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The Road

The Road

2009
Drama, Sci-fi
1h 51m
A father and his son walk alone through burned America. Nothing moves in the ravaged landscape save the ash on the wind and water. It is cold enough to crack stones, and, when the snow falls it is gray. The sky is dark. Their destination is the warmer south, although they don't know what, if anything, awaits them there.
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The Road

2009
Drama, Sci-fi
1h 51m
Your probable score
Avg Percentile 55.79% from 4942 total ratings

Ratings & Reviews

(4942)
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Rated 12 Jan 2010
7
68th
It isn't as good as the book but it's such a great story it would be really hard to mess up the adaptation. Viggo was perfectly cast and the kid wasn't too bad either. Looking forward to Hillcoat's next film.
Rated 08 Feb 2010
78
75th
Hopelessness and the inevitability of death in a world standing on its last leg. Not exactly sunny stuff, yet The Road manages the difficult feat of not wallowing in the sadness and sordidness of the entire thing. Yes, there's despair and loss around every corner but it's faced with genuine sorrow and, perhaps even more harrowingly, a grim determination to push forward even though there is nothing at the end of the road.
Rated 06 Jan 2010
37
34th
Captures all the grimness of the book without the accompanying poetry -- and even then, its grimness is unadorned by pathos or tension to dilute the bland, remote greyness of it all. That isn't to say it's a complete departure from the book: The translation of McCarthy's prose into voiceover is simply heinous and it retains (and elongates) its cowardly ending. The one scene that worked for me was the encounter with the robber simply because, for once, it felt like something was at stake.
Rated 04 Nov 2010
80
86th
Visually and thematically bleak. McCarthy's novel was more leisurely told and, while Hillcoat and the screenwriter did a competent job of pacing this adaptation, it doesn't achieve the same lyricism. The film left me kind of cold - and not, I don't think, because of its hopelessness. Viggo was good but I didn't connect emotionally - somehow it lacked heart. Still well worth seeing, especially for the postapocalyptic world, incredibly visualized, making you truly thankful for our many privileges.
Rated 07 Mar 2010
93
96th
Brutally depressing. Now with 100% fewer iPods than Book of Eli.
Rated 28 Jan 2010
85
88th
The dark and nihilistic older cousin of 'Children of Men', about a father and a son, trying to survive the end of the world. To put it another way, there's nothing here not to love, save maybe the ending, which was always going to be a problem no matter what the director opted for. At times it's gruesomely effective cinema, and there no need to mention how good Viggo Mortensen is, but I just did, so there. A 'must see' for sure, but did I mention that it's dark and nihilistic? I'm not kidding.
Rated 19 Jan 2010
70
44th
A solid post-apocalyptic thriller but it's emotionally underwhelming and a little too bleak for its own good. Some aspects of the film seem underdeveloped, such as the father's connection to his wife.
Rated 17 Apr 2012
75
79th
I love to watch it with a strawberry daiquiri and imagine I'm right there with them on the beach.
Rated 28 Jun 2010
75
77th
Depressing, bleak and as misanthropic as it gets - It plays as a grown/thinking mans version of War of the Worlds, with Mortensen giving it all he's got. And it really IS his achievement that the story doesn't disappear into the monotone nothingness that the movie otherwise steers towards (you do get the feeling that quite a few nuances have gone lost in translation). But definitely worth a watch.
Rated 10 Jun 2012
35
25th
A portrayal of apocalypse almost equal to that of your average zombie film, but with none of the depth of philosophical reflection.
Rated 06 Jul 2010
77
45th
Pretty dire adaptation of a novel that, by all accounts (I couldn't get through 30 pages) is a fairly grim read. I give many kudos to Hillcoat for committing to his decaying, washed-out vision and sticking with it so unrelentingly. Mortensen's a pro, so it's no surprise that he turns in a fine day's work but the child actor isn't up to the occasion and fails to carry the second lead role. My biggest gripe, though, is the lack of a true external conflict to emotionally involve the viewer.
Rated 09 Jul 2010
70
54th
I adore Cormac McCarthy's "The Road." The book is flawless so I can't help but be a little disappointed with this adaptation. It's not Hillcoat's fault. I knew he tried his very best to capture the essence of the book. And I commend his valiant effort to attempt such a Herculean, impossible task. The beauty of the book is in its bleak but powerful words which could never be fully expressed in a motion picture. Lots of subtle elements were lost in translation. But it's still good enough.
