The Conformist (1970)
This story opens in 1938 in Rome, where Marcello has just taken a job working for Mussollini and is courting a beautiful young woman who will make him even more of a conformist. Marcello is going to Paris on his honeymoon and his bosses have an assignment for him there: to look up an old professor who fled Italy when the fascists came into power.
Cast and Information
Directed By: Bernardo Bertolucci
Written By: Bernardo Bertolucci, Alberto Moravia
Starring: Dominique Sanda, Stefania Sandrelli, Pierre Clémenti, Jean-Louis Trintignant, Gastone Moschin, Enzo Tarascio, Fosco Giachetti, José Quaglio, Giuseppe Addobbati, Yvonne Sanson, Milly, Christian Aligny
Genres: Drama, Suspense/Thriller
AKA: Il Conformista
Country: France, Italy, West Germany
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The Conformist belongs to 105 collections
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Browse the full list of collections
| Date | User | Rating | |
| Oct 19 | neven94 | 81 57% |
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| Oct 13 | John Marston | 86 74% |
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| Oct 11 | Bresson123 | 86 80% |
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| Oct 04 | doyler29 | 90 85% |
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This elliptically structured, nearly expressionistic film is one of the most visually dazzling films of the period. Vittorio Storaro's absolutely stunning cinematography and Ferdinando Scarfiotti often surreal production design combine to create an understated nightmare version of fascist Italy. Trintignant's extremely understated performance embodies the film's study of fascist psychology.
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| Oct 01 |  |
eb_mohsen_ | 82 82% |
| Sep 25 |  |
maborosi | 92 96% |
| Sep 24 | Mavoy | 77 52% |
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| Sep 21 |  |
IMDBv2 | 80 90% |
| Aug 28 | Gorro | 99 99% |
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| Aug 28 | JohnyNich | 65 20% |
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| Aug 28 | EgeI | 70 81% |
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| Aug 26 | derektripp | 62 46% |
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Shadrik | 72 57% |
| Aug 11 |  |
pileofzack | 75 42% |
| Aug 09 | lalyndon | 85 91% |
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| Aug 05 | pang | 0 36% |
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clayj41 | 61 32% |
| Jul 31 | jam66539 | 90 94% |
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| Jul 26 | mvsilva | 84 75% |
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tarrou | 80 67% |
| Jul 11 | MiniTugboat | 9 69% |
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| Jul 09 | akali_ | 85 92% |
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| Jul 06 |  |
HombredeMaiz | 80 92% |
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Bertolucci at his most cinematically creative. Cinematography, period detail, and set design are magnificent in this influential film that was particularly important to "New Hollywood" directors like Coppola and Cimino. The acting is good though hampered by the practice of dubbing common at the time. The screenplay is decent, though the subtext is really the key to the brilliance of the film rather than the plot or characterization. Conformity and perception expertly examined. A masterpiece.
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| Jul 03 |  |
Liff710 | 46 37% |
| Jul 02 | JJJensen | 95 95% |
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| Jun 29 | obligatory | 100 88% |
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| Jun 22 |  |
donniedarko | 70 23% |
| Jun 21 | CAPPLIES | 10 97% |
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| Jun 21 | brunnhilde | 80 76% |
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| Jun 03 | nikan | 90 75% |
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| May 31 | eplpw | 59 25% |
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tardini | 90 98% |
| May 24 |  |
SheWas | 91 96% |
| May 23 |  |
buddhalou | 80 75% |
| May 22 |  |
JonnyHalftab | 87 72% |
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Rewatched one year later and for once my opinion is unchanged. The middle is really boring and as a whole this is less gorgeous than I remembered
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| May 17 |  |
blueandred | 4 91% |
| May 13 |  |
digestivo | 80 67% |
| May 05 | kikosdad | 75 39% |
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| Apr 25 |  |
Rivette | 70 76% |
| Apr 24 | daddydevito | 100 91% |
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| Apr 21 | TomLeazak | 50 0% |
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| Apr 16 | sellis | 82 65% |
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I'm not sure I understand the decision behind the non-linear structure. I'm not against it in theory, but I feel I'm missing subtext to the imagery of the protagonist passively waiting in the backseat of a car for the majority of the "present" timeline of the film? I appreciate the works of Roeg, Watkins, and others who have utilized a similar structure conceptually - it just felt like a missed opportunity character-wise. The visuals are stupid great. Like Jean Pierre Melville by way of Argento.
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| Apr 10 | sagikk | 90 94% |
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| Apr 04 | coldesser | 100 0% |
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| Mar 28 | PelZ | 97 88% |
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| Mar 25 | HosHy | 95 89% |
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| Mar 21 | MAStevens | 82 86% |
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| Mar 12 | HoneyB | 67 32% |
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firatturhan | 89 85% |
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fkaraman | 85 83% |
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gozdeyuksel | 100 99% |
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Vokalbum | 100 99% |
| Feb 26 |  |
Hofschneider | 83 76% |
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Sexist and homophobe undertones aside: cool political analysis. The last note is brilliant.
