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The Double Life of Veronique
The Double Life of Veronique
1991
Romance, Drama
1h 38m
Two parallel stories about two identical women; one living in Poland, the other in France. They don't know each other, but their lives are nevertheless profoundly connected.
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The Double Life of Veronique
1991
Romance, Drama
1h 38m
Your probable score
Avg Percentile 72.08% from 2544 total ratings
Ratings & Reviews
(2543)
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Rated 14 Aug 2007
75
50th
I'm conflicted. The Double Life of Véronique is beautiful, mysterious and sexy, and yet I failed to fully connect with it. For some inexplicable reason, the movie couldn't hold my attention through a lot of the slower parts, and I felt strangely uninterested in large parts of what is clearly a very interesting story. I can't help but feel that something flew over my head, and it wasn't the symbolism or (possible) allegory.
Rated 14 Aug 2007
Rated 05 Oct 2007
65
38th
Attractive visually, but neither the story nor the characters interested me. A romance of the sort I don't care about.
Rated 05 Oct 2007
Rated 17 Sep 2012
70
59th
A strange film that ofttimes demanded a most generous suspension of disbelief - but one that ultimately became a stylish exploration of peculiar sensations and the illogic of emotional impulse. I didn't think there was much behind the stylish varnish though; rather frustratingly vacuous, it became a carte blanche for any and all permissible 'interpretations' to come along, ripe with praise for the Vagueness.
Rated 17 Sep 2012
Rated 20 Mar 2011
85
90th
Dreamlike images in rich colours of red, green and yellow captures Irene Jacob's beautiful face. As all great art Kieslowski's existential doppelganger-riddle is a mystical experience whose meaning depends on who enters through the looking glass.
Rated 20 Mar 2011
Rated 28 Jan 2010
3
31st
fuck i do not care WHY SHOULD I CARE ABOUT ANY OF THIS? Even after all the discomfort Kieslowski puts me through, I'll still find a way to watch The Decalogue somewhere down the line.
Rated 28 Jan 2010
Rated 29 Apr 2010
92
90th
the more I think about this movie the more I realize how intensely beautiful it is.
Rated 29 Apr 2010
Rated 28 Aug 2011
85
89th
Amélie in Minor Key
Rated 28 Aug 2011
Rated 03 Sep 2020
72
50th
An even spicier premise than Blind Chance (the split realities are now colliding) yet it still didn't totally grab me, at least on first watch. Cinematography is a highlight. Maybe Twin Peaks burned me out on doppelgangers. I get the sensation that somewhere this very moment the strikingly handsome reviewer 'Hawquins' is much more impressed...
Rated 03 Sep 2020
Rated 24 Jan 2007
90
94th
Original, mysterious, rich and haunting. All the parallels between Weronika/Veronique are wonderful, especially the use of mirrors, windows and other reflective surfaces. Beautifully photographed in hazy colors, and loaded with terrific music. The second half sometimes drags and is harder for me to sit through.
Rated 24 Jan 2007
Rated 14 Mar 2008
90
92nd
--Is that me? --Of course it's you. --Why... Why two? --Because during performances I handle them a lot. They damage easily.
Rated 14 Mar 2008
Rated 30 Jul 2009
5
91st
The Double Life of Veronique is one of the most enigmatic and mysterious films I've ever seen. Its events and characters are connected by threads, and it raises a lot of interesting ideas and questions. And it's absolutely beautiful, with some gorgeous amber-toned cinematography and one of the loveliest soundtracks I've ever heard. Somehow it keeps itself at arm's length emotionally but afterwards I couldn't stop thinking about it (and watched it two more times). A really fascinating film.
Rated 30 Jul 2009
Rated 17 Sep 2010
90
93rd
Has a lovely style to it - supernatural, yet warm. Irene Jacobs has one of the most wonderful faces, and we're invited to observe it as she sits and thinks. I admit to not getting it at first - I'd mistaken it for the Bunuel where two actresses play the same woman - but once I understood it proved to be a lovely watch. Incredible use of music.
Rated 17 Sep 2010
Rated 07 Apr 2011
87
96th
Upon finishing this film (which was way too short), I instantly wanted to rewatch it. Every shot is just packed with beauty! The music, the framings, the colours, the whathaveyous just come together perfectly. And yeah, it is deep. Maybe not deep-deep but it was enigmatic and it raised some interesting metaphysical and ontological questions. Now, it may not be as "deep" as it appears but for now I just want to explore this film again.
