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The Graduate
The Graduate
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The Graduate

The Graduate

1967
Romance, Comedy
1h 46m
Recent college graduate Benjamin Braddock is trapped into an affair with Mrs. Robinson, who happens to be the wife of his father's business partner and then finds himself falling in love with her teenage daughter, Elaine (imdb)

The Graduate

1967
Romance, Comedy
1h 46m
Your probable score
Avg Percentile 68% from 8025 total ratings

Ratings & Reviews

(8085)
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Rated 29 Jul 2014
85
88th
Ha! Benjamin waited till after College to have an affair with the wife next door. My neighbor's wife was much older when we started, and I was fresh out of kindergarten. ... Wait what? OH GOD!! IT IS ALL COMING BACK!!
Rated 14 Oct 2008
95
98th
Fantastic movie with a young D.Hoffman. Great music of Simon and Garfunkel which fits prefectly in this movie : "And here's to you, Mrs Robinson...". Super good !!!
Rated 14 Aug 2007
95
99th
A deservedly iconic film. It effectively captures the awkard ambivalence, engulfing apathy, and aimless exuberance of youth. The matching of the classic soundtrack and the beautiful shots is incredible - I think this is possibly the best use of a soundtrack in film. The dialogue and acting are also both superb. I can't imagine anyone delivering performances better than Bancroft and Hoffman.
Rated 25 Jan 2009
85
94th
Thank Simon and Garfunkel for their music. Thank Dustin Hoffman for his best ever performance. Thank the writers and director for the undeleted failed scenes and beautiful story. Thank my mom for telling me to watch this.
Rated 07 Dec 2019
82
86th
Now I finally get the wedding scene from "Wayne's World 2"(1993), and the pool bit from "Old School"(2003), and all those sexy leg shots...and references in "The Simpsons". I don't know, but something makes me think this movie might have left a mark on pop culture over the years, or something. Well like with a lot of these 'classics', there's usually a good reason they were so impactful in the first place, and this surprisingly funny rom-com managed to reasonably live up to my high expectations.
Rated 06 Jun 2010
95
97th
It's a big experience when you get to see something as touching, innovative, funny and stylistically perfect as this. Hoffman is great in such a weird, unreal way, while momma Robinson has sex written all over her. On the thematic front it treats that everlasting (and repeatedly pictured) problem of growing up and having to find your path through life, and does so with excellence. Maybe because some of Dustins actions seem so dream-like at times.
Rated 14 Jan 2010
78
46th
I've never had such an ultimately frustrating cinema experience. While most of the movie is utterly perfect, Benjamin Braddock is just the most punchable character I've ever seen. He's either a moronic easily-manipulated sad sack, or a prick. Hoffman's stupid dopey voice didn't help either. But yeah everything else, the music, editing, etc, were all amazing. I just hated the main character so damned much.
Rated 07 Apr 2008
5
93rd
A flagship example of New Hollywood, successfully rejecting conventions and defining a generation without embracing counter-culture stereotypes. Ben Braddock is a compelling neurotic who works as everyman, played charmingly by Dustin Hoffman. It's masterfully directed, with expressive cinematography and memorable music. Just one great scene linked to another, emphasizing a tone and pace that reflects the aimless uncertainty so many young people can relate to. Not to mention it's also very funny.
Rated 05 May 2023
87
85th
Poor Murray Hamilton. No wonder he retired to Amity Island and was such a jerk.
Rated 29 Dec 2010
76
63rd
One of the earliest cringe comedies? Thematically strong and interestingly framed and edited, yet the characters - with the exception of Mrs. Robinson - are one dimensional. This ultimately makes it as apathetic and banal as its central characters, lessening any impact. The soundtrack (as repetitive as it is) is excellent, and there are some funny and iconic moments despite the problems. Ebert's re-review sums it up nicely - it's a good movie but its time has passed.
Rated 17 Feb 2010
80
74th
well directed, with some great camerawork. spotty use of soundtrack that sometimes works great and sometimes baffles the viewer. i really dont know what to think about the hoff's character because it seems to me that he could have seriously been diagnosed with autism--maybe it's just a precursor to "rain man"
Rated 30 Jan 2009
90
97th
A film which truly personifies the personal struggle of one who is far past being a juvenile but has not yet settled upon his future as an adult. The spontaneity and honest actions of Hoffman's character are a true breath of fresh air. The plain and monotonous world which surrounds the character is portrayed so accurately, explaining his 'rebellious' behaviors. The pace of the film was simple perfection. I had no choice but to be emotionally engulfed in the happenings of the film... excellent.