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| Feb 23 | mtavolieri | 95 75% |
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| Feb 21 |  |
NathanBates | 60 34% |
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In many movies, the main character is a normal person who has to do something to possibly achieve greatness (or avoid great loss). Here, we have a less-than-adequate person who is just trying to be "normal." I felt like my lack of knowledge of Italian politics -- and the repeated flashbacks -- hindered my enjoyment of the movie, and it probably deserves a second watch. Quite beautiful, even if it hits all the points my mother said never to talk about in public (politics, sex, and religion).
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| Feb 15 |  |
rihrey | 69 88% |
| Feb 08 |  |
akintunc | 90 93% |
| Feb 05 | shadow94 | 78 60% |
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| Feb 04 |  |
karamazov. | 56 75% |
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I'm not sure Bertolucci understands his own material. Ambiguous enough in certain ways that many political critiques that mutually exclude each other could be read into it. Bertolucci as a genuinely Red filmmaker? idk. I doubt his films really have the credentials in that regard of contemporaries like Lizzane or Wertmüller.
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| Feb 02 | LarsVonTrier | 4 94% |
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So neatly shows that the fascism starts with the cowardice of the ordinary individual that has no principles. Brilliant.
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| Jan 22 |  |
Basp | 80 80% |
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id2012 | 70 55% |
| Jan 20 | HakkaMex | 8 85% |
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P u l p | 73 73% |
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#2700
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vishal8492 | 73 67% |
| Jan 08 | metalrocker | 60 25% |
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| Jan 04 | Alcofribas | 90 91% |
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| Jan 03 | simsorut | 88 84% |
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And thereby I conform to my probable score.
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| Jan 03 | Cheezy Dub | 70 63% |
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| Jan 02 |  |
careunicorn | 89 74% |
| Jan 02 | CinemaLover7 | 80 39% |
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| Dec 31, 2020 |  |
hulot | 70 70% |
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cenowalrider | 85 90% |
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tydmir | 85 71% |
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nobamba | 80 87% |
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I can go on about how thematically sexuality is used as a lens to view the world of our main character given his previous admitted trauma, but really, what's a good Italian film without sexy refined ladies? The setting reminded me a lot of Le Samourai but the characters could not be any more dissimilar. Almost a comedy at times. Others are talking about the amazing cinematography but it was so seamless for me that I didn't notice. Fav scene: train sex with Stefania Sandrelli.
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| Mar 31, 2020 | Pleveen | 95 87% |
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Aquário
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| Jun 27, 2019 | mbramhald13 | 90 88% |
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mevrensel | 80 63% |
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| Jun 09, 2019 | JDM123 | 100 84% |
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One of Bertolucci's best.
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| Jun 08, 2019 |  |
umutheatre | 93 95% |
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Bertolucci'nin filmlerini ba?lat?p sonunda getirdi?i noktalar, sinema tarihinde çok az senarist ve yönetmenin ba?arabildi?i bir ?ey gerçekten. The Conformist; geçti?i dönem ve politika gibi konularda fikir sahibi edindirirken hikayesiyle birlikte kendisine a??k ediyor.
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| Jun 07, 2019 |  |
xybydy | 100 99% |
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05/04/2019 @Kad?köy Sinemas?, 38. Uluslararas? ?stanbul Film Festivali &Demet
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Perdede.
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| Apr 08, 2019 | cinephile212 | 89 86% |
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| Apr 07, 2019 |  |
dundjay | 84 91% |
| Apr 07, 2019 |  |
nbc6 | 63 54% |
| Apr 07, 2019 |  |
kaan26 | 65 56% |
| Apr 05, 2019 | JepAndButch | 9 93% |
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| Mar 30, 2019 | Old_Spriggan | 75 61% |
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| Mar 30, 2019 | bigoomp | 30 77% |
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| Mar 22, 2019 |  |
guneybirtek | 90 78% |
| Mar 17, 2019 |  |
lucius | 80 86% |
| Mar 17, 2019 | lillakniven | 90 97% |
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| Mar 17, 2019 | ahmetberkay | 76 32% |
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| Mar 13, 2019 | Katharina | 85 20% |
|
| Mar 05, 2019 |  |
frederic_g54 | 7 57% |
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The story's underlying complexity makes its unremarkable plot feel somewhat like an afterthought. And while the film looks great, the tone is unfocused, often transitioning from romance to comic relief to drama in a matter of seconds. As a result, the film's disparate elements add up to less than the sum of its parts, but I can imagine repeat viewings will allow me to appreciate it more.
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| Mar 05, 2019 | mate_cosido | 70 40% |
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| Feb 27, 2019 |  |
gamzeknc | 80 67% |
Displaying 1 to 250 of 1562 total ratings: Prev | Next
| Average Percentile 73.45% from 1563 Ratings |  |