The Man We Want to Hang

The film (with a lively score by Liadov) generally consists of slow, generous shots of the gallery exhibits, the majority of them starting with a shot of the bottom of the painting or drawing and panning up to reveal the rest, the gaze ascending, the shot itself possibly a metaphor for the process of observation of the works, as the gaze at the esoteric art reveals symbols and meanings with a correspondent ascendance in consciousness... (alterati.com)