Rated 17 Dec 2009
65
31st
Dull. Cringe-worthy performance by the kid. I'm a fan of these post-apocalyptic/survival movies, but I couldn't get myself to enjoy this one -- I really wanted to though.
Rated 21 Dec 2009
75
51st
Something implacable is lost in the translation of this book to the screen. Its done with a fair bit of accuracy but it all feels too much like a bad dream, its missing more ephemeral qualities that would make it hit home.
Rated 14 Mar 2010
35
10th
Dreary, melodramatic, monotone. The kid is annoying as shit, too.
Rated 27 Jan 2015
72
50th
Beautiful cinematography and set pieces about a post-apocalyptic world where cynicism about the fragility of human society takes center stage. I'm sure humans are one catastrophe away from relying on their most basic animal instincts, but it doesn't make for great entertainment. Not sure how many scenes of human depravity are necessary to get a point across. Viggo Mortensen did a tremendous job in a difficult role to pull off.
Rated 30 Jan 2010
70
42nd
The book (in my opinion one of the most important books of the last 10 years) did not need to be filmed, this movie adds very little (if anything) to the novel
Rated 07 Mar 2010
82
59th
What does it say that I watched this film thinking, "Isn't that the same colour scheme as my living room?" Maybe that's why I liked it. And it's not a thriller - it's a chiller. Kind of like life.
Rated 03 Mar 2010
83
84th
A tremendously dark film--do not dismiss it as slow and uneventful. 'The Road' is an experience of a movie--a hauntingly beautiful one that depicts the end of the world not through movie studio executive eyes, but through a realistic approach. This is an intense movie featuring two excellent performances from Viggo Mortensen and Kodi Smit-McPhee, both of whom capture an authentic desperation and emotional resonance with their characters.
Rated 16 Jan 2010
90
79th
"The Road" isn't an action post-apocalyptic movie like "I am Legend" for example. It is the pure fight for survival of father and son after an undescribed katastrophe destroyed the whole world.
Rated 18 Jan 2010
45
31st
2 hours of brown texture.
Rated 05 Dec 2015
83
53rd
It's probably too late to be worthwhile, but I feel tempted to make a gimmick account on Twitter and describe details from the movie as Viggo Mortensen's character. Should I pick up any followers, I would immediately tweet at them in a paranoid manner, demanding to know why they are following me.
Rated 17 Sep 2011
86
97th
Dark, riveting, powerful, depressing and loyal to the source material. The landscapes are stunning and the entire film is just so completely believable. Mortenson turns in his best role to date. One of the best post-apocalyptic films out there.
Rated 30 Oct 2009
87
87th
Very bleak, but well done. This is a hard film to grade - it's so well done, but it feels like it's very one-dimensional. This, I think, is just the limit set by the plot, and not the fault of the cast or director. There's just only so much you can do with the story at hand.
Rated 14 Jan 2010
85
70th
One of the best post-apocalyptic films since Children of Men in 2006. A stirringly grim, gloomy and dreary film.
Rated 28 Jul 2011
3
38th
Serviceable in the most straightforward sense (visually impressive, broadly faithful to the novel's tone, etc.) but fails to be as special as I'd hoped it could be. McCarthy's writing made for some rather awkward (and often redundant) narration, and the film lacks that intangible allegorical quality that made the book more than just Generic Post-Apocalyptic Survival. Interesting enough, but not greatly successful.
Rated 10 Jun 2010
75
74th
Viggo Mortensen stars as a man trying to keep himself and his young son alive in a Post Apocalyptic nightmare world teeming with dangerous cannibals, where almost no real food is left, based on the novel by Cormac McCarthy. Brutal and bleak as fuck, but not nearly as harrowing as the book. Still, an excellent but very, very dark movie with a bunch of great actors in small cameo roles.
Rated 19 Apr 2010
80
78th
Even bleaker than the novel, this adaptation is a beautiful description of a post-apocalyptic world and the struggle of, not even trying to survive, but to simply not die. Viggo Mortensen and Kodi Smit-McPhee are a worthy couple to carry the film, and Charlize Theron makes an appearance that is one of the most depressing ones ever caught on film.
