Touch of Evil (1958)
A Mexican government investigator and his young American wife put their honeymoon on hold in an American border town when they become embroiled in a frame-up planned by the town's chief investigator (imdb)
Genres: Suspense/Thriller, Crime
Country: USA
Directed By: Orson Welles
Written By: Orson Welles, Whit Masterson, Paul Monash, Franklin Coen
Starring: Marlene Dietrich, Charlton Heston, Janet Leigh, Orson Welles, Joseph Cotten, Dennis Weaver, Joseph Calleia, Akim Tamiroff, Joanna Moore, Ray Collins, Mort Mills, Valentin de Vargas
Loading Products from EbayLoading...
Touch of Evil belongs to 131 collections
1. 1001 Movies You Must See Before You Die (public: moderated by kozan26 - 212 stars)
2. IMDB Top 250 (public: moderated by ppinocchio - 116 stars)
3. Roger Ebert: Great Movies (public: moderated by PeaceAnarchy - 75 stars)
4. Film Noir (public: moderated by PeaceAnarchy - 53 stars)
5. They Shoot Pictures 1,000 Greatest Films (2008 revision) (public: moderated by Scottathon - 38 stars)
6. Martin Scorsese's Film School: The 85 Films You Need to See to Know Anything About Film (public - 38 stars)
7. They Shoot Pictures 250 Quintessential Noir Films (public: moderated by PeaceAnarchy - 37 stars)
8. Jonathan Rosenbaum's Top 1000 Movies (public: moderated by PeaceAnarchy - 36 stars)
9. They Shoot Pictures 1,000 Greatest Films (2010 revision) (public: moderated by MMAlpha - 32 stars)
10. New York Times' The Best 1,000 Movies Ever Made (public: moderated by theficionado - 29 stars)
11. The Guardian's 1000 films to see before you die (public: moderated by PeaceAnarchy - 27 stars)
12. They Shoot Pictures 1,000 Greatest Films (2014 revision) (public: moderated by Jehan - 27 stars)
13. National Film Registry (public: moderated by PeaceAnarchy - 25 stars)
14. They Shoot Pictures 1,000 Greatest Films (2012 revision) (public: moderated by PeaceAnarchy - 25 stars)
15. IMDb Top 250 Complete (public: moderated by Jorg - 21 stars)
16. List: Empire's five star movies (public: moderated by KasperL - 20 stars)
17. Best of criticker: Top 250 (public: moderated by avgcrtckr - 20 stars)
18. They Shoot Pictures 1,000 Greatest Films (2017 revision) (public: moderated by iconogassed - 20 stars)
19. They Shoot Pictures' Recommended Viewing (public: moderated by Cinephile - 18 stars)
20. Cahiers du cinema's 100 Greatest Films (public: moderated by CCLZA - 17 stars)
21. They Shoot Pictures 1,000 Greatest Films (2013 revision) (public: moderated by rant1229 - 16 stars)
22. The Story of Film: An Odyssey (public: moderated by rant1229 - 15 stars)
23. They Shoot Pictures 1,000 Greatest Films (2011 revision) (public: moderated by PeaceAnarchy - 14 stars)
24. Best film of top directors (public: moderated by avgcrtckr - 13 stars)
25. Sight and Sound 2012 (public: moderated by DavidB - 13 stars)
26. The Best Hitchcock Movies (That Hitchcock Never Made) (public: moderated by teckgecko - 13 stars)
27. Edgar Wright 1000 Favorite Movies (Aug 2016) (public: moderated by Aron Ericson - 13 stars)
28. FIPRESCI Prize (public: moderated by paulofilmo - 12 stars)
29. Films available in HD (public: moderated by kubricksucks - 12 stars)
