The Holy Girl

At first I was deeply disappointed by the incomplete, meandering nature of the film, but then I realized the genius of the technique. It is a repressed climax--repressed not by religion but by conventional morality. That sort of repression ensures that each moment and nuance feels more intense than the most emotionally manipulative drama. The tension left me squirming in my seat until the very end. I left the film wondering just where do we draw the line between sexual liberty and perversion.

Didn't expect much of this film but it turned out to be suprisingly good. Movie is not for everybody and i am recommending it for viewers who look for something different, something arty. Then again the visual side and atmosphere were not polished here to shine brightly.

At the center of the film is an improper relationship between a grown man and a young girl, but Martel presents a surprisingly nuanced view of power relations, somewhat reminiscent of Breillat if perhaps not quite as provocative. The patchwork plot is sometimes a little hard to follow, but tantalizingly concise for the most part. A good movie.

The style is intriguing, as is some of the subject matter, but I don't find myself interested in the same things Martel is and as such a lot of it feels tedious and repetitive. The way she creates a closed of world from one-dimensional characters also annoys me.

A tale of sexual awakening. Of a child's eyes misinterpreting a threat as a sign from God. Of Hitchcockian levels of suspense created so easily with a claustrophobic feel amplifying every glance, an ambiguity suggesting so many possibilities and thus so many things that could happen - does she genuinely feel this is her God-given duty? Or is she doing this because she is attracted to him? Or both? What is he going to do? Is she at danger stalking him?

I can't say I understood any of it, but I could feel all of it. Terrific plotting, editing, and the crowded framing of fascinating faces, especially those of Mercedes Moràn and Mónica Villa.

"Martel can't exactly be called a horror film director, but I can't think of another filmmaker currently working in the genre with her knack for tension." - Ed Gonzalez

interesting coming-of-age story--particularly in the way the film merges vocational calling with awakening sexuality.

Powerful drama about desire, repression and morality. Beautifully understated.