Rated 08 Feb 2008
91
94th
Another movie that I'd consider near perfectly constructed. Brilliant performances and use of music. It was released about ten years before I was born, but it seems to have captured the the growing disillusionment of the late '60s really well (I could be wrong though, since I wasn't there). By this time, the bloom was off the rose, so to speak. And the ending shot of Ross and Hoffman on the bus would definitely crack my Top 10 Endings of all time.
Rated 14 Aug 2007
80
61st
It's amazing to me that the iconic awkwardness of the ending wasn't even supposed to be there, because if it weren't there, the end would suck balls. The whole elopement scenario was sort of ridiculous to begin with, and by lingering on Hoffman and Ross for just a little bit too long, the movie seems to acknowledge that. As for the other parts of the movie, yeah, they're great. Bancroft gives one of those once-in-a-lifetime performances and the Simon & Garfunkel soundtrack works brilliantly.
Rated 14 Aug 2007
94
97th
Never dull for a moment, filled with wonderfully funny moments, compelling plot developments, the lovely music of Simon & Garfunkel, terrific performances, and keen insight into the lives of people who are lost to themselves. Compulsively watchable from start to finish. Bold choices in the editing and music.
Rated 30 Jul 2019
8
72nd
kind of lost me at the part where the girl freaks at dustin and kicks him out of her house, so then he goes completely nuts and delusional and drives up to her college like a weird little stalker creep and rents an apartment, and when the girl finds out not only does she not tell him to fuck off, she actually falls in *love* with him, wtf. I wonder how many restraining orders this film inspired.
Rated 19 Aug 2018
87
87th
I liked when they referenced Shrek by having him object at the wedding
Rated 12 Oct 2010
44
40th
The first act, focusing on the relationship between Ben & Mrs. Robinson, is brilliant throughout and deserves its iconic status. So does the ending. The contrived middle act, about Ben & Elaine, does not hold up to re-examination. Nor does the "soundtrack," which is a great album on its own, and deserves to be famous for the music, but its use in the movie was more of a marketing decision than an artistic one, and in hindsight it shows.
Rated 19 Feb 2010
73
33rd
Quite a safe film, very far removed from its "rebellious" label; plus, if time has taken anything away from this film, its the film's youthful sprite that feels quite old today. Anyways, the film is vastly entertaining (better fun than most commercial features today), and the Simon & Garfunkel soundtrack remains awesome.
Rated 25 Dec 2009
85
66th
Still interesting, but looks a bit outdated now.
Rated 02 Oct 2009
100
96th
I had fairly low expectations going into this film, but it's just brilliant. The comedic aspect of it stands up perfectly after all this time, but what stood out even more was how innovative and... well... perfect it is. I find it difficult to come up with one negative thing to say about this film. The beginning and the ending are both incredibly memorable. I was always aware of this movie, but I had no idea how excellent it was. It's brilliant. See it.
Rated 30 Oct 2008
84
64th
Lots of fun to watch, the story was great and all of the characters are as well. The interactions between the characters in the first half are superb and really took the movie as a whole to the next level. There are loads of classic moments to be seen here, and rightfully so. My only real complaint is with the daughter's character, she's never fully fleshed out and everything about her situation is unbelievable because of this, it would have been near perfect had they given her more attention
Rated 16 Nov 2007
78
68th
Brillant performances from everyone, especially Dustin Hoffman. The film perfectly captures Hoffman's, initially, awkward and aimless character. Throughout the film there are some absolutely iconic shots that have certainly set their mark in cinema. However I'm not going to lie, and I know I'm the minority, even though the soundtrack was great I felt that a bit too much time was spent on the musical segments resulting in a bit of dragging. Overall it's a very good film though.
Rated 06 Sep 2007
89
92nd
The plot is a little absurd, but it's the characters and their interaction that make this movie work. Nichols really has a knack for portraying human interaction and The Graduate is a prime example. There's some nice humor in there as well, and some very real situations amongst the less realistic overarching plot.
Rated 12 Jul 2007
5
96th
Hoffman is so instantly relate-able as a listless, confused, and disaffected college graduate that it's hard not to fall in love with him, and the ending is my absolute favorite in all of cinema. It's a film that defined a generation.
