The Life and Death of 9413, a Hollywood Extra
This short experimental film tells the story of a man who comes to Hollywood to become a star, only to fail and be dehumanized (he is identified by the number 9314 written on his forehead), after which he dies and goes on to Heaven where the number is removed. (imdb)
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The Life and Death of 9413, a Hollywood Extra

1928
Short Film
11m
Your probable score
Avg Percentile 57.17% from 125 total ratings

Ratings & Reviews

(125)
Compact view
Compact view
Rated 20 Mar 2024
80
43rd
Rated 19 Feb 2024
65
51st
Rated 30 Sep 2023
77
94th
Rated 04 Aug 2023
80
85th
Rated 29 May 2023
60
47th
Rated 20 May 2023
12
63rd
Rated 10 Feb 2023
75
65th
Rated 23 Apr 2022
57
72nd
Rated 15 Apr 2022
4
61st
Rated 15 Apr 2022
4
53rd
Rated 28 Dec 2021
82
88th
Rated 26 Oct 2021
90
80th
Rated 26 Aug 2021
78
77th
Rated 01 Aug 2021
12
23rd
Rated 09 Jul 2021
70
58th
Rated 04 Jun 2021
55
66th
Rated 14 Apr 2021
70
15th
Rated 15 Jan 2021
85
86th
Rated 29 Dec 2020
63
74th
Rated 28 Sep 2020
70
78th
Rated 14 Aug 2020
80
85th
Rated 16 Jul 2020
80
68th
An actor comes to Hollywood seeking fame and fortune but is assigned the number 9413 and used as an extra. A silent experimental short written and directed by Robert Florey and Slavko Vorkapich for a total budget of $97 (about $1500 these days). They shot it in their homes using walls they painted black as backdrops and constructing their own miniature sets. It's heavily influenced by German expressionism with black skylines jutting out at clashing angles from dark shadows.
Rated 15 May 2020
3
16th
Rated 19 Apr 2020
80
58th
Rated 28 Sep 2019
77
65th
Rated 10 Sep 2019
3
73rd
Rated 04 Sep 2019
38
9th
Rated 12 Aug 2019
75
70th
Rated 09 Aug 2019
80
91st
Rated 25 Jul 2019
76
62nd
Rated 23 Apr 2019
80
71st
Rated 07 Apr 2019
60
70th
Rated 14 Mar 2019
70
57th
Rated 31 Jan 2019
82
86th
Rated 19 Jan 2019
40
6th
Rated 05 Dec 2018
80
90th
Rated 18 Sep 2018
7
88th
Rated 16 Aug 2018
70
72nd
Rated 20 May 2018
66
46th
Rated 01 May 2018
70
61st
Rated 20 Dec 2017
60
45th
Rated 17 Nov 2017
60
70th
Rated 25 Sep 2017
70
51st
Quaint fun with some ambitious effects. The narrative of Hollywood as a dream-crusher for all but the very most cunning and tenacious is older than I thought.
Rated 02 Aug 2017
80
41st
Rated 02 Aug 2017
73
59th
"Dear Mr. Almighty, The Bearer is John Jones, an Artist." Nothing has changed in 100 years. The ending is the same as Gilliam's Brazil, and it can't be a coincidence.
Rated 22 Jun 2017
70
49th
Nice to see criticism of Hollywood has been pretty much the same since the beginning, though personally this doesn't do much for me. The irony of Florey becoming a studio filmmaker based on the success of this short should not be lost on anyone. Hopefully he treated his actors and extras better.
Rated 30 May 2017
20
4th
Rated 11 Apr 2017
70
44th
Rated 11 Mar 2017
63
54th
Rated 09 Mar 2017
50
25th
Rated 31 Jan 2017
70
57th
Rated 10 Nov 2016
66
58th
Rated 31 Oct 2016
80
58th
Rated 09 Oct 2016
73
48th
Rated 22 Sep 2016
72
34th
Rated 28 Jun 2016
74
91st
An impressively achieved short using the latest in expressive art direction and montage work to drive a witty account of Hollywood as a thankless sausage-grinder for dreams. Also, a rare example of something this avant-garde jumping to highly lauded general success. Though, there is something more than a tad ironic in how Florey leveraged that success to transition from talent-agent cum avant-garde director to a mildly successful director of by-the-book program pictures.
Rated 16 May 2016
64
19th
Rated 15 May 2016
77
95th
Rated 13 Apr 2016
76
50th
Rated 11 Feb 2016
80
67th
Rated 07 Jan 2016
36
61st
Rated 23 Nov 2015
5
22nd
Are we all Hollywood extras? A germanic experiment.
Rated 08 Nov 2015
50
30th
Rated 09 Oct 2015
75
42nd
Rated 23 Aug 2015
60
28th
Rated 19 Jul 2015
65
11th
Rated 11 Jul 2015
70
12th
Rated 19 May 2015
90
82nd
Rated 13 May 2015
80
82nd
Rated 24 Apr 2015
100
95th
Rated 12 Mar 2015
60
70th
Rated 15 Dec 2014
80
64th
Rated 19 Nov 2014
65
83rd
It looks like a modern short, imitating, faking a silence era production. but, no. It's filmed in 1928 and looks great.
Rated 02 Sep 2014
76
85th
Rated 19 Aug 2014
80
91st
Rated 23 Jul 2014
87
79th
Rated 30 Jun 2014
7
67th
I appreciate the enthusiasm and experimentation. For a $97 budget this is remarkable! But it's very one note, and the ending disappointed me.
Rated 01 Jun 2014
70
30th
Rated 12 May 2014
65
71st
Inventive and imaginative expressionist short that is rather remarkable given that it was made in 1928 and had a budget of $97. I guess MULHOLLAND DRIVE, whose affinities to CONTEMPT have often been noted, could also be considered a remake of this film, where the moment of death is the moment one enters the dream of being more than grist to the Hollywood machine, thereby capturing the thanatological, thaumaturgical and oneiric aspects of the cinematic invention and cinematic experience itself.
Rated 16 Apr 2014
45
21st
Rated 19 Feb 2014
80
48th
Rated 02 Feb 2014
59
64th
Rated 02 Feb 2014
50
26th
Rated 01 Feb 2014
60
46th
Rated 25 Jan 2014
50
8th
Rated 13 Dec 2013
7
92nd
thought this was an absolutely fantastic little short. a modern, expressionist piece on the hollywood dream, with all sorts of neat details such as the masks representing the acting. the jazzy soundtrack suited the modernism perfectly.
Rated 01 Dec 2013
70
68th
Rated 18 Nov 2013
5
38th
Rated 16 Sep 2013
73
94th
Always fascinating to see expressionism's influence on this side of the pond. Although perhaps a bit on the nose, this one is.
Rated 16 Sep 2013
60
33rd
Rated 03 Sep 2013
74
56th
Rated 14 Apr 2013
40
11th
Rated 18 Mar 2013
50
43rd
Rated 10 Feb 2013
80
63rd
Rated 23 Jan 2013
67
41st
Rated 23 Jan 2013
4
51st
Rated 14 Dec 2012
60
10th
Rated 03 Dec 2012
56
49th
Rated 02 Dec 2012
20
14th
Rated 16 Nov 2012
64
64th

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