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The Purple Rose of Cairo

The Purple Rose of Cairo

1985
Romance
Comedy
1h 22m
Your probable score
Avg Percentile 65.93% from 2401 total ratings

Ratings & Reviews

(2401)
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Rated 24 Nov 2007
4
70th
Allen's love letter to the movies; in just under 80 minutes, Woody is able to communicate the magic and emotional power that movies are able to convey, and their ability to brighten up our days when real life seems like a chore. Jeff Daniels is pitch-perfect as both Tom, the explorer-from-the-screen, and Gil, his more flawed human counterpart. You won't see many better double-performances. Creative and wholly original, and perfect on an emotional level.
Rated 01 Mar 2009
87
87th
I love the way it contrasts reality and fiction with an absolutely charming love story. The comedy is wonderful and Farrow channels Woody Allen perfectly. I thought it lost a little steam towards the end but the ending itself is great and lifts the film back up, a perfect wrap up of the film's meditations.
Rated 16 Feb 2009
80
61st
This is much more "high concept" than any other Allen I've seen, if I'm using that term correctly. It's got the kind of premise that makes you say "oh, that could be interesting", and then the movie ends up being just about what you expected it to be. That's okay, though, 'cause it's well-made, and the premise IS really clever. There's also one part where the movie doesn't go in the direction you probably expected, and that's the ending, which I personally liked a lot.
Rated 30 Oct 2012
90
88th
What a surprising and enjoyable film. Different to a lot of Allen I've seen.
Rated 31 May 2008
93
97th
The Purple Rose of Cairo is essential viewing for those who love Woody Allen, old Hollywood features, or just anyone who has ever felt the magic of the movies.
Rated 16 Jun 2009
81
78th
one of the more whimsical woody allen movies, even though it doesn't really have his trademark stamp on it, it is wholly entertaining, with only light humor. danny aiello--even though a scoundrel--is at top form, as well are the other players, i was exceptionally impressed by jeff daniels. the biggest, actually only, faults of this movie are that woody allen didn't make the ending a feel-good one, and that he didn't give a top notch writing performance.
Rated 11 Mar 2010
93
91st
An unusual Woody Allen film about what it means to get lost in the movies, and what are the consequences of escaping from them. This is one of Mia Farrow's best performances, and Jeffy Daniels and Danny Aiello are also very good here. Also, I like the surprisingly downbeat ending.
Rated 14 Aug 2007
78
89th
Decades since I saw this ode to both the magic of the dream factory and the necessity of refusing to succumb completely to its charms, no matter how depressing and depressed the surrounding world might seem to be. Apparently, it is Woody Allen’s favourite Woody Allen film.
Rated 22 Mar 2009
72
75th
Life is not like in the movies. But movies make us really dream with a wonderful, joyful and lovely life. And that's all that matters. The way Woody Allen uses filmmaking to talk about the movie-watching experience is pure, passionate and charming.
Rated 09 Jan 2011
90
69th
Beautifully breezy in tone, until the ending. That doesn't mean the ending isn't absolutely perfect, however.
Rated 10 Mar 2024
8
78th
A goofball, funny affair with a couple of beautiful and charming scenes that easily ranks as one of Woody’s best. Love or hate the character, he’s a great writer/director, no doubt about it.
Rated 18 Feb 2013
95
92nd
A great film that doesn't get lost in its nostalgic fantasy. Terrific emotional core through naive Cecilia. The initial execution of Tom coming out of the screen is awkward but it's handled with such odd amusement afterward that it works. Some of the best scenes are when the characters question the meaning of existence and their banter with audience. It has a bleak streak to it that helps its footing in reality as the mutual escapes experienced by Cecilia and Tom are futile and temporary.
Rated 04 Feb 2018
45
23rd
Script is uninspired. Jeff Daniels is terrible here and his face looks perfectly punchable - you can't really blame Monk here. Worst Allen I've seen so far.
Rated 27 Apr 2010
100
96th
Um Woody Allen mais sonhador, mas não menos complicado. Aqui nos deparamos com escapismo e desilusão. A eterna incompatibilidade entre o mundo real e o mundo idealizado.
Rated 14 Aug 2007
94
92nd
Absolute magic from Woody Allen. One of his most touching and inventive movies.
