The Electric Horseman

Pollack alternated between slyly inventive directing jobs and workmanlike, station-to-station efforts. This romantic comedy is an example of the former. Redford is pretty terrific, though. It's not a performance of bracing depth, by any means, but it's charming, wise and built with great care. It's a nice reminder of the quietly dynamic screen presence that made him a star in the first place.

great story, great performances.

Semi romantic comedy anchored with social commentary and driven by a ridiculous premise. The best thing about this film is Willie Nelson's soundtrack.

Completely pointless. I have to wonder what kind of person would love such a mediocre, blah movie.