everyone's gonna talk up Fassbender, but I want to also give props to Seth Rogen for perfectly capturing the affability, principles, and underlying touch of sadness that makes Steve Wozniak The Woz.
Rated 28 Dec 2015
80
81st
The script is just brilliant, so well structured and Sorkin really knows dialogue. The performances and direction are good as well but the writing clearly stands out.
Rated 15 Feb 2016
65
54th
It's really hard not to compare it to The Social Network, and I didn't think it was anywhere near as good. I didn't think Sorkin's screenplay for this film was as strong. The dialogue was good, but not spectacular, and it just wasn't as dark and interesting. The structure was cool, but possibly would've been more suited to a stage production. Fassbender shows once again how talented he is. I liked it, but it wasn't amazing, and not what I'd call a 'must-see'.
Rated 24 Oct 2015
90
97th
Steve Jobs is the Steve Jobs biopic to watch, letting you easily forget another one that is better off not being mentioned ever again. Despite taking place well into Jobs' adult life, and being set in just three days, this is a movie that gets you into the man's head, lets you watch his interactions with all of the key players in his life, and provides a funny, entertaining movie while balancing all of these various elements.
Rated 18 Oct 2015
75
67th
A little bit different that what I had expected. Instead of telling the life and death of Steve Job's, we get an inside look at three critical points in his life both successful and unsuccessful. The entire cast is great, especially a surprisingly strong performance from Rogen. It can be a little Sorkin-y at times but you should already know what you've signed up for.
Rated 12 Oct 2015
86
78th
The talent is so great its easy 2 not notice the film keeps covering the same ground. Except for the last act, which has the only scenes which seem contrived 4 a "happy" ending, the Jobs portrayed here is mostly binary: a megalomaniac or intermittently concerned father. Despite this, it's refreshing to watch its deconstruction of the marketed myth of "visionary genius" and give credit to all the legitimately brilliant people this a--hole boss built his reputation on. Thank you, Wozniak!
Rated 26 Oct 2015
90
90th
Sorkin's excellent screenplay along with Boyle's masterful directing cover up a lot of the flaws that plague most life to death biopics. Centering around 3 different product launches does make it somewhat contrived but the contrivances are quickly forgotten due in part to the myriad of great performances especially Fassbender's mesmerizing portrayal of Jobs. The only thing stopping this from being a 100 is the ending. Despite being well done the tonal shift ultimately makes me question it.
Rated 06 Nov 2015
60
10th
Viewed November 5, 2015. Danny Boyle is the worst director of all time. This film manages to be pretty fun in spite of that, but it's painful to think about how great this could have been with a more competent filmmaker at the helm.
Rated 19 Oct 2015
73
67th
Good performances but what's up with that ending though?
Rated 05 Mar 2016
58
41st
so steve jobs was an asshole, guys.
Rated 02 Apr 2021
81
91st
Should be the only Steve Jobs movie out there as its the best by far. Well written and great performances.
Rated 29 May 2017
70
54th
Wasn't expecting a movie like this.. It shows Steve Jobs' life and primarily uses the time just before Jobs gives some kind of big speech to show how he's changed as a person and the challanges he faces over time. Evil Jobs becomes Good Jobs. And yes, Fassbender did a very good Job(s) ;)
Rated 25 Oct 2015
7
84th
Big Sorkin fan, and this was probably my most anticipated non-Star Wars/James Bond/Rocky movie of the year, but I'll admit being a LITTLE disappointed - I enjoyed it start to finish, groovin' on Sorkin's dialogue (the Jobs/Wozniak scenes were especially electric), could've happily watched a fourth vignette, though it's hardly a patch on The Social Network (still one of the five best films so far this decade). Its attempts at delving into the complexity of Jobs' psyche come off a little simple.
Rated 05 Feb 2016
63
54th
The screenplay and direction doesn't hesitate in portraying Jobs' uncompromising personality, making a picture that doesn't idolize him but explores his conflictual journey. It's fast, passionate and makes for a great foundation of strong performances. Fassbender really steals it with great support from Winslet and Daniels. Unfortunately it feels like it's running the same formula over and over, too turbulent, blown out of proportions and a sense it deviates from reality on too many occasions.
