To Die For (1995)
Structured in a documentary style, the film focuses on the life of a woman (Kidman) obsessed with the dream of becoming a media personality. (Sony Pictures Entertainment)
Genres: Comedy, Suspense/Thriller, Crime
Directed By: Gus Van Sant
Written By: Buck Henry, Joyce Maynard
Starring: Matt Dillon, Dan Hedaya, Nicole Kidman, Wayne Knight, Kurtwood Smith, Alison Folland, Joaquin Phoenix, Casey Affleck, Holland Taylor, Illeana Douglas, George Segal, Maria Tucci
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To Die For belongs to 21 collections
1. Black Comedy (public: moderated by Dorkovsky - 26 stars)
2. Female protagonist (public: moderated by djross - 25 stars)
3. Fourth wall (public: moderated by djross - 15 stars)
4. Films available in HD (public: moderated by kubricksucks - 12 stars)
5. Metacritic - Universal Acclaim (public: moderated by sengir - 12 stars)
6. Journalism (public: moderated by djross - 7 stars)
7. David Thomson's 1000 Films (public: moderated by MMAlpha - 6 stars)
8. Solo Genital Stimulation (Male) (public - 2 stars)
9. The Next Picture Show Podcast (public: moderated by trippingly - 2 stars)
10. Triumvirate of Oscar Winning Actors/Actresses in the Cast (3 or more) (public: moderated by Dunstan-xxx - 2 stars)
11. Television (public: moderated by djross - 1 star)
12. Danny Elfman (composer) (public: moderated by Pickpocket)
13. 1995 Wide Releases U.S. (public: moderated by Roman_Herbom)
14. Cinemateca - Grandes Géneros: Comédia (public: moderated by pmpfe)
15. My Top 100 (private - 1 star)
16. Movies to See (private: gsb)
17. 1995: Year in Review (private: polanski28)
18. peeroog (private: peeroog)
19. 90s fantasy (private: kikifas)
20. seen in 2017 (private: sproost)
21. to-do (private: chxflx)
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Kidman is wickedly attractive and lesser brothers Phoenix and Affleck are so young! Pretty accessible for Van Sant while still feeling very much a part of his oeuvre. Who amongst us hasn't fantasized about killing Matt Dillon?
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TO DIE FOR's satire of a media culture that prizes fame at any cost hasn't aged perfectly, as there are better examples of faux documentaries and sudsy female-driven thrillers. But that's also another way of saying that reality has become more outlandish in ways the filmmakers couldn't have predicted. Nicole Kidman sinks her teeth into her role as a Type-A nightmare whose inability to feel discouraged is a credit to her persistence, as well as her utter lack of shame and empathy.
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edw | 91 80% |
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I greatly enjoyed this in spite of the fact that I don't think Nichole Kidman was a good choice for the lead role. Van Sant did something he never does by not casting the right lead. He turned down Jodie Foster, Holly Hunter, Melanie Griffith, and Michelle Pfeiffer before ultimately choosing Meg Ryan (which I also don't understand), but then she obviously turned it down too. Van Sant is master of filmmaking though and doesn't need to rely too heavily on acting to make a great film, which this is
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tarzın hikayeye verdiği şekle canlı canlı tanık olmak şaşırtıcı geliyor. vasat bir suç/gerilim hikayesinin zaman zaman sıkıcılaşsa dahi kolpa belgesel formatıyla anlatılması bir yana, hikayenin "hafifleştirilmesi" ile ortaya çıkan seyirlik eleştiriyi daha fazla vurguluyor -ki filmin kalıcılığını sağlayan başat faktör de bu olsa gerek.
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Nicole Kidman is great (as is some of the supporting cast), but the film has very few decent laughs, resulting in a surprisingly boring dark comedy.
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This and Birth are the best movies and best performances of Nicole Kidman. No, I will not argue with you about this.
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aheadofitstime+Hastojackofftoweatherlol+Dontlikehowextradumbshewas+gotcliche+bangjamessokillhub+russeljustwanted1kandCDslol+almostdidntkill+sheplaysallbymyselfatfunerallool+they'relike10yearolds+lmaoshesaystheygothusbandaddictedtocoke+hisdadhasherfrozenundericelol+hardformetorememberwhatshelooklikeexceptwhendreaming+tv-somethingonlymattersifpeoplewatching-makesyoubetterperson-ifeveryoneontvwhoswatching+sisskateswhereshefrozenlmao
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Pretty good for the most part, especially acting-wise. Kidman's frustrated mannerisms are great; I loved the interview scene with Wayne Knight. (The shaky American accent goes without saying.) Loved Illeana Douglas, though she was badly underutilised (and don't tease me with a character's lesbianism, Gus, you'll just make me want the rest of the movie to be about her). And there's ultimately an emptiness to it that frustrated me. Character motivations and arcs are unclear and unsatisfying.
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Displaying 1 to 250 of 1543 total ratings: Prev | Next
| Average Percentile 52.09% from 1543 Ratings |  |