Rated 11 Aug 2008
86
63rd
Allen takes a seemingly simple concept and makes it his own. It contains all the hopeless abandon of the movies, while at the same time grounding us in what reality is and will always be. Jeff Daniels doesn't get enough credit for this.
Rated 28 Feb 2019
8
93rd
A wonderful, dreamy tribute to cinema and nostalgia that is clever, romantic, funny and sad by turns at all the right moments. Zips by very fast, the screenplay anticipating your questions (“How does the actor who played this character factor into this?†Etc.) and answers them as quick as you come up with them. The scenes set in the film-within-the-film are super clever without getting bogged down in their own cleverness. Nice cinematography, performances all the way around.
Rated 06 Jan 2009
4
74th
What a blast. This is the most imaginative Woody Allen film I've seen. The romance is touching and realistically complicated (even if one of the characters involved is supposed to be fictional), but there are plenty of comedic touches throughout to keep it light-hearted. The art direction is wonderful as well, with a very convincing Depression-era setting. Jeff Daniels is also notable.
Rated 19 Jul 2023
70
65th
I'm sure I was supposed to be focusing on the character out in the real world but I was far more interested in the movie (within the movie) without the character. I like the idea of a story missing a character that for once isn't Bunny Lake.
Rated 14 Aug 2007
45
14th
A one-joke movie. This isn't uncommon for Allen, but unfortunately the joke just isn't that funny. Mia Farrow continues to churn out boring, idiotic heroines, albeit 20 years after it worked to her advantage.
Rated 18 Nov 2014
25
22nd
Superficially clever and somewhat entertaining, but the effectiveness of the central conceit ultimately suffers from the overall pervasive (intentional?) flatness of the "real" world Allen creates for Daniels' "fictional" character to escape into, a world just as cliched and one-dimensionally stereotyped as any 1930s comedy (and a lot less funny and clever than one at that). Also could Daniels be any less convincing as a '30s comedic actor?
Rated 05 Apr 2012
88
83rd
Charming, heart-warming, depressing--this film is all of these things in the space of 80 minutes. 'Life isn't like it is in the movies;' remember that. Or don't! Allow yourself to daydream. Films are the ultimate escape from the mundane. There is much to love about this masterpiece of storytelling that occupies so little time, but in the end it may be analyzing the viewer and our increasing obsession (immersion) with art even more than we realize. Like Tom/Gil, this film is two things at once.
Rated 24 Jan 2014
90
92nd
Last Action Hero would be SUPER DARK if it copied this exactly.
Rated 23 Jun 2011
50
40th
The premise is actually better than the film. Not as funny, probably because Allen isn't the "main character", as the rest of his ouvres but the bitterness that tones the entire film comes together perfectly in the end.
Rated 24 Oct 2011
92
87th
I love movies with peculiar plot devices. Allen did a good job writing this, and made a genuinely good existential piece (I'm not sure if it was on purpose). A good blend of fantasy and cold realism really made me connect with this movie. The ending always leaves me a bit heart broken, but that is part of the beauty of tragedy, I suppose.
Rated 17 Oct 2012
65
35th
one of the weakest woody allen movies I have watched. the second half picked up some from the dreadful disneyesque start but it never really got anywhere. its all just boring, uninteresting and very much unlikeable.
Rated 27 Oct 2018
89
87th
Beautifully rendered paean to cinema, this is for me Allen's most likable and enjoyable picture. The love for the movies is palpable, the scenario plays out many of the ways our imagination works relative to the characters on screen and the actors that represent them. And we see, ultimately, the way the movies can inspire us to be the kinds of people we always hoped we would be.
Rated 30 Sep 2022
2
13th
Hate woody allen movies.
Rated 13 May 2011
62
25th
Lacks what makes Allen's film's special - great characterization. I guess that's what he gets for going so high concept. There needs to be a balance.
Rated 04 Sep 2012
20
30th
Borders between charmingly imaginative and silly. It's mostly a fun film, not among the best from Allen, and I'm not the man's biggest fan in general.
Rated 08 Dec 2013
65
54th
This is a pretty cute movie. Mia Farrow and Jeff Daniels are nice enough together, and the story's a fun idea. It's far from the strongest Woody Allen film I've seen, but it's very likable. It reminded me a lot of his more recent film, Midnight in Paris (2011), just in the way that they both explore the romanticising of things and whether it's a good thing or not. I was kind of confused where Allen landed on that in this one though.