Rated 23 Jan 2016
69
66th
Aaron Sorkin brings you yet another biopic about Aaron Sorkin. One of the better ones.
Rated 04 Feb 2016
85
89th
I can only salute the filmmakers for making a biopic that doesn't follow the usual formula. It feels at times like the filmmakers have challenged themselves to make something interesting from three conversations, but they succeed. It is surprisingly tense and riveting.
Rated 16 Nov 2015
83
61st
A portrait of Steve Jobs (Michael Fassbender) through the prism of three product launches: the Lisa, the NeXT, and the iMac. You could hardly ask for a better cast, and the production is generally top-notch, but Aaron Sorkin's script falters in its three-act structure, which makes for a repetitive and ultimately somewhat shallow film. But with Fassbender's charismatic performance at the helm, it's a frequently gripping one. It's just not THE SOCIAL NETWORK, and it wants to be.
Rated 12 Nov 2015
83
75th
"Its not binary". What a sentence. What a simple, yet maybe even true thought, that couldn't even be destroyed by this bizarrely sugarcoating ending. The question is not: Who was Steve Jobs? The question is: Who are we, that we make Steve Jobs our savior? Someone, who understood us (aka marketing!) so well, that he thought, he had to portray the asshole-by-choice Sorkin always wants to see in his leads, to follow our perceptions of the torn-nasty-genius.
Rated 19 Mar 2016
85
83rd
This was truly an excellent movie with great performances. The actors have Aaron Sorkin to thank. There was also a smart use of flashback and flash-forward to encapsulate the bigger story. Recommendsees..
Rated 18 Nov 2015
75
89th
I don't know much about the man so I can't comment on how accurate this film is in its portrayal of him, but I will say that it feels like the film pulls no punches. Sorkin paints Jobs as a human perceived to be inhuman due to his flaws that constantly come to the surface and are reflected in the products he displays. At times, though, the writing seems a bit forced, and the structure of the film doesn't always work along with Boyle's canted shots. But it is still a really good introspection.
Rated 12 Feb 2021
83
87th
Not the most interesting story, but very well made and great performances.
Rated 07 Jan 2016
50
24th
I just watched a guy I don't care about argue with everyone around him about anything and everything for two hours straight. That's the whole movie, and though the script is good, and Fassbender is effortlessly compelling, it seems that Steve Jobs the person just wasn't interesting enough to make a movie about.
Rated 04 Feb 2016
82
86th
There is not a single piece of work I wouldn't watch when Sorkin writes..
Rated 25 Jan 2016
30
3rd
Offensively bad. Even decent performances couldn't elevate a supremely ignorant and toothless script and blind direction. I expected this from Sorkin, but not Boyle.
Rated 13 Sep 2017
5
40th
None of the actors look like their real life counterparts, which is something I had a hard time getting over. All the fake events / forced dramatisation weren't my cup of tea either. I must admit however that it was a well put together movie that built up the drama well and the idea of delivering the story in just three acts was a nice touch.
Rated 15 Dec 2015
71
52nd
I didn't think he was that good of an actor. Kate Winslet, on the other hand, was really good.
Rated 21 Feb 2020
70
56th
Much like the title character, the film is one prolonged struggle from a director and screenwriter battling their worst tendencies to try and put together some spark of magic. There are some moments that get really close to dismantling the mythos of the genius in the garage, but hard for everything to align when so much of it is basically a music video for an open mic session. Daniels and Rogen impressively hold their own against A-game Fassbender.
Rated 02 Apr 2016
70
59th
I enjoyed the way this was done. It wasn't your typical biopic but you still got a good sense of his story. There are some trademark Sorkin-esque dialogue and great direction and performances all-around. It tries to paint Jobs in a good light (even though he seems like an ass), and I thought it works quite well (even though apparently some of it never happened...).
Rated 28 Dec 2015
70
60th
Superb acting by all concerned. The ending felt all out of wack though. It seemed that we were supposed to read this guy as a major a-hole and difficult person all the way through and then at the end his heart melts and we're happy for him and his family.
Rated 01 May 2016
52
52nd
By all accounts Steve Jobs was a cunt in his personal life, so this redemption arc that Sorkin tries to pull off is ridiculous. It's still watchable as a pale imitation of The Social Network with Fassbender.
