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The Invisible Man
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The Invisible Man

2020
Sci-fi
Suspense/Thriller
2h 4m
When Cecilia's abusive ex takes his own life and leaves her his fortune, she suspects his death was a hoax. As a series of coincidences turn lethal, Cecilia works to prove that she is being hunted by someone nobody can see. (imdb)
Directed by:
Leigh Whannell Leigh Whannell
Written by:
Leigh Whannell Leigh Whannell H.G. Wells H.G. Wells
+1 more
Starring:
Elisabeth Moss Elisabeth Moss Aldis Hodge Aldis Hodge Nicholas Hope Nicholas Hope Sam Smith Michael Dorman Michael Dorman Nash Edgerton Oliver Jackson-Cohen Oliver Jackson-Cohen Renee Lim Brian Meegan Harriet Dyer Storm Reid Storm Reid Benedict Hardie
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Franchise:
Invisible Man
Genres:
Sci-fi, Suspense/Thriller, Horror, Mystery
Countries:
Australia, Canada, USA
Language:
English
imdb More information at IMDb
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The Invisible Man

2020
Sci-fi
Suspense/Thriller
2h 4m
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Ratings & Reviews Cast Collections Similar Stats Trailer
Avg Percentile 51.54% from 1697 total ratings
Ratings & Reviews Cast Collections Similar Stats Trailer

Ratings & Reviews

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frederikaFrederikA
Rated 11 Mar 2020
65
58th
Universal clearly learned from their The Mummy misstep by getting talent involved with their properties, who seem to understand the genre. The Invisible Man's strength is how it uses the premise and how its slow burning first act uses restrain to create proper unnerving atmosphere. Eventually it does becomes a bit silly and some of the dialogue is downright horrid, but be that as it may, I'd still take this any day over whatever nonsensical clusterfuck The Dark Universe had turned out to be.
Rated 11 Mar 2020
billyshearsBillyShears
Rated 21 Mar 2020
80
77th
Remake all of the Universal classic monsters as Me Too horror.
Rated 21 Mar 2020
leonardisLeonardis
Rated 09 Mar 2020
89
60th
I thought the trailer had completely spoiled the entire movie. Boy was I wrong. Even when you think you know what's going on, there's always something behind the scenes. The twist towards the last twenty minutes of the film made me think about the rest of the movie differently, and I found that to be pretty clever. Moss is excellent as usual. I really dug the way Whannell shot everything too. The horror elements were handled with care as was the intrigue and it shows. Definitely see it!
Rated 09 Mar 2020
jacobclark12jacobclark12
Rated 02 Mar 2020
73
62nd
A chilling tale of the power that abusers can hold, The Invisible Man is led by a compelling performance from Elisabeth Moss, great sound mixing, and confident if a bit inconsistent direction from Leigh Whannell. Sometimes the film loses focus to add in a cool visual moment or to bring in another layer to its already plenty-deep thematics, but it's good to see a classic tale get reimagined in such a quality way.
Rated 02 Mar 2020
paxtonPaxton
Rated 05 Nov 2020
73
74th
Hollywood finally makes a progressive casting breakthrough by having an actor that is almost constantly in a head-to-toe green screen suit and it's not Andy Serkis.
Rated 05 Nov 2020
olivverdysOlivVerdys
Rated 06 Apr 2020
5
16th
When the plot is as evidently traced as a Jumbojet landing stripe, one can't help but find the title of this film surreptitiously ironic. If only the invisible cloak could have also hid the massive plot holes and implausible motivations of our protagonists! Another vastly overrated mess that preaches to #Metoo choir
Rated 06 Apr 2020
kasperlKasperL
Rated 11 Mar 2020
75
77th
The direction is razor-sharp, and the patience is commendable. The script may not be great, but Moss and the effects certainly are.
Rated 11 Mar 2020
neonmanNeonman
Rated 25 Mar 2020
58
13th
The tense scenes of misdirection and empty space are excellently done and feel unique in the horror genre. Other than that, this is a bland film with nothing but stock characters and dialogue. The subject matter is very topical, but is only utilised to lazily garner positive reviews from critics (mission accomplished) without actually having anything to say about this subject matter. Everything from the hallway fight to the end is trash.