Rated 04 Jan 2010
80
62nd
Good acting, good cinematography, and a good soundtrack. Mortensen and Smit-McPhee do an excellent job of carrying the flick, and the supporting players are good. The scenery is both bleak and arresting, and Hillcoat sells the desolation well. Also great is Nick Cave's soundtrack. There are some potent scares here, and the underlying dread is constant. I only wish there had been more forward momentum in the plot.
Rated 25 Jun 2010
84
82nd
The Road portrays a grim and gray post-apocalyptic world flawlessly, and Viggo captures the raw determination and survival instinct of the character.
Rated 26 Oct 2010
87
93rd
Exceptional. "The Road" is an expertly bleak, grey and touching post-apocalyptic survival story. Mortensen is more than good enough to carry the movie, and Smit-McPhee is a brilliant young actor. There are high quality cameo's from Duvall and Theron too. Hillcoat carves out an almost sickeningly realistic vision of a post-apocalyptic world.
Rated 26 Nov 2009
6
54th
The soundtrack really weighed it down (I hate when music in a movie tries to tell you how to feel rather than complementing what you already feel), scenes absent in the book alluded to the environment being the cause of the "apocalypse" and the flashbacks weren't as strong as I would have liked. The photography was excellent, the acting was excellent, and the gist of the story was captured quite well. Not a remarkable adaptation by any means but it definitely wasn't bad.
Rated 19 Mar 2010
83
92nd
No baby on a spit, minus ten points.
Rated 28 Nov 2009
80
80th
Without the final scene, this would have been the biggest downer in the history of Hollywood. I mean the weather alone was enough to make me want to stick a gun in my mouth. Adheres to the spirit of the novel very well, and the hope it offers is the antithesis to the despair at the end of "No Country For Old Men" by the same author. As bleak as it is, I call it the antidote. (Nit to pick--What would kill all the animals and leave so many humans alive? Artistic bleak à la heroine chic?)
Rated 28 Jan 2010
8
84th
Grayness, death and isolation has seldom looked this inviting or felt this harrowing.
Rated 24 Jan 2010
16
90th
Shot in an overpowering palette of muted greys and browns, 'The Road' is oddly beautiful in its gloominess: in tandem with a fairly faithful screenplay adaptation of the best novel of the last decade, it makes for an engrossing experience. Though the film skirts close to over-sentimentality at points, particularly the oddly protracted ending, ultimately little is lost in the transformation from page to screen; in terms of atmosphere, it's utterly, achingly, perfect.
Rated 31 Aug 2011
85
80th
I'm not sure why some people criticize it for being too bleak. I mean, what do you expect? Anyway, the atmosphere is right on, the acting is superb. I don't feel like it's detached or unemotional at all. Sure, it's not the book, but at least it stuck true to the tone and the basic idea. That's all I expect, I didn't expect it to get all the critical details of the writing because it's not possible. So it's bleak, and never boring. Suicide party!
Rated 05 Jul 2010
80
77th
A very depressing and equally beautiful tale that questions what really makes us human.
Rated 07 May 2010
80
84th
I was pleased to see that survivors in the post-apocalypse don't just have a smudge of movie prop grease to create the illusion of a tough life. There was some emotional realism here that defied my expectations. I'm a casual fan of Cormac McCarthy so i'm not going to swing dicks over the pros and cons of the adaptation. The film is well done in its own right and covers the atmosphere and relevant points. The only complaint is that it's too short also, the ending felt a bit contrived.
Rated 21 Jul 2011
81
81st
Depressing, dark, meh. The first half hour or something I felt kind of alone, and I didn't watch it alone. Portrays the depressing mood well
Rated 08 May 2012
50
11th
very bleak. i feel like the first 1/3 of the movie holds up, but then it wavers after that. this movie should've been cast with all unknowns (though vigo worked)--it's the darkest of dark, the apocalypse, and then hey, whaddaya know, it's robert duvall, omar from the wire, and alma garrett (best two tv shows ever, btw). similarly, the product placement was so completely out of place. lame. plus, find a skinny kid. chubby cheeked cherubs don't belong in the wastelands.
Rated 12 Dec 2009
76
62nd
Ever since Children of Men perfected the apocalypse genre, the idea has become a shitty Hollywood theme park ride with "2012" at the core. Yet "The Road" does a great job of revitalizing what all such movies should be: SCARY AS FUCKING HELL. The cannibalistic tribes and bleaker than bleak atmospheres will linger long with me. Yet while having a serious amount to say about humanity, the film is too short and not creative enough to hammer anything in beyond the visuals and traumatic conflict.