Rated 25 Jan 2017
65
52nd
good but based on this and the one with kutcher maybe jobs don't really make for an interesting movie somehow because it isn't very exciting
Rated 03 Jan 2016
84
77th
I didn't think a film directed by Boyle, written by Sorkin, and starring Fassbender would suck. The long, exhausting scenes are not for those prone to backstage fright, this is an intensely well made film, with plenty of spikey dialogue surrounding both the titular character's family life and business life, both of which are equally engaging and show how intertwined they can be. Nice to see it doesn't overpraise the man either, though a few moments towards the end were a little on the nose.
Rated 28 Sep 2017
35
98th
It was astonishing watching a true artist play a computer maker dude.
Rated 29 May 2018
80
55th
79.00+1 = 80.00.
Rated 06 Nov 2016
68
65th
Not so much a biopic as a slice of three pivotal moments for Jobs ideas. It works well in some facets, his business dealings, but it does seem to weaken or rush his personal relationships. There is definitely character development, but it feels like it could have been more. That being said, its crisp, entertaining and well acted.
Rated 17 Jan 2016
71
66th
As a movie it was pretty difficult to follow since it was full of talking. But leads did good job, as did small Lisas. If anything else there was several brilliant editing moments. I was stunned by them! Got better towards the end though.
Rated 07 Jan 2016
72
74th
The movie is interesting and you get to know unknown things about Steve Jobs. Just the main actor ruined it for me. He was so uncarismatic and without attitude unlike Steve Jobs, when he offended it sounded as he wasn't rude. In the old days, he looked just like Steve Jobs, but that's all. At least Aston Kutcher looked like Steve Jobs more, and copied his posture and moves, unlike this one.
Rated 07 Feb 2016
81
73rd
Peculiar narration, decent story, great dialogue, great directing, great acting. The first act is a bit loose but after that it's on a roll.
Rated 17 Jan 2016
72
76th
All the actors deliver some gripping dialogues coming from Sorkin's great script. Though, personally, I'd rather like to learn more about Jobs' work and passion than the never ending arguments with his wife and daughter.
Rated 07 Feb 2016
46
43rd
Decent. Michael Fassbender gives a brilliant performance. Perhaps a bit odd - I am not sure exactly how they were trying to portray Steve Jobs. The story is a bit lacking.
Rated 04 Nov 2015
3
25th
The glaring historical inaccuracies aside, I would've loved to have seen this in the hands of a more capable director. I dont think any director fits the slick, modernism of Apple more than Fincher for example. Too bad. Also the dialogue is a little too Sorkinesque for it's own good. The emotional scenes dont really pack the punch they should because of it. Not the intimate film we were lead to believe it was going to be, but it's not all bad, when Fassbender gets going he steals scenes.
Rated 30 May 2016
75
40th
It's starting to become a full-time job keeping up with the multitude of Steve Jobs movies coming out. Will it ever stop? iCan only hope. I have nothing against the man, but I'm not a huge Apple person. After seeing this movie, I don't think it did any favors for the memory of Steve Jobs as he looks like a colossal jerk. The writing by Aaron Sorkin is incredible though and the main reason the movie got such a high mark from me. The directing from Danny Boyle was really good too...
Rated 29 Dec 2015
79
62nd
A well written, well acted and well put together film that looks at the more complex side of a modern icon. I really appreciated being shown what this film had to say, regardless of whether or not it's necessarily based on fact or fiction, because it's not afraid to point out that Jobs, like any great person, spent most of his life being wrong but had the patience to keep going until the world changed and he was right. Highly engrossing throughout, highly recommended.
Rated 25 Jan 2017
40
17th
This one did not do it for me. I can not believe this is actually how it happened. It all seems too exaggerated. 40/100.
Rated 23 Jan 2016
65
53rd
It's a huge showing off effort from Sorkin, but it's still quite good with a powerful payoff.
Rated 21 Dec 2015
69
59th
It is well done, loved the way of storytelling but it doesnt make much impact, because the character is not so interesting.
