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The Big Red One
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The Big Red One

1980
Drama
Action
1h 53m
Your probable score
Avg Percentile 61.37% from 566 total ratings

Ratings & Reviews

(566)
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Rated 31 Aug 2013
30
10th
Why the hell is this highly acclaimed? An absolute chore to sit through. Marvin is alright but it's often super-boring and there's a healthy surplus of really bad scenes. Hopefully, these problems may in part be blamed on the edition, 'The Reconstruction'. As I understand it, the original is about an hour shorter. But I don't see how removing a third of this mess could make it even half-way decent.
Rated 13 Feb 2010
90
96th
One of the greatest war-movies I have ever seen !!!
Rated 05 Mar 2007
70
82nd
Great war film.I have to point out tho that I dont think germans drove sherman tanks in WW2.
Rated 03 Nov 2008
80
71st
A sweeping war movie across the European and North African theater. Touches upon some very disturbing issues all soldiers may have to face, a must see.
Rated 30 May 2022
75
73rd
Some good, some bad. Lee Marvin as good as always.
Rated 26 Jun 2010
85
81st
It doesn't feel as special now as it probably did in 1980 but it's still a really good film. Lee Marvin delivers a subtle but powerful performance and the film's style makes the viewer relate to the way a long war can overwhelm and make people numb.
Rated 10 Nov 2007
65
37th
Wildly uneven, it's essentially a series of vignettes from WWII focusing mostly on the absurd rather than the heroic. The dialogues often border on the ridiculous, and the script in itself isn't very polished, but Fuller's attention to morbid details and insistence upon showing the realistic, ugly and often surreal aspects of the war lend it a redeeming value, despite its lack of overall coherence.
Rated 12 Apr 2010
85
89th
no lack of interesting events (even with some of them being pretty absurd), but it's fiction and i don't expect total war realism from a war movie made in 1980. all the main characters are likable and well portrayed. i thought the scope of the movie was something pretty great, covering nearly every aspect of the european theater as fought by the americans.
Rated 20 Jun 2008
81
76th
Before Saving Private Ryan, this was the best WWII movie about the interaction of squad members in combat. Lee Marvin has never been better. A must see.
Rated 23 Jun 2023
70
65th
Plays like a Cliff's Notes on the war. I saw the shorter theatrical cut and it felt like it was wisped along too quickly, often without a real balance of where they were in relation to the action (imagine if you couldn't figure out if Die Hard was in an office building or a mini mall). A lot of Sam Fuller touches (baby in a tank, the insane acting sane by shooting a gun) amongst pretty good battle scenes. It just didn't click, but I'll give the director's 40 min longer cut a try, eventually.
Rated 29 Jul 2007
90
95th
Another great ww-II film. Historically pretty correct, no glorious hero stuff, but an interesting account of a group of soldiers from their first contact with the germans in North Africa, to the invasions of Sicily, France (d-day) and the battle of the Bulge in Belgium. This film still stands the test of time and after 20 yrs doesn't feel dated at all.
Rated 25 Jun 2019
34
2nd
You're essentially watching the American army sucking its own dick, killing krouts, delivering babies, arranging honourable burials for orphan boys' mothers, and for all the money seemingly spent on the endless explosions, the direction is amateurish, acting poor, and the enemies identified by accents that are baffingly bad. Avoid.
Rated 10 Feb 2021
50
20th
Expected something a lot more unconventional from late-era Sam Fuller. This is just your average war pic. He does have a good eye for imagery but it's not enough to make this interesting.
Rated 13 Apr 2010
4
55th
More effective filmmaking from Fuller saddled by way too many cornball aspects. Ranging on the cartoonish, in places.
Rated 08 Mar 2023
72
64th