30. films101.com's 5 star films (public: moderated by ppinocchio - 11 stars)
31. Cahiers du Cinema: Best Film (public: moderated by CCLZA - 10 stars)
32. List: Essential Noirs in The Rough Guide to Film Noir's Canon (public: moderated by KasperL - 10 stars)
33. Alternate versions / cuts (public: moderated by PeaceAnarchy - 9 stars)
34. International Dictionary of Films and Filmmakers (public: moderated by PeaceAnarchy - 9 stars)
35. Sight and Sound 2002 (public: moderated by PeaceAnarchy - 9 stars)
36. BFI 100 key Noir films (public: moderated by PeaceAnarchy - 8 stars)
37. Best of criticker: Suspense / Thriller (public: moderated by avgcrtckr - 8 stars)
38. Best of criticker: Crime (public: moderated by avgcrtckr - 8 stars)
39. Criticker top 250 (public: moderated by avgcrtckr - 8 stars)
40. Amos Vogel: Film as a Subversive Art (public: moderated by edsu - 7 stars)
41. 1,000 Noir Films: They Shot Dark Pictures, Didn't They? (public: moderated by lisa- - 7 stars)
42. Black and White Photography (public: moderated by JooJoo - 6 stars)
43. List: Taschen (public: moderated by KasperL - 6 stars)
44. David Thomson's 1000 Films (public: moderated by MMAlpha - 6 stars)
45. Director/star combination (public: moderated by djross - 5 stars)
46. Masters of Cinema (public: moderated by hristos - 5 stars)
47. Cinemag's Best 200 films Ever Created! (public: moderated by hristos - 4 stars)
48. They Shoot Pictures 1,000 Greatest Films (2007 revision) (public: moderated by Scottathon - 4 stars)
49. Films referenced in Histoire(s) du cinéma (public: moderated by PeaceAnarchy - 4 stars)
50. Great Long Takes (public: moderated by PerryStroika - 4 stars)
51. IMDb Top of The 1950's (public: moderated by PeaceAnarchy - 3 stars)
52. List: Noir of the Week (public: moderated by KasperL - 3 stars)
53. Capsules, guest reviews, list candidates... (366weirdmovies) (public - 3 stars)
54. AFI 100 Years... 100 Thrills (public: moderated by iceblox - 2 stars)
55. Best Opening Scenes (public: moderated by mpowell - 2 stars)
56. MovieMeter.nl Top 250 (public: moderated by Jorg - 2 stars)
57. Best of criticker: Film Noir (public: moderated by avgcrtckr - 2 stars)
58. Average Percentile >70 (public: moderated by peyrin - 2 stars)
59. John Kobal Presents The Top 100 Movies (public: moderated by CCLZA - 1 star)
60. my DVDs (public: moderated by Jeb - 1 star)
61. J. Castedo's "The Top 100 Films of the 20th Century" (public: moderated by CCLZA - 1 star)
62. Village Voice Critics Poll: 100 Best Films of the 20th Century (public: moderated by MMAlpha - 1 star)
63. Sound Design (public: moderated by paulofilmo - 1 star)
64. filmsite 100 Greatest Films (public: moderated by pupetman64 - 1 star)
65. imdb top 250 / 100% (public: moderated by avgcrtckr - 1 star)
66. Tom & Bitches' Infinite Watchlist (public - 1 star)
67. High contrast black and white cinematography (public: moderated by juandr - 1 star)
68. BBC 100 Greatest American Films (public: moderated by jeff_v - 1 star)
69. Netflix instant LATAM (public: moderated by Roman_Herbom - 1 star)
70. Halliwell's Four Star Films (public: moderated by Maaxwell - 1 star)
