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The Killing Jar

The Killing Jar

2010
Drama
1h 32m
A stranger armed with a shotgun takes seven patrons hostage in a remote roadside diner. But as the body count increases, the desperate survivors discover that one of the hostages may be even more dangerous than their captor.
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The Killing Jar

2010
Drama
1h 32m
Your probable score
Avg Percentile 33.4% from 53 total ratings

Ratings & Reviews

(53)
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Rated 20 Feb 2019
10
3rd
Absolutely awful. I saw this years ago and it marked the moment where I realized that Michael Madsen was in some garbage
Rated 08 Feb 2012
25
4th
I chose to see this one for its cast. But even good actors can only do so much with a bad script. It felt like they only had a very small plot and they were desperately trying to stretch it out over 90 minutes. They even went so far as to literally show several shots of a ticking clock. It wasn't offensively bad or anything, but it didn't affect me at all.
Rated 01 Jan 2023
54
13th
Another in the series of assembly-line budget thrillers starring former action men of a certain age – but this is a quite acceptable and watchable one if graded on the curve; Young as director manages some modestly interesting set-ups and his cast acquit themselves as best they can with a clumsy screenplay; Busey strides in with a bolt of energy about halfway through, and Perrineau delivers a legitimately fine and commanding performance – he almost elevates this to a mild recommendation. Almost.
Rated 19 Oct 2011
65
30th
Pretty original, I wasn't bored at any time while watching this. The ending was very unsatisfying though.. otherwise it could have been an awesome movie. The whole "who is mr. Smith"-concept was cool and casting Michael Madsen as a psycho killer is always the right thing to do!
Rated 22 Mar 2011
15
0th
It might easily be one of the worst thrillers ever made -- and that said by a big fan of Michael Madsen.
Rated 07 Dec 2013
27
1st
like a talentless high school play
Rated 24 Dec 2014
75
30th
The Killing Jar is a bargain basement hostage drama with a bit more bluster than basis, but the overacting only kicks in when it's too late to turn the movie off. That's the trick. It pulls the right twist out of its ass at enough of the right times so that at a certain point, you're gonna have to be late for work today. And for that, I forgive virtually anything.

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