Rated 15 May 2019
90
96th
Wickedly creative in its depiction of a romance that consciously interacts with the very concept of what we think the ideal movie romance is. Loved the dreary monotone Depression-era backdrop interacting with a vision of the perfect romance (compare this to say La La Land which goes the other way in breaking down a perfect relationship but in a romanticized colorful world). I didn't know Jeff Daniels had that performance in him, damn.
Rated 10 Dec 2010
65
42nd
Woody Allen's benign love-letter to the movies reveals a gentler side of the cunning filmmaker, albeit one that is sadly less interesting. There are definitely some lovely moments to treasure but, overall, the premise is too silly, the jokes are only funny in a "childish" sort of way and, despite the old-fashioned charm, I was left with a feeling of dissatisfaction. More than any other Allen film, this one left me staring at the screen, with only a mild sense of amusement, thinking: "so what?"
Rated 04 Jul 2020
80
89th
A delightful film in which Allen embraces his love for movies and the power of film to comfort us (i.e. a means of escape). This is Allen romanticising cinema. Through the charming performances of Daniels and Farrow, we are plunged into a highly satisfying exploration of the relationship between the screen world and the world of the viewer. Contains my favourite Allen film line: "I just met a wonderful new man, he's fictional but you can't have everything".
Rated 14 Jun 2009
6
95th
One of the easiest Allen's to enjoy.
Rated 02 Dec 2009
85
84th
I really enjoyed this film, it could have quite easily been cheesy because of the concept but it worked really well. It's funny but awfully tragic at the same time. One of the best movies I have seen in a while.
Rated 30 Jul 2016
80
54th
Concept better than movie. Kind of a fiendish ending played straight.
Rated 04 Apr 2018
60
31st
Funny. Loved the helium scene.
Rated 22 Oct 2011
66
27th
One of those "concept is joke" movies which I don't like if they can't wrap any other comedy around it, which this film doesn't. But the concept is pretty nifty and executed, for the most part, effectively. It's more amusing than funny, but there's nothing amusing about that heart-dropping ending. What the hell?!
Rated 03 May 2009
65
58th
Lots of fun.
Rated 13 Mar 2010
100
98th
Might be Woody's most beautiful film. Simultaneously a nostalgic love letter to the movies and a sad, tender portrayal of the Depression. The atmosphere is richly realized, and the performances from Mia Farrow and Jeff Daniels are simply spectacular. It took a second viewing, but I now see this as one of Woody's best. (two times)
Rated 04 Dec 2010
80
88th
"The Purple Rose Of Cairo", one of Allen's best films, is a gorgeous romantic comedy that features two charming leads (the wonderful Mia Farrow and a very good, pre-"Dumb & Dumber" Jeff Daniels), excellent music and great jokes. A lovely film - that sort of movie that generates feelings of affection inside you.
Rated 02 Mar 2008
61
37th
# 787
Rated 27 Jul 2015
50
14th
Dozed off. Woke up. Dozed off again. It's a 40s sit-com.
Rated 14 Aug 2007
78
90th
Good script
Rated 04 Dec 2017
75
71st
Funny, charming, and delightfully odd. I liked how this movie completely owned its fantastical concept; rather than making excuses for the improbability of it all, the movie goes all-in and even gets some great laughs from it. The story itself is rather simple but told in an engaging way, with good performances and a high pacing that doesn't drag for a second.
Rated 16 Mar 2012
80
85th
A likeable piece of meta-cinema and one of my favourite Woody Allen movies. (Re-watched 23-Aug-15. 1001 list.)
Rated 23 May 2021
73
78th
Strong concept that gets too caught up in its own cleverness. It's one of Allen's most attractive looking films though, the period is well captured, and it works as both a commentary on cinema as a dream machine and on the crucial role of this apparatus during The Great Depression.
Rated 15 Dec 2010
89
56th
For some reason, this is my favorite Woody Allen comedy. Maybe it's because I like old movies, and cheesy sentimentality, and horribly depressing endings.