Rated 02 Apr 2017
65
68th
sorkin is like that annoying kid in the arcade who knows all the combos of in street fighter. just a flurry of unstoppable punches coming your way and there's nothing you can do about it. jobs' life is somewhat interesting, but sorkin just makes that boardroom drama shine. fassbender and winstet could easily do this on a stage, as they are great from start to finish.
Rated 29 Oct 2020
8
38th
I would have rated it a tier higher if it hadn't distorted so much of the actual events. Appreciate the attention to detail otherwise, and the distinct styles (film to digital) used in each act.
Rated 20 Apr 2016
9
29th
W2E0P2S1V1M1A1R1. Obviously a clever setup, but a boring movie, where the acting just seems too easy to be all that laudable.
Rated 26 Jan 2016
60
13th
so many dialogues, but not bad.
Rated 23 Dec 2015
5
43rd
Off the bat, this is no "The Social Network", it is though a bit too reminiscent of an overlong "The Newsroom" episode. Fassbender completely embodies Jobs and is the only force carrying any impact from start to finish. A few smirks and occasional aesthetically pleasing edits aside, this over talkative three act biopic eventually falls flat on its face.
Rated 25 Oct 2015
75
56th
The strength of this movie lies in those scenes where Michael Fassbender goes one-on-one with somebody & throws performance bombs. Daniels or Winslet, Rogan, or even Waterson, when it's "Jobs vs. somebody in a dialogue scene", sit back and watch magic, from both sides. Excellent cast. Feels like The Social Network (obviously), but I'm not sure how "intimate" this portrait really is. At times it feels a little arms-length-ish. But it seems to treat Jobs fairly as a far-from-perfect individual.
Rated 19 Feb 2016
60
62nd
Fassbender reads Sorkin.
Rated 22 Feb 2016
3
65th
This was excellent. Great script, and super editing. Great performances from everyone with Fassbender stealing the show. He is SO good! *Good
Rated 13 Apr 2021
89
93rd
Steve Jobs does not belabor us with a story that we already know; instead, the film deftly explores moments in time to make us feel what it was like to be around the revolutionary tech legend.
Rated 18 Mar 2018
88
71st
Real good. Fassbender is pitch perfect. Sorkin's script, as usual, is unique in its take and rhythmic in its exploration through dialogue. Every scene becomes riveting because the actors are hitting Sorkin's notes so flawlessly. Boyle employs one neat idea into each scene to remind us there's a director behind this (also dug the different film used for each section). But yeah, Fassbender and Sorkin are the truest stars here.
Rated 06 Nov 2015
67
41st
Not gonna pretend that this couldn't have been better but it was really engaging. Wish Sorkin knew how to write smaller dialogue because the slick, fast and witty shit can only get you so far. Really needed some humanity in this one.
Rated 02 Feb 2016
76
55th
so distant so cold... Sorkin's "walk with me" dialogues kind of got boring, nothing original.. Even a great actor like Fassbender couldnt find an opportunity to shine... Good movie but so much missed opportunity
Rated 29 Feb 2016
90
93rd
loved waterston in this. cool inspirational movie, loved the father-daughter shit
Rated 28 Oct 2015
85
73rd
A respectful drama that could work as a screening/debate in a business ethics class. It articulates conflicts & themes like vision, pragmatism, logic & nurturing in a compelling way that'll make you want to talk. But Aaron Sorkin's screenplay is distractingly littered with Sorkinisms. His familiar tropes are numerous: including screwball antics, first name gags, a Senior VP vs. a CEO, & unresolved father/son issues. I'll always be curious to know what David Fincher could've done as director.
Rated 24 Jan 2016
87
95th
I generally hate Steve Jobs (the person, not the movie), but I was definitely engrossed in the movie. The structure of the movie was original and very effective!
Rated 02 Dec 2016
80
77th
Picks a few specific areas and aspects of a lifetime and hones in on them to great dramatic effect. Steve Jobs has some of the best dialogue of the year with Aaron Sorkin to thank and Danny Boyle's direction keeps things gripping throughout. The many conversations that happen feel quite varied in where they take place despite only having a couple of locations to work with. Special props to the soundtrack also.