Rated 14 Jun 2022
56
58th
I love this movie's use of editing and cinematography but the narrative takes a nosedive on the second half. We're offered a fascinating hook on the social anxieties and emotional emptiness of Ben and Mrs. Robinson's affair but this is ignored because the film opts to change course towards an awkward and unbelievable relationship. All of a sudden, Mrs. Robinson functions as more villainous than sympathetic, and we're supposed to believe an awkward stalker gets the girl madly in love with him?
Rated 18 May 2020
30
14th
While I can appreciate the music and some of the shots, it is extremely creepy. Maybe it was meant for another generation, but for me it's unbearably uncomfortable instead of funny.
Rated 31 Oct 2019
7
62nd
This be funnier than you'd expect and it's got those bumpin Garfunkel tunes that really make the panties fly off
Rated 02 May 2019
9
93rd
Director and writers really shape this into something quite special and of consistent high quality, even if it falters after the halfmark.
Rated 23 Aug 2017
83
84th
Harika soundtrack ama kötü score. Otobüsteki son kare +10 puan. Filmin ilk 30 dakikası bugüne kadar yapılmış en iyi 'coming of age' örneklerinden ama sonrası finale kadar biraz karmaşık.
Rated 31 May 2016
1
4th
Braddock = bra doctor / Robinson = robbin' [a] son omg I figured it out
Rated 26 Nov 2015
7
63rd
A few uncomfortably stiff scenes (the initial seduction comes out of nowhere, and lacks authentic sensuality) and some puzzlingly unfounded plot points (see Benjamin's sudden love for Elaine-saved only by the uncertain ending) are mostly overshadowed by the film's unique blend of dry, awkward comedy (see the hotel lobby scenes), sexual drama, and melancholy coming-of-age fare, and its daringly creative cinematography (see the brilliant diving/hotel room montage and the classroom time lapse).
Rated 07 Nov 2015
68
41st
Gets away with a wonderfully awkward 'twist' ending, if only because the preceding drama was entirely unfathomable. The 'taking a dive' metaphor kept getting stronger over the run-time. Emphatic use of color (blues and greens), layers of lighting, and inventive shot composition remain fresh after nearly fifty years. Conversely, the much-lauded Simon and Garfunkle soundtrack is very clearly a product of its time and comes across as cloying, but I'm sure it felt poignant back in the day.
Rated 29 May 2015
78
78th
Iconic and classic moments fill out a lot of forgettable stuff. Maybe the best soundtrack ever.
Rated 01 Sep 2014
80
75th
I counted fifteen perfect shots in the film.
Rated 31 Aug 2014
91
97th
The ending sort of ruins the whole movie, but since what I was fed with is nothing less than a metaphysical truth, in the way only someone who was in a long distance hetrosexual relationship is capeble of (don't forget the unique temperment of their's philosophy of sex) - this is still one of the best movies I've seen. Although, god knows, I should have seen it at least ten years ago. You filthy, filthy Maker.
Rated 20 Jan 2014
79
61st
It seemed a good time in my life to give this a viewing, given its title. The post-college anxiety of a young Benjamin is wonderfully portrayed, the first half of the movie is filled with memorable sequences (opening titles, scuba diving in the pool), and count me as a fan of the S&G songs, their narcotic haziness blends with the film in great harmony. But the relationship between Ben and Elaine doesn't feel warranted (despite its cynicism) and wasn't as well handled as Ben's with her mother.
Rated 24 Dec 2013
94
94th
this film broke my heart. it was so simple and so beautiful and so cathartic that i almost lost my breath watching it. there's something oddly nostalgic about its world, like it's just inches away from your fingertips. dustin hoffman is brilliant as always, though this is my favorite role of his, by far.
Rated 25 Aug 2013
75
61st
You know that part very early on where Hoffman's character is unsure about just about everything? Yeah, that feeling's about the only thing his character, the movie and myself have in common. He's a creep, a prick, selfish, apathetic and destructive. All of these things would be much more bearable if the entire movie wasn't geared around us having to connect with this character. Mrs Robinson, Elaine, Mr Robinson, his parents, hell the guy at the boarding house are all more sympathetic.
Rated 28 Feb 2013
60
26th
I adored the first act but felt it lost its way through to a truly bizarre ending.
Rated 13 Dec 2012
82
85th
Hilariously awkward film. Braddock's character development is brilliantly written and acted. S&G's score is a perfect fit.
Rated 21 Oct 2012
85
82nd
The film is so well-crafted and tonally perfect in demonstrating what can happen to you if you think with your dick
Rated 23 Sep 2012
4
81st
Everything is horrifying and humiliating even when you get what you want it's still awkward and uncomfortable and things never change.
