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The Countess

The Countess

2009
Drama
Suspense/Thriller
1h 38m
A 17th century Hungarian countess embarks on a murderous undertaking, with the belief that bathing in the blood of virgins will preserve her beauty (imdb)
Your probable score
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The Countess

2009
Drama
Suspense/Thriller
1h 38m
Your probable score
Avg Percentile 30.84% from 159 total ratings

Ratings & Reviews

(159)
Compact view
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Rated 23 Feb 2009
30
10th
This was boring, frankly.
Rated 19 Nov 2009
74
40th
Love period dramas; this is average.
Rated 07 Feb 2010
29
21st
I like the story, how they made a realistic version of a myth. A strong women are always been threat for men. I liked the editing and sets were well done. Unfortunately the directing was dull and flat. There was no ups, no downs. All good points went in vain without strong emotions.
Rated 07 Feb 2010
45
17th
Despite the exciting plot, beautiful production design and lensing, this is poorly handled and quite silly.
Rated 14 Apr 2009
30
7th
here's a blood red score for the countess. maybe delpy shouldn't direct.
Rated 12 Jun 2013
80
68th
All I knew about this movie was that Julie Delpy wrote and directed and starred in it. My God! Twists and turns! The plot summary ruins what was, for me, a CRAZY and delightful reveal half way through the movie. I had no idea.
Rated 06 Nov 2010
50
9th
Delpy is always good but the movie just takes pleasure in horrific descriptions without even a satisfying historic background.
Rated 14 Aug 2009
0
7th
Delpy, as actress, displays the psychology of the character forcefully, but there is nothing else that is remarkably intelligent or otherwise interesting, story-wise or cinematically. It feels like the film has a continuous gray setting and the story is quite flat. And the whole film feels a bit mock-noble pretentious.
Rated 10 Feb 2024
71
47th
My ★★★½ review of The Countess on Letterboxd https://boxd.it/5NFmBL
Rated 11 May 2010
40
25th
Julie Delpy depicts the gloomy Countess with a great sense of apathy thus denying the viewer access to the main protagonist. The story falls flat when the central romance is thrusted to the screen with little preparation, and Daniel Brühl doesn't manage to pull off the role of the passionate young lover. Delpy's feminist agenda comes across strongly - not to mention the Botox allegory - and she reminds the viewer that the whole story might as well be made up by greedy old men.

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