71. Spike Lee's List Of Essential Films Every Filmmaker Must See (public: moderated by comepelicula - 1 star)
72. Criticker Top 100 Movies (public: moderated by SpeedlimiT - 1 star)
73. Cult Movies (Danny Peary) (public: moderated by iconogassed - 1 star)
74. Nate (public: moderated by Valenzetti)
75. Derek Malcolm's Century of Films (public: moderated by MMAlpha)
76. Want to see (public: moderated by veeqdee)
77. Cahiers du Cinema favorites (public: moderated by svenerik)
78. Cinema Sewer (public: moderated by mattburgess)
79. noike/caffes Topp 100 filmer! (public: moderated by Aron Ericson)
80. Golden film reels from L.A. Noire (public: moderated by juntakinte68)
81. Films that appear on They Shoot Pictures, Don't They?, Cahiers du Cinema and Sight & Sound Directors and Critics' ALL TIME Top 100 Lists (public: moderated by CCLZA)
82. They Shoot Pictures, Don't They?: TOP 100 (public: moderated by CCLZA)
83. Empire's 500 Greatest Movies Of All Time (private: Ross - 35 stars)
84. Cinema Discusso Yearly Consensus (2008) (private: PeaceAnarchy - 10 stars)
85. IMDb Top 250 (250 most recurrent) (private: sianaa - 6 stars)
86. They Shoot Pictures 1,000 Greatest Films (2020 revision) (private: djross - 6 stars)
87. Debased.com 100 Greatest Cult Movies (private - 5 stars)
88. Sight & Sound 2012 Directors' Top 100 Greatest Films of All Time (private: Whyte Nite - 5 stars)
89. Roger Ebert's 102 Films You Must See (private: kevinjoseph - 4 stars)
90. Dark films (private: Hadleyreis - 4 stars)
91. Top 3000 movies with the most votes on IMDb (private: fanfic - 4 stars)
92. Djross great movies (private: djross - 3 stars)
93. Djross film as art (private: djross - 3 stars)
94. Djross landmarks of cinema (private: djross - 2 stars)
95. Djross movies that transcend their genre (private: djross - 2 stars)
96. Djross 1950s top twenty (private: djross - 2 stars)
97. Discussed in Truffaut's "The Films in My Life" (private: juandr - 2 stars)
98. Paste Magazine: The 100 Best Film Noirs of All Time (private: TychoCelchuu - 2 stars)
99. Top 2000 movies with the most votes on IMDb (private: fanfic - 2 stars)
100. For now we see through a glass darkly (private: venice - 1 star)
101. IMDb Top 250 (2 years) (private: sianaa - 1 star)
102. List: TSPDT's 100 Noir Films (private: KasperL - 1 star)
103. The 100 Best Film Noirs of All Time: Slant Magazine (private: TychoCelchuu - 1 star)
104. Djross seen at the cinema (private: djross)
105. Djross 1958 top five (private: djross)
106. Ununnilium Top 100 (private: Ununnilium)
107. Films I watched in 2011 (private: jal90)
108. Owned (BD) (private: bizarre_eye)
109. The DVD collection of sjostrand (private: sjostrand)
110. 1958: Year in Review (private: polanski28)
111. to watch [TG] (private: teckgecko)
112. Filmspotting Ratings Project: Week 6 (private: PeaceAnarchy)
113. Owned Films (private: TheSaberfool)
114. My Home Video Library (private: joseywales)
115. Movies to See: Orson Welles (private: Lord Moe)
116. Movies I Own (private: Farzan)
117. Top 101 (private: losrasputin)
118. Rated (private)
119. FThisMovie JB Better Yet! (private: djcrawfo)
120. D:Movies (private: ptkw)
121. Tom's Movies (private: tomwalsh)