Rated 07 Apr 2011
Rated 12 Jun 2011
77
24th
Hate using the word "pretentious" when describing a film but it's difficult to avoid it in this instance as this promises much but delivers little other than some nice colour filtering. Although reasonably engaging, it's not unreasonable to describe the dualistic plot as retarded; it needs symbolism as bold as Bunuel, or a treatment as subtle and inventive as Auster, but it has neither and Irene Jacob is at best unremarkable as the lead. Once again, terrible music.
Rated 12 Jun 2011
Rated 07 Sep 2020
92
98th
What a beautiful film. As is often the case, I'm probably missing some of the themes and meaning from this, but I really liked this one. Jacob is very watchable here, and held my attention throughout. I find myself enjoying Krzysztof Kieslowski's films; this is probably my favourite so far. Unusual and very compelling.
Rated 07 Sep 2020
Rated 05 Dec 2007
60
46th
Confusing and boring. Maybe visually attractive for a moment.
Rated 05 Dec 2007
Rated 21 Jun 2008
30
7th
20 Haziran 08 & yer yer siktigi dogru.fakat film ayrintilarla dolu ve dikkat edilerek izlendiginde odulunu veriyor.Kieslowski cok iyi bir yonetmen ve senarist.film boyunca kullanilan "yesil filtre" ve muzikler anlatimi siirlestirmis. /// ikinci izleyis; Subat 2014. ilk verdigim not: 80, ikinci izleyiste verdigim not: 30 - Kieslowski'nin 'doğru imaj' pesinde kosmasi can sikici. Bu film gercekten kotu bir film. Bana siirsellik demeyin, tokatlarim.
Rated 21 Jun 2008
Rated 21 Mar 2009
20
44th
Kieslowski, a flamboyant visualist, makes some very pretty pictures (the passing landscape outside a train window viewed upside-down in a crystal ball, a slowly rotating tea bag in a glass cup), but more often makes trite ones (the ambulatory statue, the midget, the marionettes, the Pan-European amber light).
Rated 21 Mar 2009
Rated 10 May 2009
91
92nd
Everything about this really comes together for me. The high points were the music and the colour which are used almost perfectly with Kieslowski' Blue probably being the only film I can think of that tops it on both. Just to reiterate every other review because I can't leave these words out; it's mysterious, haunting and sexy.
Rated 10 May 2009
Rated 13 Aug 2009
74
69th
While cinematographically gorgeous with awesome use of colour, and featuring a strong performance of Irene Jacob, The Double Life of Veronique doesn't linger with me. The film about two women living in different countries yet seemingly connected in a mysterious way, is sexy, charming, surreal, never bores, and has a lovely soundtrack, but it seems not everyone is able to penetrate its mysteriousness and really connect to the film.
Rated 13 Aug 2009
Rated 21 Jan 2010
96
98th
It's difficult to put into concrete words what I love about this film aside from acknowledging its hauntingly beautiful atmosphere (Kieslowski films made me love color filters; the amber tones here evoke a European aura) and feel. What if you had a doppelganger somewhere in the world, and what if you caught a bewildering glimpse of him/her? The film is as enigmatic as this suggests, while it also manages to be quite sexy... There is something archetypal about it, and it may speak to you.
Rated 21 Jan 2010
Rated 04 May 2010
85
69th
An enigmatic work of beauty that doesn't look or feel dated in the slightest, given how old it is. Irene Jacob turns in a terrific double performance, though I would have liked the story to delve further into the metaphysical connection between the two characters.
Rated 04 May 2010
Rated 26 Sep 2010
7
78th
Kieslowski's beautiful amber-toned world is full of fascinating angles and reflections (his symbolism for personal reflection and looking out from inside). Beyond is an otherworldly ponderance on the spiritual connection and ethereal sense of ourselves that we experience in life. Are we alone in this inherently meaningless universe? This movie explores this issue through metaphor and contrast of the two sexy protagonists. I didn't quite fully connect with this film, but its themes are worthy.
Rated 26 Sep 2010
Rated 08 Oct 2010
100
93rd
My favorite Kieslowski film.
Rated 08 Oct 2010
Rated 05 Dec 2010
98
98th
One of the most beautiful things I've ever seen
Rated 05 Dec 2010
Rated 06 Jan 2011
93
94th
Overflows with life as it winds through possibilities. If anything, it says a bit too much, when each image is so rich already.