Rated 05 Aug 2011
89
92nd
Hoffman is really excellent here. He's awkward as hell, but extremely impulsive which keeps the film chugging along at a great pace. There some really memorable scenes, especially the ending. The music is pretty great. It's really just a great film all-around, and it actually makes me miss living in California, too.
Rated 03 Aug 2011
73
45th
Not bad, but it was to easy to predict what will happen. Moreover I did not like the main characters. Extra points for Simon and Garfunkel.
Rated 12 Jun 2011
80
88th
"The Graduate" is by no means a masterpiece, but remains a highly entertaining picture. The impact it has had on modern comedies is more than just astounding and, most important of all, that fact doesn't detract from its beauty - not one little bit. There's a remarkable number of subtly executed but nevertheless hilarious comedic moments and the whole film feels like an outrageous teenage comedy - yet, from a screenwriting and directorial aspect, a perfectly mature one. Wow.
Rated 18 Apr 2011
85
86th
I thought this was a pretty charming movie and all but I feel I must defend my relatively low score. No complaints about the technical stuff; the directing / acting / cinematography were all fine, it's just... this was kind of corny and over the top, no? I mean, I sense the comedy and the film may be iconic and unique... but.. I dunno... It was no masterpiece. And what's with the same 3 S&G songs on repeat? My personal interpretations of them are different than the context they were used.
Rated 07 Dec 2010
84
75th
Following Dustin Hoffman as a clueless recent graduate who has no idea what to do with his life, this movie hit home. Even though I've never had an affair with an older woman, only to fall in love with her daughter, the general idea of Benjamin(Hoffman) and his demeanor remind me of me. Watch the awkwardness he displays and general maturation of his character through out the series. Anne Bancroft as the infamous Mrs. Robinson is great as well, until she turns rather one dimensional in the end.
Rated 08 Aug 2010
98
96th
What I believe to be cinematography at some of it's very best. The story of Benjamin reminds us that sometimes life doesn't turn out how we plan. I love the ending of this movie because you're left not really knowing what to think as Benjamin and Elaine ride away on the bus. Should we be happy for them, or should we be worried?
Rated 01 Aug 2010
95
95th
I'd use the term 'plastics' to describe the fake personas and lifestyle that surround Benjamin Braddock. A fresh out of college idealistic man left to drown under the harsh structures of society. I love to analyze the symbolism of this movie.
Rated 24 Jul 2010
79
68th
que final triste
Rated 18 Jul 2010
80
96th
Iconic as Mrs. Robinson has become and how ingrained, parodied and homaged the film has been, there has yet to be a movie like the Graduate. A young man in a depressive state, aimless and overwhelmed the anxieties of his family is not really a new concept of a leading man. But rather than being a naval gazing drama about the consequences of an affair, there is a satirical humor to the whole movie and a rebellious energy imbued by Hoffman that makes his character so likeable.
Rated 20 Feb 2010
75
45th
One time Roeper said this movie was over-rated and I was all like "WAIT, WHAT??? Oh no, wait, actually I think that too." Then we quietly finished our meal while stared at both of us and wept.
Rated 26 Dec 2009
80
68th
A good movie regarding relationships, insecurities and youth. The soothing soundtrack used in the movie, plus Hoffman's performance added to the score.
Rated 18 Apr 2009
10
97th
Cougars.
Rated 01 Feb 2009
45
11th
Unlikable characters collide with a slow plot and only mildly amusing script. I love Simon and Garfunkel, but even I thought repeating the songs several times was excessive... and didn't really fit the movie.
Rated 22 Jan 2009
100
99th
The perfect film? Hoffman's breakout role is still one of his most genius, and Anne Bancroft's Mrs. Robinson rivals him. Funny, charming, sad, and moving in equal measure, and in all the right spots. Also, I believe the "The Sound of Silence" in this movie is one of the best uses of a popular song in all of film.
Rated 08 Jul 2008
90
62nd
i have this dvd...
Rated 19 Jun 2008
80
64th
It's a wonderfully awkward film, which is beautifully shot and acted, with a story that starts out great and gets better. The soundtrack is totally dominated by Simon & Garfunkel, which is to great effect, even if, like me, you're not the biggest fan. My only complaint is that Elaine's character was somewhat hollow, which detracted somewhat from the plausibility of the plot. Otherwise an entertaining film.
Rated 29 Jan 2008
85
76th
A classic film with iconic scenes and an appropriate score, even for a decided non-fan of Simon & Garfunkel like myself.
