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Sugar & Spice

Sugar & Spice

2001
Comedy
1h 21m
The no-holds-barred teen comedy that takes "girl power" to hilarious new extremes -- and proves that sometimes "everything nice" leads to crime. (New Line Cinema)
Your probable score
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Sugar & Spice

2001
Comedy
1h 21m
Your probable score
Avg Percentile 26.42% from 393 total ratings

Ratings & Reviews

(393)
Compact view
Compact view
Rated 13 Apr 2010
10
1st
Take your copy of this movie, bury it about half a foot under, and water it--maybe it will grow into something prettier.
Rated 10 Oct 2010
43
12th
Look! Girls can make shitty crime comedies too!
Rated 14 Aug 2007
92
78th
A teen movie I loved. The movie pretty much kicked ass.
Rated 14 Aug 2007
40
7th
This movie is almost good after the mute button is utilized.
Rated 14 Aug 2007
86
60th
I don't hate this movie.
Rated 16 Sep 2007
60
39th
kinda fun.
Rated 02 Oct 2007
10
5th
Pure shit.
Rated 28 Dec 2007
8
2nd
It's a horrifyingly bad movie. I only gave it an 8 because the girls are hot.
Rated 27 Feb 2008
36
14th
ger
Rated 08 Mar 2008
50
39th
A rather delicious parody of stereotypes with flashes of avant-garde absurdity. Clever & frequently funny. The acting is quite amazing most of the time, my complaint is that more of the girls aren't more fully developed characters, this could have ballooned into a three hour sweeping epic of staggering satirical import. Thank god the filmmakers took the low road of dumb little comedy. Those of you hoping for or expecting lots of cheering will be disappointed.
Rated 29 Jun 2008
10
4th
bad movie
Rated 21 Oct 2008
50
28th
Weird.
Rated 01 Sep 2012
2
30th
Just a little 'eh.' Kind of funny.
Rated 05 Jul 2017
50
14th
Hot girls prancing around trying to be funny and that's about it. Well filmed, but ultimately not good, not bad.
Rated 01 Jan 2018
81
18th
1
Rated 12 Nov 2020
57
15th
Passable entry in the slew of turn-of-the-millennium teen comedies is nevertheless hampered by an odd, wildly shifting tone of the comedy, from absurdist farce to spoof to satiric send-up, which makes it difficult to embrace the characters (or the situation they are in) on the appropriate level. Awkward shoe-horning of otherwise unrelated Sokoloff as third person narrator is an odd choice and reeks of a clumsy effort to better tie together some disparate threads in the screenplay.

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