Rated 06 Jan 2011
Rated 09 Feb 2011
89
92nd
Much like in Kieslowski's Three Colours trilogy, the photography is mesmerizing, no doubt helped by Irène Jacob's beautiful performance. At times the story feels too unfocused but for the most part I liked it a lot and found it to be a great companion to the visuals.
Rated 09 Feb 2011
Rated 06 Mar 2011
90
85th
God damn, Kieslowski. I keep on watching these movies of his where I understand about 50% of what's going on, but I'm absolutely captivated the whole time and left emotionally wrecked. The Three Colours Trilogy is one of the best things I've ever seen. This is right up there too. It's mysterious and confusing, but maybe upon repeat viewings I'll begin to make sense of it. I love it. Also, I must also say that Irene Jacob may be the most beautiful woman of all time. It's kinda not fair.
Rated 06 Mar 2011
Rated 01 May 2011
65
42nd
"La Double vie de Véronique" is more enigmatic and more pretentious than Kieslowski's trilogy of colors. Plot-wise, there are more things going on here, although little actually makes sense. The cinematography is stunning and Jacob mesmerizes. There are moments (like the Polish Weronika's swan song) that make your skin crawl, even if you don't know why. But, ultimately, this is a folly. Sure, it's a beautiful, elegiac folly but, more often than not, Kieslowski stumbles on his own pretentions.
Rated 01 May 2011
Rated 15 May 2011
80
86th
Pretty photography and a luscious Irène Jacob, giving a great performance, make up for a thin plotline and all the faux deepness. Moody and unique.
Rated 15 May 2011
Rated 19 Oct 2011
35
19th
Is this a symbolic drama about Europe being divided from itself, fatally? Or some kind of Christ allegory? In any case, the significance eluded this viewer. Kind of interesting for a while, but distinctly wears out its welcome. Kieslowski again fails to impress.
Rated 19 Oct 2011
Rated 07 Nov 2012
90
96th
One of the most beautiul films I've ever seen. The characters of Veronique and Weronika are probably two of the most real character's I've ever witnessed. I got to invest a great amount of emotion in the story, that are basically about nothing, and that's really saying something.
The visual style, the sounds (both music and sfx), the acting and the mesmerizing spiritual elements, makes this probably one of the best artfilms ever to be made.
It's been a long time since I've been this capt
Rated 07 Nov 2012
Rated 10 Jan 2013
100
99th
It perfectly captures a feeling, a mood, this occasional thought that there's more to the world than simple logic and science, that things move in mysterious ways and maybe that's all chance or maybe there's something more. Whether these ideas have any basis in fact isn't the point, what is the point is that feeling, that strange sensation that they might do and being unable to explain why, and that is what the film captures so perfectly. One of the most visually stunning films I have ever seen.
Rated 10 Jan 2013
Rated 23 Mar 2013
77
75th
Really torn between the first and second half of the film. The first is overwhelming, quietly loud and genius in moments. It seems like everything can happen. Yet, in the later, when things get serious, so-called Krzysztof seems to get cold feet and not put them to the test of his magnifying glass. Then it just drags.
Rated 23 Mar 2013
Rated 28 May 2013
95
97th
For 98 minutes this movie blazes a unique, mysterious, impossibly beautiful trail through the cinematic cosmos, fabricating an unstable reality that is constantly collapsing in on itself. From a technical standpoint the film is a marvel; violent flurries of color dapple perfectly composed shots that are complemented by the film's haunting soundtrack, and Irene Jacob anchors the picture's intensity with an unforgettable performance. It's a brazenly poetic, magical work of art.
Rated 28 May 2013
Rated 09 Feb 2014
25
12th
beauty is not something about showing off
Rated 09 Feb 2014
Rated 17 Nov 2014
92
89th
I often find that words like "poetic" are inadequate when used to compliment something because they attempt to force a whole mode of expression into one term. However, if I were to describe a film as poetic, this one would certainly fit. It plays and glides about on the screen like a densely poignant, yet not entirely comprehensible poem, giving us lines of plot to cling to like a verse or rhyme, but never fully coalescing into a complete narrative. Its semblance lies in the emotions conveyed.
Rated 17 Nov 2014
Rated 09 Dec 2015
4
74th
Forerunner and companion piece to Three Colors. Kieslowski's perspective articulates interconnection: a prism of morphed space, emphatic shapes, refracted light, and saturated colors. Nothing is coincidence, happenstance affirms life and love. On the universal ties-that-bind, of deep-rooted humanism, but rendered with muted sentimentality. Spiritual and virtuoso.