Rated 15 Dec 2009
70
63rd
The look was good, the acting was good but the movie need more. Very very depressing!
Rated 27 Jan 2017
33
24th
Zombie movie without zombies. Adds rudimentary analysis that paranoid, short-term selfishness doesn't lead to much good, and likely is what lead one down a rabbit hole called apocalypse in the first place, but in doing so bends certain acts into the realm of implausible retardation and, hence, to a point of annoyance and contrivance. Some anti-zombie movie potential seems to have been lost in translation.
Rated 23 Dec 2012
100
99th
Top badass moment? Like Batman, he's not perfect and he doesn't have any superpowers, but The Man's single-minded devotion to protecting his son is definitely badass. (Having said that, I guess that's all ordinary family guys have left to do when there's no Sky Sports channels to watch, cars to service, wives to (try and) ignore, or lawns to mow.) No cats, chainsaws or decapitations.
Rated 01 Jul 2010
94
93rd
Dark, dim and depressing but touching. Impressive scenes of the destroyed world make the feelings even deeper. Viggo is awesome as well as the boy. One of the best book adaptations I've ever seen and it is definitely one the best movies of the previous year. It is good that someone still has faith in human ability to survive without social regulations.
Rated 17 Jul 2010
65
60th
Scared the hell out of me. Pessimistically realistic.
Rated 06 Mar 2010
43
16th
Mortensen is haunted and determined and Smit-McPhee convincingly acts fearful and stunned. It's relentlessly grim (although how could it not be?), with limited dialogue, and the appropriately scorched and desolate look but it's also emotionally distancing and as much of a slog as the duo's walk itself.
Rated 11 Jul 2010
77
70th
I hate to be one of those people who compare the book to the movie, but as other people said, there's an element to the ending that really elicits eye rolls. Some things were added that were unnecessary as well. The book is a masterpiece, poetic in scope, but the movie is merely good. I'm more inclined to compare this movie less to the book than to Michael Haneke's Les temps du loup, which is a slightly better film though the book is superior to both. Overall it was good, but read the book.
Rated 29 Jan 2010
8
78th
(110 min version) Well framed and acted and occasionally powerful although slightly ruined by its ending, yet as a somber post-apocalyptic story with an undercurrent of hope and courage, it's solid and worthy of your time (although maybe just once).
Rated 26 Oct 2010
98
95th
The future revealed.
Rated 25 Dec 2012
50
48th
Disappointing.
Rated 15 Jan 2013
55
18th
Everything about this movie is undeniably masterful, however it's masterfully bleak and depressing. If I was a film student and wanted to see a perfect example of how to shit in someone's cereal via celluloid, it's perfect. As a normal person, I just hated every second of it. It put me in a terrible mood and I'll never watch it again. It's like rating a perfectly executed kick to my own balls.
Rated 16 Feb 2017
90
97th
I enjoyed every second of this film. Terrific art direction and cinematography!
Rated 07 Sep 2011
80
77th
The Road is one of my all time favourite films. I wonder if any other actor would have been able to pull of what Mortensen did in this film. The way the film is directed makes you feel for the characters, much more so than in other post-apocalyptic films. The art direction and the use of colour also help quite a bit, strengthening the post-apocalyptic feel, but at the same time tapping in to our human emotions, making us ask the question "How would I survive, behave, act in such a gruesome world
Rated 14 Jan 2010
73
53rd
"Carrying the fire" seemed a lot less cheesy in the novel
Rated 12 Jan 2010
71
44th
I think this film sufferers from it's own concept - the meandering clearly takes over. Especially when and how the ending comes about. I don't think the movie is very rewarding or enjoyable to watch but others may disagree. So much more could have been done with the human society in it's suffering. On reflection this movie takes out far more than it gives, not recommended.
Rated 28 Jan 2011
67
33rd
First off even though I wasn't a huge fan of the book, I still liked it more then the movie. I should have known better though about what to expect. Not usually a huge fan of these depressing films, so I of course didn't really like it. Some of the shots of the dark and desolate scenery were cool, but by the end I just wanted it over. I wouldn't say that the movie itself was subpar, but just too depressing for my taste. It was nice to see that Omar is still getting work though.
Rated 08 Feb 2010
40
16th
Piece of cliche, award fodder garbage.