Rated 08 May 2015
80
53rd
An odd-duck in Allen's 80s filmography, for better or worse depending on your stance towards his more characteristic work. A deeply thoughtful love-letter to the enchantment of cinema, despite its corny romantic surface. The lovey-dovey dialogue I can live with, but I've never seen such bland, typical characterizations in an Allen film from this era. One can argue that it augments the fable-like quality of the film, but I don't know maybe it's just not my thing.
Rated 02 Jul 2013
58
33rd
What bothers me most is the poverty of Allen's idea about how people interact. The high concept of a movie character going AWOL is amusing but never logically developed beyond its thin premise.
Rated 25 Sep 2019
70
53rd
Moviegoer: "I want what happened in the movie last week to happen this week; otherwise, what's life all about anyway?"
Rated 19 Dec 2008
63
26th
741
Rated 22 May 2009
5
98th
Manages to be profoundly sad and somewhat uplifting at the same time. One of Allen's absolute classics.
Rated 14 Aug 2007
66
29th
Sad and slow, but interesting.
Rated 14 Apr 2007
80
68th
Another jaunt into fantasy for Mr. Allen. Jeff Daniels, for once, is perfectly cast
Rated 08 Jul 2012
8
82nd
***if it ended with the waking up of the woman who had supposedly fallen asleep at the movie theater during her fifth watch, the movie would be just dissappointing. but i'm so glad that my worries did not become real.***
Rated 27 Jul 2010
65
44th
Fantastic bullshit.
Rated 06 Nov 2014
90
84th
Den morsomste Allen-filmen jeg har sett, men ikke helt der oppe med Annie Hall og Crimes and Misdemeanors. Original vri på et klassisk plott, og jeg likte spesielt godt scenene med skuespillerne som var igjen i filmen. Jeg setter også pris på den usentimentale slutten, en avslutning jeg mener løfter filmen langt over de fleste andre i denne type film.
Rated 30 Mar 2014
60
20th
A world where movie characters are people themselves, but there's also the real actor playing the character. Whoa. Interesting concept, just not a wholly interesting movie.
Rated 22 Oct 2013
84
79th
83.500
Rated 27 Aug 2012
100
99th
My favorite Woody Allen movie, which is saying a lot considering how much of a fan of his I am. It's a beautiful story that is wrapped around the love of cinema, how we use it as escapism from our often crap lives, and how the world they create isn't possible/feasible and yet we still often desire it.
Rated 26 Aug 2009
78
78th
Interesting movie.
Rated 06 Aug 2021
70
45th
7???????????????/?Cecilia?????????Monk???????"??????????????????????????????????????????????????"????????????????????????/????????????????????????????????????????????????????
Rated 11 Aug 2007
85
78th
Woody's riff off the premise Buster Keaton raised in SHERLOCK JR. makes for one of his most charming movies.
Rated 10 Jun 2008
70
81st
Seemed to really speak to my father, who grew up in a Jewish ghetto during the Depression in the US and for whom movies were clearly an important escape, notably musicals, especially Fred Astaire. And he approved of the less than joyful conclusion in which escapism is more-or-less rejected, because in the other direction "lies madness", as he put it. No amount of movie magic could free him from rickets.
Rated 01 May 2013
80
81st
watched: 2013, 2019
Rated 01 Mar 2009
78
87th
Been awhile
Rated 19 Feb 2007
67
75th
Original ....
Rated 01 Jan 2011
100
89th
A cornball adventure film about a dashing young explorer mixing with New York cafe society types. What a delightfully complicated fantasy film this is. What Woody Allen has done with The Purple Rose of Cairo is create a classic film about our love affair with fantasy.
Rated 16 Jan 2009
8
82nd
An experiment that works but could've easily failed. Didn't really feel like a Woody film and Jeff Daniels obviously looks like he is in one of his first roles, he really has improved a lot throughout his career. Danny Aiello is a badass.
Rated 11 Jun 2009
84
92nd
Great movie about movies. Some of Allen's best writing imo.
Rated 13 Oct 2009
76
62nd
A very creative and well-addressed concept, but the film lacks any kind of Allen wit. Really quite bland at times.
Rated 12 Jan 2017
48
36th
An unpleasant and dragging buildup to an unsatisfying finish. Feels like a treatment which was never fleshed out before shooting. Also, every character speaks like Woody Allen and once you hear it you can't stop.