Rated 09 Dec 2015
Rated 15 Jul 2016
75
50th
Another beautiful film by Kieslowski, although it did leave me confused.
Rated 15 Jul 2016
Rated 04 Sep 2017
80
92nd
Kieslowski represented the last of a dying breed of European film makers, which perhaps explains the tendency towards overevaluation of his oeuvre, but there is no denying the beautiful enigma that lies at the core of T.D.L.O.V, a moody meditation on identity, fate and the meaning of life. There are some cheesy moments, but it explores the dreamy interiority of a young woman experiencing a spiritual awakening in a manner that is by turns sensual, mysterious and completely ravishing.
Rated 04 Sep 2017
Rated 23 Sep 2023
45
37th
kieslowski iyi yönetmen değil. sanat kişisel, kieslowski'nin dediği gibi o yüzden istediğimi söyleyebilirim. filmdeki aşırı iddialılık ve dünyanın anlamını ben çözdüm havası çok sırıtıyor. görüntü yönetiminin süper olması da bir şey ifade etmiyor. o zaman resim müzesini gezeriz. allahtan başka ilah yoktur diyen bi heriften hayatın anlamını duymak istemiyorum artık.
Rated 23 Sep 2023
Rated 21 Oct 2007
82
69th
Kieslowski seeks to connect us to the material world through the wide range of human senses--distorted vision, foregrounded sound, water dripping from Irene Jacob's face. And yet, the film has an ethereal, spiritual quality that defies narrative logic at every turn. In the end, the human experience of the world seems to be one of mystery, and a painful, melancholy kind of mystery at that.
Rated 21 Oct 2007
Rated 31 Jan 2008
70
31st
Kieslowski is the master but this is not his best film.
Rated 31 Jan 2008
Rated 01 Mar 2008
78
64th
# 442
Rated 01 Mar 2008
Rated 28 Apr 2008
80
76th
Intimate and colourful, but never as breathtakingly powerful or fantastically genuine as some of Kieslowski's other works.
Rated 28 Apr 2008
Rated 10 Nov 2008
80
46th
Starts out wonderful, grinds to a painful halt.
Rated 10 Nov 2008
Rated 19 Dec 2008
74
48th
514
Rated 19 Dec 2008
Rated 20 Mar 2009
81
72nd
Visually this film is real beauty - masterful use of colors. Along with a mysterious and somewhat surreal story. The film really feels like a dream, don't expect too much sense but you really have to enjoy the visuals and moods.
Rated 20 Mar 2009
Rated 01 May 2009
90
92nd
It's good to look at. Not as good to look at in the sense of actually looking at it. If these characters were asian I'd have no problem believing it was early WKK, it's shot that well. Maybe too subtle overall. The music was also very WKKish. Too bad the story wasn't. On rewatch: man them be nicest titties
Rated 01 May 2009
Rated 21 May 2009
97
98th
fantastic.
Rated 21 May 2009
Rated 18 Jul 2009
82
86th
Brilliant idea and beautiful color scheme: opposite colors green and red. Follow them. They exist there for purpose. The story opens greatly and shooting and small details are in right places. The plot is not the weakest point, but the life of latter part. It's - unfortunately - boring. It's a bit of in vain. Of course except that it opens the riddle of the story. Kieslowski uses music here similar way he did two years later in Three Colors: Blue.
Rated 18 Jul 2009
Rated 18 Nov 2009
10
97th
Because of the mysterious nature of the film, I found myself being enveloped by it, as the movie went on. It touches on various issues, shines with a bright and gorgeous palette of colors and features music that will linger in your mind for days. A breathtaking experience, can't wait to see more of Kieslowski's work. Recommended!
Rated 18 Nov 2009
Rated 18 Dec 2009
76
78th
While cinematographically gorgeous with awesome use of colour, and featuring a strong performance of Irene Jacob, The Double Life of Veronique doesn't linger with me. The film about two women living in different countries yet seemingly connected in a mysterious way, is sexy, charming, surreal, never bores, and has a lovely soundtrack, but it seems not everyone is able to penetrate its mysteriousness and really connect to the film.
Rated 18 Dec 2009
Rated 15 Jan 2010
73
46th
533
Rated 15 Jan 2010
Rated 30 Jul 2010
92
93rd
The story was interesting enough to captivate me for duration of the film. However, what was really mesmerizing was the cinematography. I find it hard to think of a film that had a more elegant colour palette, or a better eye for strange visual leitmotifvs. The recurring imagery of glass and it's warping capacity are enough to keep one occupied throughout a movie that feels longer than it actually is.