Rated 25 Mar 2020
dakota99Dakota99
Rated 16 Mar 2020
7
76th
This was pretty good. From everything I read, this is much different than it's past material, which is interesting. Whannell is a director who understands how to create horror through manipulation and psychology. It does a good job of making you feel uncomfortable because more often than not the horror is in every shot. It leaves a lot to insinuate and predict given its synopsis. It's just a little messy tying it up, but can be forgiven especially thanks to Moss's performance.
Rated 16 Mar 2020
mist600Mist600
Rated 26 Mar 2020
85
67th
Moss is SO great (awards level) ?Sound & shots: V well judged ? ramp 2 TENSION! Classy 4 low $ •Malig narcissist gaslighting = allusion?? •Made absurd premise work & chilling film •Yet few script logic gaps & visuals jarred- Subtle: steps, breath etc & once suit glitches = great BUT objects floating totally alone in space, errm ? Nearly lost me @ kitchen fight •Tho Film works, I ?? 1st 20min & pure psych thriller+her perf+director might? classic •This just V Good
Rated 26 Mar 2020
jerkyJerky
Rated 02 Jul 2020
65
83rd
It's like there were two movies stitched together. A classic haunted house type horror with great tension, camera work, dread and directing....and then a shitty movie of the week revenge tale. It's watchable for the first two thirds, then becomes a bit silly. The sister is one of the dumbest characters ever. Literally believing the internet over her sister. I think Kevin Bacon's "Hollow Man" did a better job overall with the invisible man story. Shout out to Chevy Chase as well.
Rated 02 Jul 2020
schnofelschnofel
Rated 05 Mar 2020
34
18th
Another example of the all-powerful psycho terrorizing his subject in ever more creative and unlikely ways, but filled with modern empowerment buzzwords: gaslighting, victimization, the male gaze, the surveillance state. I welcome all this being treated by serious filmmakers, but here it is just stated and then neutralized into soap opera ludicrousness. Above all, the torment that torture geek Whannell inflicts on a trembling Moss is somewhat disgusting. Nice pans though.
Rated 05 Mar 2020
indyatmnINDYATMN
Rated 28 Feb 2020
89
86th
Despite the film's annoyingly simplistic "woke" subtext (all white males are awful & even a prospective employer flirts inappropriately; all women are good & strong & even stronger than the built black cop), this is mostly an exceedingly well-crafted thriller. Although it essentially has nothing to do w/ the story it gets its title from, the shots of empty spaces are effective at generating suspense & the completely unpredictable twists that start an hour in make it ultimately riveting
Rated 28 Feb 2020
obdurateObdurate
Rated 23 Mar 2020
75
53rd
You can run the risk of things looking silly when you put an invisible man on screen terrorizing people. It fell victim to that a couple times but for the most part it was well done with a great sense of atmosphere and tension. Definitely more psychological thriller than horror movie, I appreciated that. It's not amazing in any way but it's also not bad in any substantial way. Haunting score, good performances, some nice twists and turns. Ended up enjoying it more than anticipated.
Rated 23 Mar 2020
luna6ixLuna6ix
Rated 19 Sep 2020
47
7th
While I am all for the rebooting of the Universal monsters as a whole and, differ from the critical appraisals by liking "The Mummy", this installment of the franchise massively disappointed me. By changing the titular man into an obsessive, abusive man by nature, we miss the nuance and depth of a man struggling with madness brought upon him by the same chemical that renders him invisible. And to that end Moss' portrayal as an abused woman didn't convince me either, mostly because of her face.
Rated 19 Sep 2020
therealj_roTheRealJ-Ro
Rated 03 Mar 2020
70
42nd
Standing out, if for nothing else, by being above-average within genres plagued by schlock, this leans into its atmosphere and insistent tone, making up for periodic moments of feeling like it may fly completely off its rails. Don't come to this for strength of performance or direction, but it can definitely be utilized to fill any horror void that you may be feeling. Between this and Upgrade, Leigh Whannell is carving out some worthwhile real estate, as this showcases much more good than bad.
Rated 03 Mar 2020
darrenDarren
Rated 23 Mar 2020
78
71st
Elizabeth Moss gives one of the best horror performances. It being in a Blumhouse will keep the snobs from comparing it to Colette in Hereditary but don't worry I'm always here flying the flags for the pop horror schlock. Scary movie and no one actually said the words gaslighting in the movie.