122. REWATCH (private: AFlickering)
123. Sight and Sound 2012 - Combined List - Part I (private: Ariaz)
124. Hitchcockian (private: juntakinte68)
125. New Beverly Cinema (private: xmoffx)
126. Arr (private: rnest)
127. Cast aAwayAdam (private: rnest)
128. To See (private: Contreras)
129. 1950's (private: cantahta)
130. 1950s Mile High Club (private: Dunstan-xxx)
131. The Greatest Films (private: JackRyan2014)
Browse the full list of collections
| Date | User | Rating | |
| Jan 12 |  |
ChibaCityB | 2 21% |
| Jan 12 |  |
SPM_Liam | 80 71% |
| Jan 09 | Durronfo | 78 83% |
|
| Jan 04 | Grahamb | 80 61% |
|
| Jan 03 | Cheezy Dub | 90 92% |
|
| Jan 02 | Alcofribas | 65 56% |
|
| Jan 01 |  |
sunny26 | 11 92% |
| Dec 28, 2020 | NotALemon | 65 74% |
|
| Dec 26, 2020 |  |
blueandred | 3 63% |
| Dec 24, 2020 | Gargom04 | 78 70% |
|
|
Opinión personal: 7.5 Actores: =(7+7.5+8.5+7+7,5)=7,5 Planos: 9,5 Guión: 7,5 BSO: 7.5 FX: 7,5 Total: 78
|
|||
| Dec 20, 2020 | CoNQueRa | 90 80% |
|
| Dec 19, 2020 | stigoftdump2 | 90 75% |
|
| Dec 18, 2020 |  |
Josh Forrest | 85 97% |
| Dec 14, 2020 |  |
SpecUsame | 85 75% |
| Dec 08, 2020 | hoteltrivago | 70 54% |
|
| Dec 06, 2020 | Adds2.0 | 40 15% |
|
| Dec 06, 2020 |  |
alpozdemir | 84 84% |
| Dec 03, 2020 |  |
RTAudience | 92 93% |
| Nov 30, 2020 |  |
pinegrove | 78 64% |
| Nov 29, 2020 |  |
Frank | 60 69% |
| Nov 26, 2020 | Filmo | 80 80% |
|
| Nov 25, 2020 | Prokroustis | 85 84% |
|
| Nov 25, 2020 |  |
eb_mohsen_ | 83 96% |
| Nov 21, 2020 | napouser | 40 40% |
|
| Nov 15, 2020 | Colin19 | 82 41% |
|
| Nov 14, 2020 |  |
Judo Koala | 83 85% |
|
Technical wizardry and robust sociopolitical commentary that only Welles could have merged so perfectly. A shame about Heston playing a Mexican with a Transatlantic accent.
|
|||
| Nov 11, 2020 |  |
sosadetz | 83 82% |
| Nov 03, 2020 | abomination | 100 95% |
|
| Nov 01, 2020 | cbromley2 | 90 72% |
|
| Oct 25, 2020 | kelvinrnn | 100 97% |
|
| Oct 22, 2020 | jamienelson | 70 54% |
|
| Oct 13, 2020 | rospo | 74 88% |
|
| Oct 13, 2020 |  |
iameren | 9 81% |
| Oct 07, 2020 | helberg | 92 88% |
|
| Oct 04, 2020 | harric | 75 23% |
|
| Oct 02, 2020 | germanicus | 80 89% |
|
| Sep 28, 2020 |  |
Opio | 80 90% |
| Sep 27, 2020 | tjacob95 | 100 89% |
|
| Sep 20, 2020 | jphoff4 | 90 64% |
|
| Sep 14, 2020 | lno579 | 70 25% |
|
| Sep 09, 2020 |  |
Wolfbrother | 90 82% |
| Sep 05, 2020 | Rimadias | 92 80% |
|
| Sep 02, 2020 | braddad68 | 98 93% |
|
|
Wow! This film is WAY up there! Again, sorry I didn't get to it sooner, as I was well aware of it. Orson Welles again creates quite a work of art. I especially love the music and cinematography, as well as Welles' performance. My only minor criticism was a casting decision.
|
|||
| Aug 28, 2020 | theloca95 | 90 86% |
|
| Aug 27, 2020 | dangs | 80 73% |
|
| Aug 17, 2020 | Fulgance | 86 86% |
|
| Aug 15, 2020 | miiropii | 80 44% |
|
| Aug 13, 2020 |  |
slimepwuppy | 60 14% |
| Aug 12, 2020 |  |
ylajali | 68 65% |
| Aug 11, 2020 |  |
Eastwood | 85 68% |
| Aug 10, 2020 | belfastboy | 70 65% |
|
| Aug 04, 2020 | hertzfeldts | 71 72% |
|
| Aug 02, 2020 | fanfic | 80 85% |
|
| Jul 30, 2020 | placestogo | 81 94% |
|
|
81.2.