Rated 04 Dec 2009
82
78th
The atmosphere makes this movie. The gloomy photography evokes a sense of total doom and hopelessness. And yet the screenplay is pretty much a fairy tale. And that's not a good thing. The lesson learned is that in desperate times there are good guys and bad guys--and the good guys come out ahead through dumb luck every time. The end result is an utterly disappointing descent into childish sentimentality.
Rated 26 Aug 2010
76
57th
I don't think the movie captured what the book did and I don't think I really needed to see it. This story was about the father and son and for it to be believable, they both had to pull off amazing performances. But they didn't. I will probably never forget the book, but the movie is definitely forgettable.
Rated 01 Mar 2010
72
68th
Decent enough, but nothing like the book.
Rated 23 Jan 2010
85
87th
Dark, grim but in the end hopeful post-apocalyptic tale of a father and his son. Faithful and successful adaptation of the magnificent novel. Viggo Mortensen is once again at the top of his game.
Rated 17 Sep 2010
80
91st
I didn't see this initially because the trailer made it look so awful, but Hillcoat actually brought it to the screen masterfully. Viggo is great, but not quite stoic enough. This may be because most of the one/two word dialogue exchanges from the source material are replaced with slighty wordier, more 'movie-like' dialogue. The music gives many of the scenes the kind of sentimental feel that movie goers of the high-class cerebral persuasion seem to hate. I loved it, manipulation and all.
Rated 30 Jul 2018
28
14th
Tedious. Not slow enough. Although the subject calls for deep contemplative cinema, Hillcoat superbly manages to avoid any philosophical reflection on the human condition, even in Theron's tearjerking part. The final scene doesn't compensate the fact that most characters are horrible. But it may put into question the relevance of the misanthropic behavior of the father. Maybe I got it wrong and it's actually an allegory of the overprotectiveness of parents in a not-so-terrible world...
Rated 11 Feb 2020
40
30th
Filmin başında kesin bir dille dünyada bitki kalmadı deniliyor. Ancak her yer çalı, ağaç dolu. Portakal ağacı bitki de çalılar değil mi? Hayvan kalmadı deniliyor. Filmdeki köpekler ve kuşlar insan mı? Yine filmin başında 10 yıldır üretim yapılmıyor deniliyor. O cipsler-kolalar ne. Son kullanma tarihi diye bir şey bu evrende yok mu? .. Her neyse sıkıldım artık görüntü yönetimi kasıp senaryoyu unutanlardan..
Rated 15 Aug 2010
55
74th
#10#, hype, story, reviews, Charlize T!, Viggo M.
Rated 30 Jan 2010
85
88th
It is a depressing movie and tense, completely believable, which is great. Above my expectations, highly recommended.
Rated 02 Jun 2012
60
60th
The first half was better than the second.
Rated 01 Aug 2016
87
70th
drama at its best
Rated 27 Feb 2010
83
83rd
A bloody amazing film based on the book of the same name. This is another instance in which the film blows the book out of the water in one of the greatest adaptations of all time. Certainly a better choice for those interested in watching post-apocalyptic films.
Rated 02 Mar 2010
98
92nd
Brilliant acting by all (especially Michael K. Williams short bit), however having read the book, felt that the flashbacks were too numerous.
Rated 14 Jan 2011
79
72nd
Very beautiful and very sad! Loneliness and impotence are terrible things. The unknown is terrifying.
Rated 21 May 2012
81
78th
it's pulled off pretty well and is a great movie, but it's a bit slow at times and i'd argue, almost too gray.
Rated 12 Dec 2009
50
9th
Just read my review for THE ROAD TO PERDITION...
Rated 31 Jan 2010
75
42nd
One could assume that this might be a fairly realistic depiction of a future post-apocalyptic travel of son and father. However, this also seems to be the problem with this movie: at times it's really boring and not really gripping (at least for my part). What is problematic as well is the relationship to the protagonist's wife because it's only lossely connected to the plot. This movie is carried by the great performances of all actors, Viggo Mortensen's is very intense (as always).
Rated 22 Jun 2010
70
43rd
I feel that the story really didn't work that well as a film. Need to get the book.
Rated 15 Dec 2013
31
24th
Visually absorbing, but the balance of the film is all wrong. The tension at the beginning is almost unbearable, but then it becomes a kind of dull Hobbesian disaster film, a sort of The Poseidon Adventure where 'bellum omnium contra omnes'. Perhaps I am being harsh.