Rated 23 Mar 2020
gabrielpGabriel_p
Rated 19 Jun 2020
65
33rd
The idea is good and Moss's acting is great, but the movie is so full of plot-holes it's almost laughable.
Rated 19 Jun 2020
thegreyfoxthegreyfox
Rated 28 Jun 2020
78
68th
This was a classic case of great horror cinema (direction, cast, photography, sfx, story) spoilt by some eye-rolling script cliches/stupidities. However, the fact that it is is so well shot and directed, with some terrifically intense and well shot scenes makes that secondary to the enjoyment the film provides. Sure, if someone smoked it could have all been settled long ago, but the acts "post-reveal" could easily have been a let-down, and it is to the directors' credit they weren't. Good film.
Rated 28 Jun 2020
pianosamaPianoSama
Rated 28 May 2020
70
82nd
An excellent performance by Elisabeth Moss, a strong supporting cast, a clever script that keeps the hits coming, & a satisfying final act that ends things on a suitably grey note all make this genre-mashing psychological horror very worthwhile. While not without its flaws, it has enough positives to outweigh them, & is a rare example of a remake that not only sets itself apart from the original, but does so in a successful & unique way. Well-shot, well-acted, & definitely worth a watch.
Rated 28 May 2020
jasongirl67Jasongirl67
Rated 30 Jun 2020
100
94th
Excellent !
Rated 30 Jun 2020
wwallce4prezWWallce4prez
Rated 31 May 2020
70
46th
An interesting take on the Universal classic that succeeds on the back of a very good Elizabeth Moss performance. I struggle with films about people not believing the main character, but this has enough twists and good set pieces to keep it moving.
Rated 31 May 2020
fredericg54frederic_g54
Rated 05 Mar 2020
7
57th
Worth a watch for being a fresh take on the classic tale that builds suspense and entertains effectively. Would've enjoyed it even more had the story been less predictable, but the stuff that does work, works well.
Rated 05 Mar 2020
groovysoulsGroovy_Souls
Rated 10 Mar 2020
85
82nd
WOW. Tense, biting, and scary. I went into this thinking I knew everything about the plot, but trust me, they hid stuff from you. A really interesting take on the character and Leigh Whannell is proving he can stand on his own two feet, outside James Wan and the Conjuring Universe. Now I just have to watch Upgrade.
Rated 10 Mar 2020
hellboy76hellboy76
Rated 01 Oct 2020
69
73rd
What could easily be (and usually is) a super cheesy premise (fighting invisible things) actually kinda works thanks to a more subtle first half. It kinda unravels a bit towards the end but its forgivable and still an enjoyable romp with good talent.
Rated 01 Oct 2020
king_zazvorking zazvor
Rated 04 Apr 2020
60
28th
Enjoyable but nothing exceptional. The biggest fault is how much you need to suspend your disbelief in regard to a Silicon Valley dork's obsession with one girl but also in regard to his strength (at times it almost seems like a superhero film). I would have preferred a more meditative exploration about the doubt that surrounds someone in Moss' position, as that is what makes the film modern, not the unimaginative special effects.
Rated 04 Apr 2020
andaybandayb
Rated 21 Mar 2020
50
27th
somewhat serviceable. casting of moss is spot on. she has the look and physicality of an abused woman to a tee. the rest of the movie is predictably low shelf. it's not bad by any means, and has some cool tidbits and such, but in the end not that memorable.
Rated 21 Mar 2020
twincinematwincinema
Rated 01 Mar 2020
80
75th
If I could go invisible, I am not really sure what I would do. Is there anything non-creepy that you could do invisible that you couldn't do visible? I am sure there is, but buddy, I am not thinking that one through. This is the scariest film of all-time for anyone who has gone through an abusive relationship.
Rated 01 Mar 2020
morphinapgmorphinapg
Rated 10 Jun 2020
77
68th
This movie does a good job at creating suspense, especially through the camera work. Plenty of great surprise moments too.