Rated 19 Nov 2007
85
82nd
Finally I had the privilege to meet the well-known Missis Robinson who was loved by the Jesus more than she would know. I am looking forward to meet Cecilia and the boxer someday.
Rated 28 Apr 2007
90
86th
This is the film they show you in film school to show you all the tricks and motifs and shit that you should put in your movies. The pool is a womb. The scene with Ben running to the wedding was shot with a telephoto lens to make it look like he wasn't getting anywhere, and so forth. Good movie though. Feeny is in it.
Rated 19 Mar 2007
85
73rd
This was probably a lot better in the 60s than it is today. I find it fun, humorous, but all the same rather overrated.
Rated 24 Feb 2007
60
62nd
Good film.
Rated 19 Jan 2007
3
38th
Really funny and fun to watch. Hoffman and Bancroft deliver a couple of excellent performances, fully and convincingly embodying their characters. Not a personal favorite, but a damned good movie all-around.
Rated 08 Jan 2007
96
96th
Very entertaining! Dustin Hoffman is wonderful.
Rated 08 Nov 2024
48
36th
This movie would've been much better if I actually *believed* that Ben and Elaine cared for each other, but I just didn't. And an actual, proper conversation rather than her just screaming and it was over. All of their interactions just felt weird and dumb. He had more on screen time with the mother than his supposed 'true love,' so I had no investment in their relationship. The 60's romance-culture just didn't age well, I think. And less of the constant song breaks of just him going from place
Rated 14 Oct 2024
69
92nd
Wonderful cinematography and camera work. It's thematically rich and the performances are all pretty stellar, even if Elaine's character is quite underwritten; the script overall is tight. The ending is iconic for a reason.
Rated 04 Oct 2024
85
88th
The birth of cringe comedy??
Rated 16 Aug 2024
73
54th
Then 15 Aug 2024 x was 76
Rated 18 Apr 2024
70
17th
Overrated.
Rated 18 Feb 2024
82
95th
Opinión personal: 8.5 Actores: 9 Guión: 7.5 Fotografía: 8.5 BSO: 8 Otros:7.5 Iluminación: FX: Director:9 Humor: Vestuario/caracterización: Ritmo:6 Total: 82
Rated 18 Apr 2023
9
87th
The beginning bothered me a bit, it seemed kinda juvenile and extra. But very soon the acting of the principals won me over, not to mention the talented camera work. My heart just aches for both Benjamin and Mrs. Robinson in every scene, they're very real characters.
Rated 21 Sep 2022
89
73rd
The soundtrack is the best part
Rated 13 Mar 2022
45
20th
Are Americans really that immoral? Perfect in technique, however only aim of the movie is to destroy the well-established and necessary moral values. Plus, it gets really ridiculous toward the end, maybe halfway through.
Rated 20 Feb 2022
77
71st
Shesnotevenhotlool+mrsrobinsonyou'retryingtoseducemelol+shegetshotterlol+madepromisewouldnttakeoutdaughterthenhadto-stripclubtilshecriedlol-kiss-samehotelallknow/yeaffair/fam/son+i'lltellherifyoudontstop-hemakesherknowabitfirst+i'mgonnamarryher/shedoesntlikemeetclol+hecertainlyisagoodwalkerlool+songssorepetitiveandpoorlystart+shesaidirapedher!?+finallysongwhistled+herdadconfronts+liesreverend-guyoffersgas-hastorunlol+waynesworld2LOLhardlyhadtoparody
Rated 24 Oct 2021
52
55th
This film lacks depth because it relies heavily on generating an emotional response to the goings-on, as opposed to addressing the roots of Benjamin Braddock's alienation. Bit of a plot flub, to be honest.
Rated 07 Oct 2021
80
92nd
This film as about as old as I am but I never got around to seeing it until now. Now I know why it is iconic; compelling story and story telling, skillful acting, masterful editing, great esthetic and some damn good music! I was riveted from beginning to end.
Rated 06 Aug 2021
75
59th
?????????????
Rated 14 Jun 2021
74
75th
A stylish film about a scenario that none of us will ever get into. And I don't just mean plastics.
Rated 16 Mar 2021
58
28th
daha önce beğeni açısından ilk yarısı ve ikinci yarısı bu kadar fark eden bir film olmamıştı sanırım bende. gayet iyi başlayan olay nerelere geldi:(
Rated 01 Feb 2021
89
40th
https://esperwatchesfilms.tumblr.com/post/641943733874606080/the-graduate-1967
Rated 11 Jan 2021
95
98th
Probably the best movie about chronophobia.
