Trees of Syntax, Leaves of Axis

Without having any knowledge of the filmmaker's intentions, this does seem like an exploration of cinema-as-life, or cinema-as-consciousness, where this means a composition of light and darkness, of sound and image, of the directness of "recording" and the mediation of "montage", of figure and abstraction, of the "phenomenon" we call nature and the "actuality" of artifice, of materiality and hyper-materiality, and of rhythm and becoming. It did seem to have something and to develop some power.

it'd be so weird to see this in an outdoor screening

why the fuck was i introduced to structural film with that edge sprocket piece of shit? this shit is incredible.

like visual nails on a chalkboard screeching out from the depths of closed eye visuals on the way down from a particularly rough acid trip.

oh yeah psychedelism! look at the wall broh maybe now u can see atatürk on the wall.