Rated 10 Jun 2020
judo_koalaJudo Koala
Rated 19 May 2020
65
23rd
A fun if not stupid romp; suspension of disbelief is required in heavy doses. Moss really loves chewing into the woman-on-the-verge role lately, huh?
Rated 19 May 2020
florvdeFlorVdE
Rated 07 Mar 2020
2
39th
I'm glad this movie exist and is successful. It's more original and creative than it strictly needed to be from a mercenary standpoint and Moss is engaging to watch. Make no mistake though: the characters are wire thin and the plot is dumb as a bag of invisible bricks.
Rated 07 Mar 2020
jschlanskyJSchlansky
Rated 27 Jun 2020
72
62nd
I was saying to myself "This James guy is super likable. I hope he doesn't get got by the invisible man." Then James went, "You know I'm a cop, right?" And I went, "... Let's reconsider that whole getting got situation."
Rated 27 Jun 2020
nothingsgoodNothingsGood
Rated 05 Mar 2020
70
74th
Great tension built through meticulous visual and sound design. Sadly the CGI and weird second act finale prevent this from being a really great movie. Regardless, it's worth a watch.
Rated 05 Mar 2020
luordluord
Rated 04 Mar 2020
93
98th
A near suffocating exercise in tension, this sucker punch of a movie almost never lets go. Moss's performance almost never goes a shade under or overboard and Whannell's direction almost never misses a step.
Rated 04 Mar 2020
vandelay1Vandelay1
Rated 09 Mar 2020
60
63rd
okay movie
Rated 09 Mar 2020
ribcageribcage
Rated 25 Aug 2020
88
89th
You feel under constant threat, and no sooner have you imagine the fucked up shit that could happen than Whannel delivers it with flair. The effects are great, the tension noose-tight, the thrills fantastic, the open subtext harrowing and infuriating to think of the people who really go through this. Whannel's hit it again and between this and Upgrade I'm here thinking, "Damn. I wish he'd started directing sooner!" Can't wait to see what he does next.
Rated 25 Aug 2020
hofschneiderHofschneider
Rated 01 Mar 2020
84
79th
The emptiness of the villain is doing the trick. It works wonders. And Moss! Moss is just Maryl Streep with better taste in movies. What an artist she is!
Rated 01 Mar 2020
fuentissimoFuentissimo
Rated 09 Mar 2020
58
74th
I liked this interpretation of the invisible man. Some shocking moments, some predictable moments, but there was a great suspense in believing that what was happening wouldn't stop because of the abuse Cecilia suffered. It was that suspense that makes a film like this enjoyable.
Rated 09 Mar 2020
iamdwgIamdwg
Rated 28 Mar 2020
85
75th
Not a bad horror film, even though it's more "thriller" than "horror". Elizabeth Moss is the perfect casting choice for this role, even if it is a bit of a typecast role. She's one of the best actresses working today, and she can really sell a number of different emotions. The story here is predictable in my opinion, but still executed very well.
Rated 28 Mar 2020
romalenRomalen
Rated 27 Feb 2020
83
40th
This was very intense. Whannell creates a very good balance between the horror and the thriller aspects of the story while placing a deep focus on the main character. Moss plays this Hitchcockian anti-heroine to perfection. She's basically in a league of her own right now.
Rated 27 Feb 2020
abunchofcatsABUNCHOFCATS
Rated 18 Mar 2020
84
62nd
Lots of fun! Really good at inducing anxiety.
Rated 18 Mar 2020
actionbergActionberg
Rated 01 Nov 2021
85
84th
It's hard to overstate how excellent Elisabeth Moss is in this. It's a performance reminiscent of Farrow in Rosemary's Baby, dragging you through her emotional torment as her world turns upside down. I would say she carries the film, which one would expect of a low-budget genre piece, but the other elements of the film are also super-strong. The photography has a masterful grasp of space (more often negative space), the narrative is taut but surprising, and the scares are anything but cheap.
Rated 01 Nov 2021
glumpy99glumpy_99
Rated 11 Feb 2021
42
7th
Absurdly silly chiller shows promise in a tense opening act; Whannel's expert horror craftsmanship marries to another brave and intense Moss performance. Deficiencies in Whannel's screenplay start to become apparent as the film progresses: clunky, awkward exposition inserted between plotting which makes little sense, especially in regards to the villain's inefficiently complex grand plan. Placing the big reveal at the midpoint means the second half has little else to offer.
