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United Red Army

United Red Army

2007
Drama
3h 10m
Wakamatsu here tells the story of the Asama-Sanso hostage drama, which riveted Japan for ten days in 1972, and remains as evocative there as the words "Patty Hearst" or "Munich '72" are in the west. The Asama-Sanso incident brought a bloody end to not just a small group of radical extremists, but also to the idealism of the 1960's, as the romance of rebellion gave way to the darker sides of human nature, from Altamont to the Japanese mountainside. (Kosmorama.no)
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United Red Army

2007
Drama
3h 10m
Your probable score
Avg Percentile 64.57% from 42 total ratings

Ratings & Reviews

(42)
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Rated 01 Sep 2013
3
31st
Comes up entirely lacking in its dramatic and cinematic prowess - and especially so when compared with material this director was creating during these turbulent times.
Rated 30 Jul 2009
65
71st
Mostly well-done in-depth presentation of a Japanese variant on a collective pathology which was found in the early 1970s in Japan, Italy, Germany, the United States, and elsewhere. By taking its time, the film is able to try and grasp the complexity and subtlety of the factors producing the situation it depicts, although occasionally the writing and acting are not quite up to the task. Nevertheless, fascinating subject matter. Should be compared with similar movies from elsewhere.
Rated 22 Jul 2015
60
22nd
Well, if the intent was to make these people look crazy... good job! Not too illuminating for 3+ hours though.
Rated 11 Aug 2011
25
61st
"Kôji Wakamatsu's achievement is to show us how that violence can turn as easily inward as it does out." - Andrew Schenker
Rated 12 Mar 2012
86
82nd
A film that starts with a flurry of documentary footage begins, over the first hour, to weave in more and more fictional recreations of events surrounding violent leftist movements of Japan in the 1960s and 70s. Focusing in on a couple of groups that eventually unite to create the URA, the film traces the psychological move from engaged revolutionaries to insulated cultists. The tension between outward fervor and underlying cowardice is especially compelling.

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