All various historical inaccuracies put aside, I really liked the episodic nature of this movie and the way it shifts from one front to another, centered around the small group of soldiers and their leader who are thrown at various situations. It shows different sides of the war, from the comradery and the dark banter between the soldiers to the victims and the people who are thrown in the middle of this shitstorm.
Rated 06 Aug 2011
30
21st
What the hell was this. Nearly three hours of boring action set pieces overlaid by reductive propaganda. All the characters besides Lee Marvin, Liberal Conscience guy and Cigar Smoking guy blend into one another - oh right I forgot the evil German guy who stalks this particular squad across two continents and machineguns everyone who doesn't like Hitler. And, of course, the random German doctor who makes out with Lee Marvin. Hot.
Rated 10 Jul 2016
70
64th
Lee Marvin and Mark Hamill star in this World War 2 action drama. They're members of 1st Infantry Division, the Big Red One of the title. We follow their journey from North Africa, through occupied Europe, into Germany. The movie has obviously inspired Saving Private Ryan and the un romanticised view of war was, I'm sure, way ahead of its time. Definitely worth a watch if you're a fan of the genre. #1001Movies
Rated 15 Aug 2009
85
84th
I watched the Reconstruction. A loose collection of the bizarre.
Rated 08 Mar 2010
91
86th
The masterpiece of Fuller's old age. Man, this war movie has everything, including a baby born in a tank! A great Lee Marvin performance.
Rated 08 May 2019
60
26th
Zab: "Saving that Kraut was the final joke of the whole goddamned war. I mean we had more in common with him than all our replacements who got killed whose names we never even knew. We'd all made it through we were alive. I'm gonna dedicate my book to those who shot but didn't get shot, because it's about survivors."
Rated 19 Aug 2007
20
2nd
It might be the worst war movie ever made.
Rated 17 Jun 2007
100
95th
Absolute classic. Fuller may not have had the money that Spielberg had to make _Saving Private Ryan_, but this movie blows SPR right out of the water
Rated 10 Apr 2009
50
67th
Symbolic action drama, very well made but finally lacking a cumulative impact.
Rated 10 Aug 2020
50
59th
"The Big Red One" has its moments, but the idea that a 60-year-old three striper could spend all of WWII fighting on the front lines was too much for me.
Rated 20 Dec 2006
73
45th
Some elements are a little silly (the rival German officer, the lonely Nazi doctor, the insane asylum) but otherwise a good war movie, utilizing the same "vignettes" narrative style as Saving Private Ryan, among others.
Rated 07 Aug 2009
44
17th
I really don't understand why so many people like this movie. I thought it was hokey and kind of unrealistic, not to mention completely lacking any kind of intensity.
Rated 25 Nov 2010
40
97th
"The film's overriding mission is to expose both the inherent absurdity and tragedy of war." - Nick Schager
Rated 30 Oct 2013
99
98th
In the form of its 2002 restoration, this film is almost perfect. The story of the First Infantry Division's fight from North Africa through Nazi-occupied Europe, it's written and directed by a soldier who was there. If it had just had a big enough budget to make Omaha Beach look right, it'd get 100 points from me.
Rated 02 Aug 2018
84
75th
Pretty great in its ability to draw us into the grueling pain of war, all the while having it punctuated with humor or parties that seem badly out of place. But this is the nature of survival, which is what the film celebrates.
Rated 03 Nov 2022
68
57th
Some very bad acting balanced with a great performance by Lee Marvin.
Rated 29 Mar 2018
59
18th
Apparently a classic? Not bad, just really corny. Lee Marvin is very good at least
Rated 08 Apr 2012
88
98th
Brilliant. Only let down is the misplaced use of Dirty Dozen-ish humour and music that thankfully wears off in the second half. Even Mark Hamill is good.
Rated 08 Apr 2023
81
77th
What Sam Fuller could do when given a budget. This is an epic war movie that spends far more time on the soldiers than on the war itself. It is harrowing and lacks any sense of jingoism. The episodic nature of the film reinforces the cog-in-the-wheel aspect that war utilizes to dehumanize its combatants.

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