Rated 11 Feb 2021
zoinkzoink
Rated 12 Jul 2020
65
50th
Last movie I saw in theaters before Covid19
Rated 12 Jul 2020
supergloosupergloo
Rated 21 Mar 2020
3
9th
Too bad the entire movie wasn't invisible.
Rated 21 Mar 2020
seethruskinSeethruskin
Rated 09 Mar 2020
5
81st
Saw this on international women's day because I'm a good ally. Ladies, If any guy is treating you wrong, my DMs are open
Rated 09 Mar 2020
magdabagmagdabag
Rated 14 Apr 2020
89
75th
Didn't actually find time to see this one...
Rated 14 Apr 2020
yiannosYiannos
Rated 29 Aug 2020
48
19th
File next to The Babadook and It Follows as modern horrors that attempt to deal with 'women's issues' that fail as both social critiques and genre entries. This type of thing is becoming too common now, and contrary to popular belief it is not 'intelligent' as it does all the thinking (i.e.not much) for you. Middlebrow critics lap this crap up, but horror fans should know better than to fall for these 'woke' like stunts. Some good shots though, especially in the opening scenes that held promise.
Rated 29 Aug 2020
amorfusAmorfus
Rated 03 Mar 2020
91
78th
Elizabeth Moss is one of the great leads of my generation. This movie is good, and I do highly recommend it, but Moss is truly magnificent in anything she does so far. Fun. Suspenseful. Thrilling. Haunting.
Rated 03 Mar 2020
gatoquentegatoquente
Rated 22 Apr 2020
93
53rd
It succeeded in scaring me thinking that a malevolent unseen force is breathing behind my back could one day become reality due to scientific advancement. Add the good sound effects, like sudden thuds after tiptoeing silence, jolted me from my seat. Some bits were irrational though: e.g. antagonist's pursuit on a girl who's not that hot & his faked death that made authorities look dumb. MY SCORING: 99-96=Great; 95-90=Very good; 89-85=Good; 84-80=So-so; 79-70=Boring; Below 70=Forget it
Rated 22 Apr 2020
vaudevillianVaudevillian
Rated 14 May 2020
95
80th
Blumhouse is killing it! Let's remake everything this way!
Rated 14 May 2020
evilmangoesEvilMangoes
Rated 26 Apr 2020
78
48th
B
Rated 26 Apr 2020
yoshinarutoYoshinaruto
Rated 15 May 2020
80
90th
While it may not be as technically impressive for its time as the 1930’s one, it’s a really good movie. Not just as a scary horror film, the drama was good as well. I genuinely wanted the protagonist to go through as little as possible, since I already felt for her. Leigh Whannell has proved himself as a director after the average Insidious 3, with Upgrade and now this as really solid films for his career. I’d argue his scripts have gotten a lot better as well. Worth renting, maybe buying.
Rated 15 May 2020
filliganFilligan
Rated 29 Mar 2020
86
63rd
Delightfully made. I've never in my life scanned every spec and detail of a frame before in the vain effort to spot something, to see the terror before it strikes, and that's all thanks to Whannell's compelling direction. Tense and fun and an excellent start to 2020. Looking forward to it being nominated for Best Picture alongside The Gentlemen and Bad Boys for Life.
Rated 29 Mar 2020
nutcrackrnutcrackr
Rated 04 Apr 2020
50
8th
Absolutely amateur and dumb. Front door is suddenly open, so let me go out for a stroll? A guest just hit my daughter in our own house, how about we leave and let the guest stay?? Okay, forget that, I just found some evidence to prove I'm not crazy, so I'll stash it somewhere dangerous instead of TAKING IT WITH ME??? Elisabeth Moss is bad--she walks around rooms and looks at nothing. Kitchen fight was woeful. I give it marks for the Crysis hallway action and for the reliable Uber driver.
Rated 04 Apr 2020
alanlaidlawAlan_Laidlaw
Rated 26 Aug 2020
72
46th
This film understands the underlying tension of not being able to see the antagonist. The first half is chill-to-your-bone creepy, but the latter half almost falls flat, just about being held together by Moss' mesmerising and magnetic performance.