Rated 20 Dec 2009
65
5th
just ok
Rated 02 May 2011
80
79th
The Road is f'ing hard, The Road is f'ing tough. There's no question that it is rough and stuff. Bleak, but realistic.
Rated 01 Jan 2014
55
44th
Worked better as a book. The role of the boy is a lot smaller in the film, which may be a good thing since the kid can't really act. You can't entirely empathise with the characters because everyhing that was said in the book can't be said/shown in the film. A bit disappointing adaptation.
Rated 20 Sep 2010
70
79th
Difficult story to adapt (like most McCarthy novels) is not as entertaining as the book, but ends up being effective. Somber and grim throughout.
Rated 26 Apr 2012
80
74th
Utterly, relentlessly, 100%, give-it-all-you-got bleak. Someone give Cormac McCarthy a hug for christ's sake. Alternate title: It Hit The Fan.
Rated 14 May 2012
58
17th
The only thing sustaining this movie is the tension of possible extinction
Rated 21 Mar 2014
72
52nd
Not sure if it was the directors decision but the pitch of the kids voice & some the inadvertent groans & mumbles he makes come across animalic. If you spread that thinking over all the characters in The Road muting down the (sometimes kitsch) dialogue, you get a clearer picture of what a broken down society would be like, a step backwards for humans. It's arguable you don't need an apocalypse to realize this though.
Rated 15 Jan 2010
79
66th
This is definately the most depressed movie I've ever seen. The acting is solid, and I think it's part of the movie that there's no "real" story, just running from dangerous situation to another - I never had a 5 minute break during the movie until the end. I think the director pulled out a really grim depiction of the apocalypse, and did a perfect job. Obviously you can't talk about enjoying the movie on a normal level, it almost turned me off. But that means it depicts its message, right?
Rated 21 Jan 2010
82
82nd
I would score it higher but it really is bleak. Also there were parts where I was thinking about playing Fallout 3. Back to the film, it is very well acted (including the kid). The story makes sense and is resolved and the whole good people thing worked for me too.
Rated 06 Nov 2010
70
80th
ok it was a nice movie, but why did the story's beginning come out of nowhere and why did it end in the middle of "the story", could have been a brilliant movie if it explained stuff and was lil longer
Rated 03 Dec 2010
75
76th
A harsh, post apocalyptic world that manages to steer clear of becoming a diatribe about human nature.
Rated 24 Apr 2011
92
94th
Simply amazing. almost as good as the book
Rated 27 Jan 2011
72
79th
Incredibly faithful. Effectively a visual novel, though if your movie is merely a translation, instead of an adaptation, why are you making it? Oh, and the movie itself is superb.
Rated 21 Feb 2011
70
36th
A very solid, well-acted adaptation of the novel. Some of the boy's dialogue didn't translate too well. The innocence of the boy's words in the novel seemed more Home-Alone-y when said out loud. SO MUCH SEPIA. I had actually imagined the scenery to be much more grey than brown but whatever.
Rated 05 Apr 2011
60
55th
An adaptation of Cormac McCarthy's bleak post-apocalyptic novel, The Road follows the struggles of a man and his child's struggle for survival.
Rated 30 May 2017
8
90th
Better than 'The Room' but not as good as 'The Wall'. Also it was much darker than 'The Chronicles of Narnia', it's getting hard to place these movies in a chronological time line.
Rated 18 Dec 2009
73
76th
Bleak and brutal, with solid performances and an incredible atmosphere. Pretty depressing shit.
Rated 15 Jan 2010
76
43rd
What a barrel of laughs. Seriously though, Hillcoat's film has bleakness in spades, but way too little in the way of redemption, character development or story arc. The characters are truly one-dimensional for 90% of the movie. The best parts are the fantastic visuals, and the game of figuring out who all the supporting actors are under their layers of grime, mud and matted hair.
Rated 10 Jun 2010
73
54th
Beautifully dreary.
Rated 02 Oct 2012
85
49th
I liked it. It's mean spirited, but the leads are quite good and the directing and cinematography are done well. Would definitely like to read the book.
Rated 07 Apr 2011
80
80th
A post-apocalypse world has seldom looked this real on film. As gloomy and grim as they come.
Rated 03 Oct 2015
80
48th
Surprisingly decent working of a mediocre McCarthy novel. The excellent acting of the leads and some atmospheric cinematography lend the depth that the novel doesn't, and without which it lacks real substance.

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