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Unsane
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Unsane

2018
Drama
Suspense/Thriller
1h 38m
A young woman is involuntarily committed to a mental institution where she is confronted by her greatest fear--but is it real or is it a product of her delusion? (imdb)
Directed by:
Steven Soderbergh Steven Soderbergh
Written by:
Jonathan Bernstein James Greer
+1 more
Starring:
Joshua Leonard Joshua Leonard Amy Irving Amy Irving Myra Lucretia Taylor Myra Lucretia Taylor Juno Temple Juno Temple Aimee Mullins Aimee Mullins Claire Foy Claire Foy Marc Kudisch Jay Pharoah Jay Pharoah Colin Woodell Colin Woodell Natalie Gold Natalie Gold Sarah Stiles Lynda Mauze
More
Genres:
Drama, Suspense/Thriller, Horror, Mystery
Country:
USA
Language:
English
imdb More information at IMDb
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Unsane

2018
Drama
Suspense/Thriller
1h 38m
Your probable score
Ratings & Reviews Cast Collections Similar Stats Trailer
Avg Percentile 45.92% from 709 total ratings
Ratings & Reviews Cast Collections Similar Stats Trailer

Ratings & Reviews

(709)
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leonardisLeonardis
Rated 24 Mar 2018
85
48th
I really liked this. Unsane promises a B-movie feel with a small budget and style of filming that's suppose to make you feel paranoid and claustrophobic, and ya directed by Steven Soderberg. It pretty much delivers everything it promises. If you're in the mood for a fun, psychotic thriller on a smaller scale, this is right up your alley. Claire Foy is good and it's short and never boring. I would recommend it.
Rated 24 Mar 2018
guy_piranhaguy piranha
Rated 30 May 2018
75
81st
if you give a smartphone to anyone, he'll likely take a picture of his own face or try to navigate the way out of his pants via google maps. if you give a smartphone to soderbergh, he shoots a fucking feature length psychological thriller with abundent social undertones. and it works. he may have a pretty even hit/shit-ratio, but you gotta love how that man simply won't allow himself to be pinned down.
Rated 30 May 2018
matthew_parkinsonMatthew Parkinson
Rated 25 Mar 2018
60
62nd
Unsane is a psychological paranoia stalker thriller that happens to be shot on an iPhone, giving it an immersive cinematographic style whose immersion is broken by a couple of poor decisions that take us out of the experience. It also doesn't play with the "is she/isn't she crazy?" story as long as one might expect, taking away one of its most enjoyable elements. Still, with a great performance from Claire Foy and enough working in its favor, Unsane is a worthwhile thriller.
Rated 25 Mar 2018
wetwillieswetwillies
Rated 24 Mar 2018
85
59th
It doesn't really draw attention to itself as a movie shot on a cell phone, but there's an undeniable technological hum to its style that makes the movie that much creepier. It's a genuinely modern paranoia thriller. It has its flaws on the script level but that is all superceded by Soderbergh's ace compositions and snappy editing.
Rated 24 Mar 2018
deaddillydeaddilly
Rated 27 Mar 2018
70
47th
Essentially, its a bad student film in the hands of a master filmmaker. The sheer raw talent wins out and makes "Unsane" a captivating experience despite its glaring weaknesses in plot and writing. It was impressive to see how Soderbergh managed to pull this off without banking on a gimmick like found-footage, he uses the iPhone seriously, and I think his dedication pays off.
Rated 27 Mar 2018
dean_franzDean Franz
Rated 08 Jun 2018
59
53rd
The script is an absolute mess, but not only did Soderbergh manage to make it perfectly watchable, he did it with a fucking iphone. Quelle balls!
Rated 08 Jun 2018
obdurateObdurate
Rated 15 Jun 2018
70
41st
Obviously knowing how this was shot allows a person to appreciate it more, but even if you don't I think it is shot well enough to be seen as claustrophobic and intimate. I could have done with more guessing about whether or not she truly is crazy because that was the most entertaining part (even if it's been done a million times before). I was entertained the entire time but the final act is a little uneven; however the final shot is somehow incredibly creepy (good music). Foy put in good work.
Rated 15 Jun 2018
kenmeistersKenMeisters
Rated 27 Feb 2018
70
57th
Starts of as a nice horror movie branching reality with imagination and ends as pure slasher. Abandons the initial mystery a bit too soon but stays endearing nontheless. Claire Foy pulls some Piper Chapman level of asshole move at one point. Which is nice.