|
|||
| Jul 20, 2020 | mnikita1 | 90 89% |
|
| Jul 18, 2020 | mcirish52 | 88 77% |
|
| Jul 16, 2020 |  |
Ammar44 | 86 70% |
| Jul 15, 2020 |  |
IMDb_rating | 80 86% |
| Jul 13, 2020 |  |
n.hilal | 75 34% |
| Jul 05, 2020 |  |
zzzorf | 60 43% |
| Jul 04, 2020 |  |
omeremre | 65 37% |
| Jul 04, 2020 | kappeuter | 70 67% |
|
| Jun 28, 2020 | arcagur | 80 62% |
|
| Jun 28, 2020 | n2cfilm | 70 0% |
|
| Jun 24, 2020 | mjoc0723 | 90 97% |
|
| Jun 23, 2020 |  |
erayyildiz | 80 74% |
| Jun 18, 2020 | BahtiyarL | 80 85% |
|
| Jun 13, 2020 | D Lightman | 70 70% |
|
| Jun 09, 2020 |  |
fruggman | 90 80% |
| Jun 09, 2020 | abdulalo | 50 0% |
|
| Jun 08, 2020 | torbern | 75 47% |
|
|
Halfway through this movie, I was perplexed at the notion of anyone finding it even WATCHABLE, let alone great. Heston's awful acting (in brownface no less), the convoluted mumble-ADR cop dialogue... I couldn't really figure out, and didn't care, what was happening. The second half, though, damn! Orson Welles takes over the movie as this lurching embodiment of unchecked power. The deeply expressionist cinematography gets better and better. By the end, I was convinced: this is a damned good film.
|
|||
| Jun 04, 2020 |  |
ilker | 90 91% |
| May 27, 2020 | gunduzfeneri | 90 90% |
|
| May 27, 2020 |  |
XakkMaster | 90 89% |
|
Cinematography and acting is great. Heston's brown-face is distracting and keeps it from being a perfect movie.
|
|||
| May 27, 2020 |  |
asperastrum () | 84 78% |
| May 23, 2020 | griffin801 | 86 63% |
|
| May 20, 2020 | Deoradh | 25 7% |
|
| May 20, 2020 |  |
Omid Ranjbar | 85 98% |
| May 19, 2020 | sroberts2142 | 88 90% |
|
| May 17, 2020 | uygara | 80 57% |
|
| May 10, 2020 |  |
tydmir | 90 90% |
| May 06, 2020 |  |
Bown | 84 72% |
|
The story overall is no great shakes, but the filmmaking is impeccable throughout, and Welles’ performance is phenomenal. The final act, when the story ramps up, is far better than the preceding two - and that final scene! Damn!
|
|||
| May 02, 2020 |  |
SLions | 93 73% |
| Apr 29, 2020 | quake | 92 96% |
|
| Apr 25, 2020 |  |
frknerkn | 95 97% |
| Apr 24, 2020 |  |
manwithbeard | 89 86% |
| Apr 22, 2020 |  |
jal90 | 90 86% |
| Apr 21, 2020 | DennisJ1976 | 20 1% |
|
| Apr 20, 2020 | jlafount | 80 97% |
|
| Apr 20, 2020 | mpg66 | 70 24% |
|
| Apr 19, 2020 | Quaid | 65 51% |
|
| Apr 19, 2020 |  |
dlthompson | 70 39% |
| Apr 17, 2020 | ab_iiserk | 78 64% |