Rated 29 Oct 2021
70
47th
An early inversion of the concept Woody would later use for "Midnight In Paris". Here where fantasy intrudes upon the protagonist's reality setting up a sort of Lacanian love triangle with a perfectly cold, empty conclusion.
Rated 19 Mar 2009
71
63rd
Like _Zelig_ and _Broadway Danny Rose_, this mixes humor with very human situations. The result is a very satisfying work.
Rated 02 Mar 2007
60
62nd
Good film.
Rated 10 Nov 2014
70
29th
I'm sure I'm in the minority here, but the shallow admiration of Hollywood acting and glam made me slightly nauseous. Maybe I just don't like Jeff Daniels. Ironically, I felt the scenes with Danny Aiello were the strongest. They blended tragedy and comedy effortlessly, leaving the rest of the movie feeling postured. Great concept, and it redeemed itself in the end.
Rated 04 Sep 2010
85
65th
There's magic in that thar movie!
Rated 09 Mar 2011
75
65th
Would someone PLEASE get Jeff Daniels out of my house?
Rated 06 Mar 2011
86
82nd
This movie entertains me on almost every level; it's a great-looking period piece directed with care, the characters (portrayed with great skill by great actors) are interesting and realistic, the intriguing concepts give my mind and imagination a workout, it's quite funny, and its theme of "why we go to the movies" is novel and thought-provoking. An all-around great movie.
Rated 23 Oct 2009
73
83rd
Good Movie
Rated 28 Jul 2007
85
87th
Very well done... manages to be a departure for Woody Allen yet still retains his magic touch.
Rated 21 Jun 2008
80
79th
EXCELLENT Woody Allen film, combining the best of his bleak and funny side, all combined making for the best romantic "comedy" ever (take the comedy with a grain of salt- it's pretty bleak compared to, say, Sleepless in Seattle).
Rated 15 Jan 2010
61
22nd
782
Rated 02 Mar 2011
85
73rd
A charming film about a deeply unhappy housewife who is able to live her fantasies through film.
Rated 25 Oct 2023
70
66th
cinema is healing
Rated 14 Jan 2009
85
70th
It shouldn't work, but it does. The movie just charms you into liking it. It's really fun and doesn't have your usual annoying Woody Allen character for those of you that hate that (which is me). The romance would probably make this a great date movie. The best part of it all is the ending, please stick around until the very end if you remotely like the beginning, it really upped my opinion of the movie. Recommended for Woody Allen fans and non-Woody Allen fans alike.
Rated 16 Aug 2009
85
80th
I'm warning you, that's communist talk!
Rated 24 Dec 2012
90
85th
Excellent piece of writing. During the short 90 minutes Allen managed to explore numerous layers of social life, art and studio system structure.
Rated 02 Dec 2011
59
18th
#817
Rated 04 Jun 2012
91
94th
Reminded me of Manhattan. You hop on an escapistic ride, borderline boring, and then find your heart wrecked in the last act... Woody Allen and Mia Farrow swell up to the tragic proportions of Fellini and Julietta Messina.
Rated 11 Sep 2011
45
27th
Yes, the last scene is one of the greatests celebrations of the power of cinema ever, but otherwise the script is extremely self-satisfied and not half as smart as it think it is. On top of that the meta-elements feel forced and wasted.
Rated 12 Dec 2010
85
71st
Unexpected and sweet.
Rated 19 Jan 2020
58
15th
I propably would've felt the ending heartbreakingly great, had I been more involved with the characters and more swept away by the mischievous romance of this classic. But perhaps The Purple Rose of Cairo isn't for me.
Rated 17 Sep 2007
80
89th
delightful Allen film
Rated 14 Mar 2020
39
18th
Appealing premise, but a dull movie overall, despite a couple of magical scenes.
Rated 26 Jan 2010
70
61st
A movie light, naive and romantic by Allen. I definitely prefer your movies more sarcastic and dynamic. But it's not bad, has its charm.
Rated 20 Nov 2009
70
57th
Um bom Woody Allen, mas tem melhores.
Rated 29 Jan 2009
88
89th
It's just fantastic the way that Woody Allen just dialogue with cinema...!

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