Rated 30 Jul 2010
Rated 16 Aug 2010
80
53rd
not my favourite Kieslowski but breathtakingly beautiful as always.
Rated 16 Aug 2010
Rated 17 Sep 2010
89
98th
Enigmatic and mysterious, yes, but coherent too! Jacob glows in Idziak's sublime photography. This film really reflects Kieslowski's humanist beliefs in the connections between us all. It's rich, layered and rewards repeated viewing.
Rated 17 Sep 2010
Rated 09 Oct 2010
8
80th
Stunning to look at and has the Lynch dreamlike atmosphere surrounding it. Boils over a lot of emotions and is quite haunting. Immensely impressive though didn't fully connect with me.
Rated 09 Oct 2010
Rated 16 Oct 2010
91
93rd
Rapturous filmmaking. Kieslowski manages to toe a fine liminal space, especially through the Veronika section, and his little flights out of the physical world and the transmissions between the two girls are enchanting. The second section is a little heavy (on the color filter especially), but just when it begins to flag we get the captivating section of music concrete, to contrast all the classical; fantastic use of sound! Jacob is just marvelous here: sensual, innocent, possessed, alive.
Rated 16 Oct 2010
Rated 19 Oct 2010
86
84th
Lush cinemtography that looks like your aunt's pond, this is quite a creative and original look into the soul, identity, and the many people around us.
Rated 19 Oct 2010
Rated 24 Feb 2011
90
94th
So haunting and yet so perfect. Again Kieslowski gets the most from his actors with the flawless Irene Jacob. It's one of those films that will have you thinking much more about than you're generally comfortable with.
Rated 24 Feb 2011
Rated 02 Mar 2011
99
99th
Words cannot describe how beautiful this movie is. It can't be intellectualized, it must be seen and felt.
Rated 02 Mar 2011
Rated 05 Apr 2011
80
91st
I don't think I've ever encountered a film so pretty to watch.
Rated 05 Apr 2011
Rated 25 Apr 2011
83
97th
#11#, liked, oldies(2) }*{ #90s(e)#, reviews, story.
Rated 25 Apr 2011
Rated 31 May 2011
35
77th
"A film that washes over the viewer and invites meditative contemplation about our awareness while swimming the big river of consciousness."
Rated 31 May 2011
Rated 05 Jun 2011
90
79th
Most beautiful film ever? Maybe... The bizarre thing is that Kieslowski still managed to make much better films...
Rated 05 Jun 2011
Rated 03 Sep 2011
70
80th
Kieslowski's precursor to his colors trilogy is no different from its successors: This film is not intended to be understood completely. It's more an ephemeral tour de force from Kieslowski, Preisner and Idziak. Irene Jacob's sublime presence sometimes overshadows the story, but then again, you can't complain too much about beauty.
Rated 03 Sep 2011
Rated 30 Nov 2011
77
54th
#458
Rated 30 Nov 2011
Rated 03 Feb 2012
83
81st
A beautiful film with many possible (and intriguing) interpretations, although it is a bit emotionally disconnected. Irène Jacob is wonderful.
Rated 03 Feb 2012
Rated 14 Feb 2012
88
91st
Perfectly uses sound, music and beautiful images to evoke strange feelings. There is a point somewhere in the second half where things slow down a bit too much, but besides that I thought that this movie was wonderful.
Rated 14 Feb 2012
Rated 07 Jun 2012
70
54th
visually fantastic, as is to be expected by kieslowsky. plot and dialogue are both, however, completely uninteresting. did I mention by the time the soundtrack has been repeated for the twelveth time, I was hating its guts?
Rated 07 Jun 2012
Rated 04 Jan 2013
7
68th
Uhhhh, it was kind of boring haha. The last two-thirds of the film, those about Veronique, feel so drawn. Technically, everything is amazing. The colors and camerawork are beautiful, combining to create the fantasy atmosphere the film is so famous for. However, the narrative is terribly uninteresting, and although it is the film's only issue, it is still a bit important. The first third however, avoids this all with a better story. I am in love with Irène Jacob and Zbigniew Preisner's score.
Rated 04 Jan 2013
Rated 01 Mar 2013
93
99th
Revisited (2)
Rated 01 Mar 2013
Rated 11 Mar 2013
74
64th
To be honest I don't see what all the hype is about. All the beautiful cinematography in the world can't save a story with no real point or plot line. A confusing narrative drenched with unanswered questions doesn't make for a deep nor interesting one.