Rated 26 Aug 2020
greenerGreener
Rated 28 Feb 2020
63
38th
The movie is adept at setting up an intense atmosphere, strongly supported by good acting of Moss. I have seen many complaints about the ending, but actually it was the best part of the movie in my opinion.
Rated 28 Feb 2020
philamentalphilamental
Rated 21 Mar 2020
52
21st
Good acting, good looking and some really good setups and scenes, but the 'why wont anyone believe me? They think I'm crazy' sub genre is one of my least personal favourites so this was never likely to be a good match for me. While I can appreciate slow build up there's way too much of it here, and when I was able to more or less see everything coming throughout (ironically when you think about it) the slow pace was even more problematic.
Rated 21 Mar 2020
lupisterlupister
Rated 10 Apr 2020
65
76th
Some pretty tense moments, but the overall story is pretty silly and nonsensical.
Rated 10 Apr 2020
fenixdownfenixdown
Rated 14 Jul 2020
64
22nd
Decent remake of Paranormal Activity.
Rated 14 Jul 2020
foxyrussianFoxyRussian
Rated 21 Mar 2020
91
79th
Sometimes horror can talk about current day issues with subtly, almost invisibly hinting at it. The Invisible Man is able to tackle abusive realtionship with great care and does an excellent job using it as a narrative backbone to make the monster more threatening. Leigh Whannell long shots produce dread in scenes with no scares. Elisabeth Moss gives 2020's "Oscar Worthy but will never be considered cause it's a horror movie" performance.
Rated 21 Mar 2020
duderDuder
Rated 26 Mar 2020
65
59th
The first hour of this film is a masterpiece, seriously very well made. I had goosebumps for an hour. Then it takes a dive, a deep one. Which is sad. It's not awful, it's just classic action/horror with not much specialty. Oh but that first hour.. Moss is amazing as always.
Rated 26 Mar 2020
calexicoCalexico
Rated 03 Jul 2020
75
51st
Smart, scary.
Rated 03 Jul 2020
aaasolankiaaasolanki
Rated 04 Apr 2020
77
49th
I had seen the Hollow Man and was circumspect about checking this one out. Trust a different director to breathe life into a remake. The movie keeps you guessing right till the end and I doubt if most people will be able to guess the end.
Rated 04 Apr 2020
quintonjaminQuintonjamin
Rated 22 Oct 2021
70
66th
I know nothing about any previous invisible man anything and I actually really liked the story here. Nothing amazing, but enjoyable.
Rated 22 Oct 2021
thedicemanTheDiceman
Rated 04 Mar 2020
60
62nd
Only good because of Elisabeth Moss.
Rated 04 Mar 2020
thyronthyron
Rated 02 Apr 2020
88
87th
Very tense. Elizabeth Moss is fantastic.
Rated 02 Apr 2020
moribunnyMoribunny
Rated 24 Sep 2020
58
48th
Kind of a guilty pleasure, it shows you can take a tacky nonsense premise and make it actually kinda work, by investing even a teeny bit of sincerity and logic into the execution (more than I ever expected from Leigh Whannell anyway). Extra points for not shoving its inane allegory down the viewer's throat. Elisabeth Moss is not the most sympathetic actress but she always aces looking tortured, and that's just what this film needed.
Rated 24 Sep 2020
jaiguyJaiGuy
Rated 27 Mar 2020
60
10th
Liz Moss is great in a nicely photographed movie with a stale script. I preferred the Saw actor Leigh Whannell's other movie Upgrade.
Rated 27 Mar 2020
windyshadowwindyshadow
Rated 22 Mar 2020
85
64th
I really liked this movie!
Rated 22 Mar 2020
td888td888
Rated 21 Mar 2020
70
76th
Very, very well done.
Rated 21 Mar 2020
nacho353Nacho353
Rated 06 Nov 2020
30
20th
Starts as a decent horror movie when all of the sudden it becomes a silly action movie. On one hand I'm thankful for that, 2 hours of actual horror is kind of too much for me. On the other hand I get annoyed when movies give up on their concept midway (I kind of see this happening really often in modern Hollywood and I blame MCU for that).
Rated 06 Nov 2020
ernestinaErnestina
Rated 29 Jul 2020
68
70th
Suspenseful with some good twists and adequate (but predictable) ending.