Rated 21 Oct 2020
89
41st
I despise reviews that are nothing more than "I think this actress/actor is attractive, therefore this movie is good." Or "the political statement this movie is making is one that I agree with, therefore this movie is good." I could have figured that out by looking at the cast list and the synopsis, why is that all the meat in your review? Granted, art is very subjective and the medium of film is an especially emotional medium. How a film plays with your emotions is important. It's what makes a
Rated 11 Oct 2020
90
85th
A way deeper film that what I expected
Rated 01 Jul 2020
70
82nd
Two excellent performances from Hoffman & Bancroft, some fantastic direction & cinematography, & smart comedy make this worth a watch, but there is something to be said about how dated some of it really feels. The second half is a definite step down from the first, where it suddenly devolves into a kinda creepy romcom with an ending that just doesn't add up & lacks the impact its going for as a result. Ben never faces real consequences, either, which is irritating. Still, worth seeing.
Rated 27 Apr 2020
4
43rd
As someone that's basically only been fucking women at least a decade my senior since I was 21, definitely needs a revisit.
Rated 01 Apr 2020
92
94th
This genre-bending and envelope-pushing comedy about finding oneself finds its meaning in its silences. Hoffman is masterful here as a young man in over his head and the film takes its time building a layered story full of thematic nuance (about growing up, but also taking potshots at consumer-driven materialism) and some fantastic visual setpieces. This was Garden State and Little Miss Sunshine before Wes Anderson and Zach Braff popularized the "indie comedy" mood for younger viewers.
Rated 17 Mar 2020
68
83rd
Seen: 2.
Rated 10 Feb 2019
78
60th
I should rewatch this at some point but did not love this
Rated 04 Dec 2018
90
95th
Benjamin: "It's like I was playing some kind of game, but the rules don't make any sense to me. They're being made up by all the wrong people. I mean no one makes them up. They seem to make themselves up."
Rated 17 Mar 2018
90
75th
It's quite unpredictable, fresh, modern, and gets only better and better during all its running time. Subtle sense of humor and excellent cinematography.
Rated 18 Dec 2017
72
14th
A classic but I get lost at the end
Rated 03 Aug 2017
93
98th
One of the masterpieces of film, an amazing and enduring movie that speaks to the people of every generation, even if it was made with the baby boomers in mind. Fifty years later, I loved it.
Rated 01 Aug 2017
60
70th
Picks up in the second half with some great outside shots. Hoffman as a fullblown stalker was also much more intriguing to watch than the total bitchboy he played in the first. Characters were somewhat flat overall, was Hoffman's supposed to be autistic? Pretty funny at times. Here's to hoping I can go crash someone's wedding like that someday. Why didn't this end with a kiss though???
Rated 27 Jun 2017
80
90th
That awkward moment you meet her mother for the first time...and realize it's not. Whoops.
Rated 24 Apr 2017
66
13th
not worth watching at all,though google listed as 1st movie of Dustin Hoffman,it was horrible.ONE THING TO LEARN IS:NEVER DO ANYTHING SHADY WITH A PARTNER,DO IT ALONE, IF YOU CAN, BECAUSE THIS PARTNER MAY TELL A STORY DEFAMING YOU or BLACKMAIL YOU. In the movie Ben should have ran away in the first place. Also that his parents are telling him "Elaine is back,it would be a nice gesture if you ask her out" is absurd. Also Ben's promising to Mrs.Robinsion that he won't take Elaine out is nonsense.
Rated 07 Jan 2017
60
25th
The main think I didn't like about this movie, the score. That's probably blasphemy but it got repetitive.
Rated 27 Jul 2016
88
68th
Roger Ebert famously re-assessed this movie 30 years after it was released, disliking it more as experience caused Ben Braddock to seem much less sympathetic. I disagree - the film stands up because more than one perspective is valid, possibly because Nichols doesn't quite seem sure how he wants to frame Ben's narrative. This uncertainty actually causes the film's best moments to shine, especially the final scene.
Rated 25 Apr 2016
73
78th
It's an obvious statement, but The Graduate really is a film of its time. All films are technically films of their time, but the social and sexual mores explored in The Graduate very much reflect those of the great transitional era in which it is set. Nonetheless, it's a funny, sad, well acted film that features great career defining performances by Hoffman and Bancroft. The now iconic finale seems a little incongruous tonally with the rest of the film, but it's certainly memorable.

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