|
| Apr 13, 2020 | EOL | 80 61% |
|
| Apr 12, 2020 |  |
TheShiznit | 75 97% |
| Apr 10, 2020 | mehran | 90 93% |
|
| Apr 10, 2020 |  |
meoz | 92 82% |
| Apr 09, 2020 | sinseer | 80 82% |
|
| Apr 05, 2020 | Nad_film | 80 71% |
|
| Apr 04, 2020 |  |
roubert | 100 93% |
| Apr 03, 2020 | GavanRex | 99 95% |
|
| Apr 02, 2020 |  |
tom20 | 85 82% |
| Apr 01, 2020 | the_wiz | 75 68% |
|
|
1. ogled (2020.03.30) - 75
|
|||
| Mar 26, 2020 | spearmint | 97 96% |
|
| Mar 26, 2020 | Pleveen | 94 72% |
|
| Mar 26, 2020 |  |
??? | 70 56% |
| Mar 25, 2020 |  |
gunay | 90 40% |
| Mar 23, 2020 |  |
AlexBrisson | 92 94% |
| Mar 19, 2020 |  |
CaoShaoqin | 0 34% |
| Mar 15, 2020 | trankobuskas | 81 93% |
|
| Mar 15, 2020 | CharlesAxe | 98 92% |
|
| Mar 15, 2020 |  |
cantahta | 90 90% |
| Mar 08, 2020 | juandr | 90 42% |
|
| Mar 03, 2020 | LazarBloom | 70 71% |
|
| Feb 27, 2020 | CMWL | 1 0% |
|
| Feb 27, 2020 |  |
Hyperion+ | 5 83% |
| Feb 25, 2020 | amir.ka | 80 74% |
|
| Feb 25, 2020 |  |
M_A | 85 90% |
| Feb 24, 2020 | nospr | 70 61% |
|
| Feb 22, 2020 | pi3r8 | 40 0% |
|
| Feb 21, 2020 | OlivVerdys | 75 92% |
|
|
I recall beautifully constructed shots and its wonderful opening sequence. However , the film gets entangled in its own mess, implausible script, as if Welles got as drunk and out of his depth as his main protagonist. Also, a totally wasted usage of Marlene Dietrich's talents
|
|||
| Feb 16, 2020 |  |
SidabrineOda | 78 59% |
| Feb 15, 2020 | _josef_k | 75 62% |
|
| Feb 14, 2020 | TimGray | 92 56% |
|
| Feb 13, 2020 | kebarvid | 70 65% |
|
| Feb 12, 2020 | dzfsdfs | 1 0% |
|
| Feb 11, 2020 |  |
seroş | 97 72% |
| Feb 04, 2020 | Bytor | 93 97% |
|
| Feb 02, 2020 | tammineni () | 90 89% |
|
| Jan 26, 2020 | rebet | 100 0% |
|
| Jan 23, 2020 | Pezou | 80 62% |
|
| Jan 21, 2020 |  |
ugur | 10 96% |
| Jan 19, 2020 | colmener | 80 78% |
|
| Jan 19, 2020 | thyy | 100 97% |
|
| Jan 19, 2020 | perusegenes | 95 90% |
|
| Jan 18, 2020 | LordKubrick | 94 71% |
|
| Jan 17, 2020 |  |
Emre E. | 85 76% |
|
Sinemada film noir akımının son örneklerinden biri olarak kabul edilen bu film, kurgusu ve özellikle açılış sahnesi ile bir çeşit sinema dersi niteliği taşıyor. Yönetmen ve senarist Orson Welles’in aynı zamanda Hank Quinlan isimli efsane bir karaktere hayat verdiği ve fiziksel olarak da kendini epey değiştirdiği bu film, sinema tarihinin en önemli kara filmlerden birisi.