Rated 29 Jul 2020
montycircusMontyCircus
Rated 15 Mar 2020
60
69th
It's alright. Might be the last new movie I see in theatres in 2020. Thanks COVID-19!
Rated 15 Mar 2020
kgbelliveaukgbelliveau
Rated 07 Feb 2021
80
51st
Tension can obviously be built around the Invisible Person may be anywhere concept but you need actors that can take that and turn into something. Elisabeth Moss did that. She took what was a basic horror plot and added layers to her characters fragile mental state. It adds a few twists and turns that keep things engaging while blending different troupes from different genres effectively to keep you focused. It doesn't have much of an ending, at least not one with any subtlety.
Rated 07 Feb 2021
bofbof
Rated 07 Mar 2022
67
53rd
Whannell flips Wells' story completely, with very mixed results. I love the basic idea; the invisible man not as aberration, but as just another untouchable douchebag. And Moss is brilliant as ever. Too bad Whannell is still in jump-scare mode and can't tell the difference between a great suspense piece (the lingering cameras, the puff of breath) and just dumb horror movie logic that intellectualizes what should be primal and vice versa. Pretty good movie, but given to, say, Jennifer Kent...
Rated 07 Mar 2022
koalafishKoalafish
Rated 20 Apr 2020
65
48th
Not bad at all
Rated 20 Apr 2020
timmotimmo
Rated 12 May 2021
90
66th
A very solid thriller that takes what could've been more subtle subtext and smears it all over the lens, but in a good way, somehow.
Rated 12 May 2021
tsvetetsvete
Rated 11 Jul 2020
81
18th
1
Rated 11 Jul 2020
mcproustMCProust
Rated 24 Apr 2023
55
15th
Meh. Moss is excellent, but the pointed de-emphasising of the villain and the gossamer-thin characterisation deflate the tension instead of granting the story the universal quality Whannel was clearly aiming for. The film is at its best when it fails to resist the overwhelming pull towards schlock exerted by the material (the restaurant scene is gleefully shocking, as are the sundry GoPro extravaganzas); sadly, it is just as often repetitious and didactic.
Rated 24 Apr 2023
scribScrib
Rated 08 Jul 2022
70
54th
This isn't a horror movie, it's a distress movie. It's not H.G. Wells' The Invisible Man (much to my disappointment), but I went in expecting a horror movie that might be entertaining and I think I got that. The villainous boyfriend is cheesy in his portrayal ("suprise"), making what is a fairly grounded thriller/drama suddenly feel very comic book in the final act. The main character is also a bit stupid sometimes, but smart main characters are practically extinct anyway.
Rated 08 Jul 2022
jlfmJLFM
Rated 14 Mar 2020
67
47th
A smartly crafted allegorical horror film that manages to thread the needle through its metaphor while still offering some relentlessly suspenseful sequences. The material is heavy enough, however, that it's hard to imagine returning to this film despite its quality. As effectively thrilling as it is, it's also not very fun because of how serious it is. The ending initially left a bad taste in my mouth, but the more I let it percolate, the more I see how well it lines up with its allegory.
Rated 14 Mar 2020
peyrinpeyrin
Rated 01 Nov 2020
80
81st
Like Garland and Ex Machina, Whannell is rewriting the horror conventions for the 21st century. The Shakespearean mad scientists and chemistry experiments of the 1933 zeitgeist have been replaced with soulless tech executives and surveillance technology. Not to mention the feminism angle - a little on-the-nose, but something you'd never see in 1933 no doubt. Sandwiched halfway between the trashiest Blumhouse and Ari Aster, this is the kind of blockbuster I wish there was more of these days.
Rated 01 Nov 2020
solomonburrrSolomonBurrr
Rated 18 Nov 2020
73
61st
72.5.
Rated 18 Nov 2020
videoetronVideoetron
Rated 05 May 2021
76
89th
Much better than expected, from the fact they didn't go the "science way" like some other take on the concept, but rather went right to the suspense. It's not perfect, but one has to give it to them: they managed to keep the tension going even if the viewer knew what was going on.