Rated 27 Oct 2015
75
67th
A very solid biopic that was hindered by the timing and how exposed Steve Jobs is at time of release, and honestly how repetitive the three acts are. I appreciate that unlike jOBS they don't try to go into every moment of his life (but briefly touch on critical moments) and the acting is all very very good. Fassbender embodies the man perfectly, but I just don't care about his asshole story. I was more interested in Winslet as Joanna Hoffman actually. Her story was be both new and interesting.
Rated 09 Feb 2016
2
59th
Oh Sorkin you, sly dog, another craftily written script. In all seriousness though, the dialogue is smart and nifty, however I found it all to be a tad tedious. From the characters (Jobs, king of Doucheland) to the 'grand releases' and all the drama attached to it. Fassbender shines however and acts himself up to stellar heights no douche has ever gone before. Stay classy, Fassy. All in all SJ is quite an okay watch, Danny Boyle does what he can, but in the end I can't help but think, care?
Rated 24 Nov 2015
40
35th
Perhaps Steve sees that by the time this movie comes to a close. Perhaps he realizes that Lisa--the one made of blood and flesh, experience and story--is the Lisa he should've loved all along. Oh, and yes, movies are a lot like people, too. Great ones are not always good ones. Steve Jobs, rated R as it is, serves as an example of that. (pluggedin.com)
Rated 11 Feb 2017
65
43rd
Three solid well-acted, well-scripted, and well-directed scenes, but perhaps not a compelling whole.
Rated 23 Oct 2015
60
55th
Not sure if it says very little or nothing at all. Fassbender is mesmerizing as it's all going on. Not sure if the goal was to balance Jobs or turn him into a monster, but the human element that drove The Social Network is missing is Sorkin's script this go around. Boyle does try though. iPod coming in Act IV.
Rated 01 Feb 2016
85
72nd
Fassbender is indeed compelling. Wish I hadn't missed the first 7 minutes. Gotta gettin reading the authorized biography. Wish I'd bought that stock in 98....
Rated 29 Jan 2016
78
65th
Fassbender nailed it
Rated 10 Jan 2017
8
98th
If you're going to interpret on film the searching mind of an indisputable genius, it helps not to make too many dumbass moves. On that basis, score a triumph for Steve Jobs, written, directed and acted to perfection, and so fresh and startling in conception and execution that it leaves you awed.
Rated 22 Jan 2016
60
40th
Not a dull moment in there but knowing half the things in the movie being made up, and Jobs' character exaggerated, it doesn't hold much water. Still, very well written and acted and well directed, a good watch.
Rated 18 Jan 2016
70
72nd
I thought that this was a very well structured movie, like a really nice stage play. It has great performances where Fassbender shows what a great actor he is and you can have a glimpse of the whole story trough the dialogues.
Rated 13 Nov 2015
60
42nd
Steve Jobs has a great premise and a great screenplay, but stands as proof that one cannot live on writing alone.
Rated 07 Mar 2016
70
19th
Ich besitze ein Mobiltelefon für fünf Euro, im Spätkauf erworben. Bisher hat Steve Jobs also noch keinen Einfluss auf mein Leben ausgeübt. Wieviele Leute aber, mögen wohl direkt nach dem Abspann ihr iPhone heruasholen? Danny Boyles Film mit den Qualitäten eines Thrillers bietet den Hintergrund für die Entwicklung dreier Produkte Jobs... mehr auf cinegeek.de
Rated 24 Dec 2018
80
83rd
Top. Fasbender erg overtuigend.
Rated 13 Dec 2015
80
64th
12 Aralik 2015, aqua florya & aaron sorkin faktoru.
Rated 20 Apr 2016
70
43rd
Fantastic performances all around. However, I was hoping for a bit more on Jobs himself, and less on his family relationships, which to me is the most uninteresting aspect of a brilliant asshole. I mean, he turned an entire generation into screen-staring robots - there's got to much more to him than his daughter.
Rated 08 Jan 2016
80
95th
Fassbender is a legend.
Rated 25 Jan 2016
75
65th
The dialog is for the most part top notch as always from Sorkin, but some of the decisions made with the pacing and the art direction detract from it overall. I was a bit disappointed, but it's a good effort.
Rated 06 Aug 2017
89
96th
Features many excellent turns and clever, even didactic, cinematic tricks. It isn't shy in depicting Jobs as the flawed man behind the icon.

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