|
|||
| Jan 11, 2020 |  |
Lemonya | 85 84% |
| Jan 10, 2020 | swolfesj | 60 58% |
|
| Dec 31, 2019 | ti89 | 85 72% |
|
| Dec 29, 2019 | awesomeman | 98 65% |
|
| Dec 29, 2019 | Bolido | 90 95% |
|
| Dec 20, 2019 | Shayan | 60 44% |
|
| Dec 18, 2019 | geogkrt | 87 87% |
|
| Dec 13, 2019 | CineLounge | 81 97% |
|
| Dec 12, 2019 | ChronicDecay | 60 60% |
|
| Dec 11, 2019 | jjwoodson | 86 85% |
|
| Dec 07, 2019 | cain48 | 82 82% |
|
| Dec 01, 2019 | Spacegod87 | 75 59% |
|
| Nov 29, 2019 | abc0331 | 85 84% |
|
| Nov 28, 2019 | TJDixon2 | 75 57% |
|
| Nov 27, 2019 | doyler29 | 100 96% |
|
| Nov 24, 2019 |  |
tintin006 | 89 88% |
| Nov 24, 2019 | CatScandal | 67 56% |
|
| Nov 20, 2019 | georgew | 84 72% |
|
| Nov 19, 2019 | flipperrbm | 10 99% |
|
| Nov 03, 2019 | babil7 | 90 81% |
|
| Nov 02, 2019 |  |
cagdas | 71 38% |
| Nov 02, 2019 |  |
istavritos | 72 45% |
| Nov 02, 2019 |  |
curufinwe | 90 88% |
| Oct 30, 2019 | pp01 | 3 32% |
|
| Oct 28, 2019 | Mavoy | 80 65% |
|
| Oct 28, 2019 | konekonoir | 50 52% |
|
| Oct 24, 2019 |  |
Dionysoss | 80 84% |
| Oct 23, 2019 | insteadman | 90 95% |
|
| Oct 21, 2019 | Herra Huu | 4 0% |
|
| Oct 21, 2019 | Guy... | 20 27% |
|
| Oct 20, 2019 | Old_Spriggan | 75 60% |
|
| Oct 19, 2019 | itay | 70 55% |
|
| Oct 17, 2019 |  |
Sayyadî | 80 81% |
| Oct 15, 2019 |  |
PanStankevic | 8 48% |
| Oct 14, 2019 |  |
FrankXVI | 80 70% |
| Oct 13, 2019 | prixcn | 90 81% |
|
| Oct 10, 2019 |  |
muhsin | 70 50% |
| Oct 07, 2019 | Jesus Rollin | 13 91% |
|
| Oct 04, 2019 |  |
Florin92 | 90 97% |
| Oct 01, 2019 | Ace666 | 60 42% |
|
| Sep 28, 2019 | schyzomaniac | 90 70% |
|
| Sep 26, 2019 |  |
colorbuf | 1 4% |
| Sep 22, 2019 | Blondone86 | 75 87% |
|
| Sep 20, 2019 | mduberst | 96 88% |
|
| Sep 13, 2019 | mirj | 75 59% |
|
| Sep 13, 2019 | afontenot | 82 70% |
|
| Sep 13, 2019 | ellutzab | 98 93% |
|
| Sep 03, 2019 | f_ranzen | 59 43% |
|
| Aug 26, 2019 | aunsalg82 | 30 7% |
|
| Aug 25, 2019 | sspiegel | 77 72% |
|
| Aug 24, 2019 | sven_usling | 90 93% |
|
| Aug 22, 2019 | gurkov | 60 38% |
|
| Aug 17, 2019 | eassin | 73 84% |
|
| Aug 13, 2019 | Berk Tuna | 50 3% |
|
| Aug 13, 2019 | account2 | 83 96% |
|
| Aug 12, 2019 | sandman248 | 80 63% |
|
| Aug 09, 2019 |  |
bal3x | 100 99% |
| Aug 03, 2019 |  |
goookce | 75 47% |
| Aug 01, 2019 | tajacob95 | 100 0% |
|
| Jul 29, 2019 | rackner | 92 89% |
|
| Jul 08, 2019 | Numogram | 85 91% |
|
| Jul 05, 2019 | KreligerMan | 70 44% |
|
| Jul 04, 2019 |  |
windmeresfan | 90 86% |
| Jun 30, 2019 | xombiemonkey | 8 76% |
|
| Jun 27, 2019 | mbramhald13 | 90 88% |
|
| Jun 23, 2019 |  |
MatteoFalls | 100 97% |
| Jun 20, 2019 | Slowjoe | 62 43% |
|
| Jun 12, 2019 |  |
Nangijala | 85 89% |
| Jun 11, 2019 |  |
Zainou | 100 98% |
| Jun 08, 2019 | JDM123 | 100 69% |
|
|
Great Orson Welles film with a famous tracking shot, Charlton Heston as a Mexican lawman, Marlene Dietrich as the tough bar owner that loves Quinlan (Welles) even though she knows he's a heel. Janet Leigh, a couple of years before Psycho as Heston's wife set upon by a gang including Mercedes McCambridge. The Gabor sisters even turn up in a strip club. How could you say no?