Rated 11 Mar 2013
Rated 07 Apr 2013
96
93rd
How existance of self at two places makes you feel alone and in company all the time
Rated 07 Apr 2013
Rated 24 May 2013
100
98th
A film of heartbreaking beauty. The kind of film that words could never do justice to. It's one of the most purely cinematic experiences I've ever come across. Watching it is like floating on a cloud in a dream.
Rated 24 May 2013
Rated 26 Feb 2014
85
91st
cinematic alzheimer's
Rated 26 Feb 2014
Rated 05 May 2014
72
58th
slowmo is faster than this film.
Rated 05 May 2014
Rated 07 May 2014
95
75th
The most beautiful film music imaginable.
Rated 07 May 2014
Rated 24 Aug 2014
82
84th
I'd probably rank this higher if I watched it again. I really only have good things to say about it but there was just something that felt like it was missing for me.
Rated 24 Aug 2014
Rated 21 Sep 2014
90
69th
A strange movie, very difficult to feel. Masterfully made, and Irene Jacob is very beautiful.
Rated 21 Sep 2014
Rated 27 Feb 2015
70
64th
Lovely to look at, and not just because of (but maybe mostly because of) Irène Jacob...
Rated 27 Feb 2015
Rated 10 May 2015
72
53rd
Visually impressive; narratively bankrupt. The first thirty minutes held great promise, exposing the film's potential to explore a wide range of themes. Then I watched the rest... turns out Kieslowski was mostly interested in a daft romantic drama among "artistic" types with frightfully shallow visual symbolism. By the time the sensitive heroine found her One True Love, who spelled out the point of the film's "double life device" for the audience, I had completely lost interest.
Rated 10 May 2015
Rated 05 Sep 2015
85
91st
The Double Life of Veronique explores a question as old as the night's stars of whether our thoughts at any given time are alone in the world. Kieslowski, spiritualist that he is, predictably puts forth that we are not. In this film, one of the most visually and aurally beautiful ever made, we take a look at the unseen psychic connections between people, and the universal exchange of energy and the soul. Though the narrative isn't as symmetrical as it should be by focusing on Veronique too much.
Rated 05 Sep 2015
Rated 03 Oct 2015
95
93rd
itiraf: sanirim en cok muziklerine asigim.
Rated 03 Oct 2015
Rated 21 Oct 2015
77
76th
A hypnotic existential mystery that evokes a unique feeling through beautiful photography and simple yet effective visual motifs of distorted reflections and looking at things from different angles. I know there's technically no solutions to it's riddles, but I do feel like maybe other people get more from this than me. Still, I really admire it for what it is.
Rated 21 Oct 2015
Rated 13 Nov 2015
70
71st
The encompassment of the full spectrum from abstract principle to detail, where both are used as the other, is outstanding. Rather than providing his message using a set of principles or movements having meaning everytime he uses them, he conveys his message through chaos. Mechanisms only count some of the time, if they are conjuncted with some other mechanism.
Rated 13 Nov 2015
Rated 22 Dec 2015
50
33rd
Bored me to tears
Rated 22 Dec 2015
Rated 16 Mar 2016
93
94th
Our Daily Free Stream: Krzysztof Kieslowski - The Double Life Of Veronique (engl. subt.) - Das ist ein Film über ein Gefühl und wie alle Gefühle, kann es nicht näher mit Worten beschrieben werden. Die Kunst aber kann es herauf beschwören. Es ist das Gefühl, dass wir nicht allein sind. Da gibt es noch jemanden anderes ausser uns.... die ganze Rezension und die für uns schönsten mystischen Filme findest du auf cinegeek.de
Rated 16 Mar 2016
Rated 17 Jul 2016
75
59th
I need to re-watch this before I speak.
Rated 17 Jul 2016
Rated 29 Aug 2016
87
45th
The movie made me feel like I missed to feel the color of red and the smell of 90s.
Rated 29 Aug 2016
Rated 26 Oct 2016
75
74th
This is an another Kieslowski movie that I have to rewatch. I have a problem with the way he makes the movie. There is a very artistic beauty in this film that's for sure like his "Three Colors". However, there is also lack of story maybe more like a exaggeration of a sybolism or allegory whatever you call it. As a images, these are the one of the most beautiful ones (colors, camera angles, lights). At last, this is not just a photography isn't it ?
Rated 26 Oct 2016
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