Rated 05 May 2021
capodelnullacapodelnulla
Rated 08 Mar 2020
60
39th
whannell numaralarını çok iyi işleten, kamerasına hakim ve heyecan veren bir yönetmen. upgrade'de olduğu gibi burada da bildik numaraları sosyal/kültürel bağlamlara oturtmayı başarıyor fakat burada gösterişçi etkiye daha fazla meylediyor. virajların çok önceden belli olması pek mesele değil zira duygusal etkiyi anlık değil süreç içinden görüyor whannell ama nihayetinde blumhouse işte, piyasaya fazla oynuyor. moss'un hem incelikli hem gösterişçi performansları...
Rated 08 Mar 2020
wetwillieswetwillies
Rated 24 Mar 2020
80
37th
Viewed March 23, 2020.
Rated 24 Mar 2020
whatisitiseewhatisitisee
Rated 29 Oct 2020
65
29th
really takes its time setting things up and could have been trimmed considerably. the ending is so stupid and ruins whatever the movie had going for it in terms of creating suspense and tension. the irony of elisabeth moss playing the main character is amusing
Rated 29 Oct 2020
smallbirdsmallbird
Rated 27 Jul 2021
50
20th
I was really looking forward to this remake but unfortunately the relationship and abusive ex just threw me off so bad. At least the new tech for the invisibility was cool enough.
Rated 27 Jul 2021
sfxysfxy
Rated 30 Dec 2020
70
41st
Elisabeth Moss finds a way to elevate this formulaic schlock with her tense, emotional performance.
Rated 30 Dec 2020
hakkanarejohakkanarejo
Rated 02 Jan 2021
65
11th
Cecilia is trapped in a relationship with a violent and controlling scientist. One night she flees her boyfriend and, with the help of her sister and friend, manages to hide. When her ex takes her own life, she thinks she can finally continue her life. Until her mind is put to the test when a series of bizarre events unfolds and the lives of her loved ones are in danger.
Rated 02 Jan 2021
kavuKavu
Rated 08 Feb 2021
77
60th
Surprisingly competent in many ways. Effects, acting, even writing. Enjoyable.
Rated 08 Feb 2021
maxmodemaxmode
Rated 28 Mar 2020
80
78th
Terror eficiente e perturbador, pelo menos na primeira hora do filme. Mesmo caindo um pouco a partir disso, não deixa de ser interessante e muito acima da média.
Rated 28 Mar 2020
goran_saracGoran Sarac
Rated 06 Jan 2023
6
52nd
Just another movie about "Greenbauming" (trauma-based mind control).
Rated 06 Jan 2023
hotsakehotsake
Rated 08 Mar 2020
67
67th
Even though the film has its share of flaws I still liked it up until the ending which completely lost me. Trying to stay spoiler free, Its not what happens during the climax but how it happens, at least to me really cheapened the whole thing and left a sour taste in my mouth. Most of the acting was alright but I thought Elisabeth Moss and the Michael Dorman played the line of overacting.
Rated 08 Mar 2020
elmakebabielmakebabi
Rated 20 Apr 2021
70
64th
I like how it turns a fantastic ghost story into a scientific one, makes it believable. Therefore, it's much more creepy than average horror movies with ghosts.
Rated 20 Apr 2021
arasAras
Rated 03 Mar 2020
70
36th
"Spectrum"
Rated 03 Mar 2020
braddad68braddad68
Rated 17 Aug 2020
94
74th
I like what they did with this remake. The only i'll say not to spoil anything is that it has more of a horror feel.
Rated 17 Aug 2020
kingjohnbbqKingjohnbbq
Rated 12 Mar 2020
83
44th
This was a pretty solid take on the invisible man premise. I could feel this woman's anxiety, shes a great actress. She really sold the whole thing for me. I really liked the psychological aspect of it all, it was a pretty decent watch, Idk if it would be as entertaining a second time through though. this is pretty much a one and done movie.
Rated 12 Mar 2020
darknightsDarkNights
Rated 23 Dec 2023
72
70th
Thriller efficace, avec un concept qui se respecte, et une réalisation adaptée. La plupart des séquences où l'héroïne est attaquée, et autres scènes d'action font sensation. J'ai juste eu du mal avec les personnages secondaires, et l'absence de psychologie.
Rated 23 Dec 2023

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