|
|||
| Jun 08, 2019 | Geslimmar | 50 38% |
|
| Jun 02, 2019 | thewanderer | 45 6% |
|
| May 28, 2019 |  |
Dalboz | 90 93% |
| May 26, 2019 |  |
Teproc | 76 88% |
| May 25, 2019 | normalchaos | 70 50% |
|
| May 24, 2019 | davidjn | 75 89% |
|
| May 11, 2019 | MK10 | 60 26% |
|
| May 11, 2019 | goldfinger | 70 59% |
|
| May 10, 2019 | furnos | 80 83% |
|
| May 07, 2019 | brarzaoztrk | 86 78% |
|
| May 01, 2019 | Tr1baL | 82 39% |
|
| Apr 28, 2019 | dalat | 70 25% |
|
| Apr 27, 2019 | damhar | 80 93% |
|
| Apr 23, 2019 | AHALE80 | 90 92% |
|
| Apr 21, 2019 |  |
nobamba | 85 91% |
|
Watched 1998 restored edit. Star-studded cast. Fat Orson Welles. Brownface Charlton Heston (but a nice switch of a no-accent, educated, non-stereotypical Mexican agent). Middle was a bit confusing. Could have developed the romance more. Fav scenes: (1) opening taking place over several blocks of the US-Mexico border (also funny to consider the lack of security versus nowadays) and (2) killing Grandi with the frenzied music.
|
|||
| Apr 21, 2019 | 8505144 | 82 67% |
|
| Apr 20, 2019 |  |
kito1 | 80 89% |
|
Excellent crime film. I love the carefully constructed shots and the snappy, dynamic dialogue.
|
|||
| Apr 14, 2019 | boysanilar | 82 78% |
|
| Apr 13, 2019 | gnoffa | 70 48% |
|
| Apr 11, 2019 | jdnolla | 7 63% |
|
| Apr 07, 2019 |  |
auhasarderik | 8 79% |
|
Every single thing here is swallowed up and deformed by Welles' sense of his own grandeur. Take it or leave it.
|
|||
| Apr 07, 2019 | TheRuins | 80 95% |
|
| Mar 27, 2019 | Delaney93 | 87 51% |
|
| Mar 25, 2019 | alpcan | 70 34% |
|
| Mar 23, 2019 | lillakniven | 75 80% |
|
| Mar 17, 2019 |  |
lucius | 80 86% |
| Mar 17, 2019 |  |
toxicwind | 7 44% |
| Mar 16, 2019 | tallkotte | 9 96% |
|
| Mar 10, 2019 | udippuy | 80 71% |
|
| Mar 09, 2019 | napolenbrady | 99 98% |
|
|
99.00
|
|||
| Mar 05, 2019 | mate_cosido | 90 91% |
|
| Mar 03, 2019 |  |
Brewster | 100 99% |
| Mar 01, 2019 |  |
Uatu | 3 70% |
| Feb 25, 2019 |  |
juntakinte68 | 95 89% |
|
Reviewing the 1998 version. In many ways it shows the genius personality of Orson Welles. The story profiles the fall of powerful men, the racism in America's DNA, and how perspectives paint someone as a hero or villain. I do think a stronger screenwriter could've help focus the narrative. The film's editing & cinematography build a strong atmosphere, but at the loss of drama. Still, recommended, even if Leigh has little to do & Heston is laughable as a Mexican.
|
|||
| Feb 24, 2019 | onyedi | 100 99% |
|
| Feb 24, 2019 | dumbwaiterr | 80 46% |
|
| Feb 21, 2019 | MortSahlFan | 70 53% |
|
| Feb 19, 2019 | TearsInRainb | 100 0% |
|
| Feb 09, 2019 |  |
karamazov. | 39 52% |
| Feb 07, 2019 |  |
tsumanne | 85 92% |
| Feb 06, 2019 |  |
vonSmith | 71 41% |
| Feb 06, 2019 |  |
finchereznor | 80 65% |
| Feb 01, 2019 | JC1512 | 65 30% |
|
Displaying 1 to 250 of 3050 total ratings: Prev | Next
| Average Percentile 75.16% from 3050 Ratings |  |