Rated 27 Feb 2018
feublofeublo
Rated 26 Mar 2018
75
41st
Creepy with it's sure dose of cleverness. I praise the iphone approach and many of the shots that add to the film's anxiety. There were parts in the script that I felt couldn't shy away from being weak, but didn't kill the tension for me. Soderbergh gives great eyesight on this legitimate paranoia.
Rated 26 Mar 2018
seethruskinSeethruskin
Rated 06 Apr 2018
5
81st
The sterile feel the iPhone shooting gives works perfectly for this film. Im not sure if it's intentional or not but it's a nice homage to some of the SOV horror films.
Rated 06 Apr 2018
yoshinarutoYoshinaruto
Rated 25 Jun 2018
80
90th
Unsane is a very entertaining Thriller, even if the plot in today’s setting requires a slight suspension of disbelief. Claire Foy is great as usual, and I personally really liked the performances from some of the supporting cast. The odd camera angles and style that Soderbergh uses also help the film feel unique and stand out from other “Are they crazy?” Thrillers. Totally worth renting.
Rated 25 Jun 2018
djrossdjross
Rated 27 Aug 2018
70
77th
Amusingly and originally (and indeed horrifyingly) combines the idea of making a thriller with an update of ONE FLEW OVER THE CUCKOO'S NEST for the neoliberal age. The iPhone filming works well and the star gives an enjoyable performance. Soderbergh is willing to try things, and sometimes they work: such is the case here.
Rated 27 Aug 2018
darrenDarren
Rated 09 Apr 2018
88
89th
Soderbergh bringing the revolution mainstream like he normally does. Beautiful stuff here.
Rated 09 Apr 2018
syntheseizurSyntheseizur
Rated 26 Mar 2018
79
56th
Soderbergh's fascinating post-recession investigation into the collapse of economic and social welfare institutions on the head of the individual continues, here with more explicit condemnation of the pharmaceutical, mental healthcare, and insurance industries. His micro-budget flexibility pairs nicely with the grungy world, and the iPhone gimmick especially reflects the material with a disorienting and brittle veneer. An enthusiastic and youthful independent from an established visionary.
Rated 26 Mar 2018
joelwatchesmoviesjoelwatchesmovies
Rated 31 Jul 2018
8
80th
The low-budget-like style here is just so cool and unique: there's the discomforting and claustrophobic wide-angle lens, the intense close-ups and other interesting angles, the deliberate and concise editing, the unnerving original score, the perfect A-lister cameo, the freeze-frame under rapid end credits. The story is a little wonkily constructed at points (see the puzzlingly early mystery reveal) but is always creepy and thrilling, carried by Foy's strong central performance.
Rated 31 Jul 2018
wwallce4prezWWallce4prez
Rated 15 Jul 2018
64
32nd
A mess of screenplay is saved by Soderbergh's style an innovation as well as Claire Foy's nerve riddled performance. The film teases that it will deal with the injustices of the mental health system, but it is really more concerned with being a thriller in B-movie style. That tease seems a little nonchalant.
Rated 15 Jul 2018
heapshakeheapshake
Rated 24 Mar 2018
85
90th
I wish the question of her sanity wasn't resolved so quickly and I felt like the ending was too conventional but I really enjoyed this. It is very tense and claustrophobic. I could watch an entire movie focusing on the partner cop the receptionist & coffee.
Rated 24 Mar 2018
glumpy99glumpy_99
Rated 05 Jan 2019
71
39th
Opressive, claustrophobic thriller has echoes of Polanski about it (specifically THE TENANT) but the tension starts to evaporate at the mid-point once a key ambiguity becomes solved and literalised, and the film turns into a Soderbergh spin on the slasher genre; while it's always fun to see Soderbergh in noodling mode, the first half promises a much better (and edgier) film. Props to Foy, whose vividly emotional performance is painful at times, and Leonard, who is also excellent as an orderly.
Rated 05 Jan 2019
neonmanNeonman
Rated 23 Apr 2018
85
81st
This is the sort of full-on thriller that seems far more freakier than most horror films. Dishing out a slightly pulpy story of a woman wrongly committed, all the while taking its topics of nefarious mental institutions, stalkers, and unrequited love seriously, Unsane is a rather delirious and very fun story that's brilliantly told, helped by an involving performance from Foy who makes this lead character a tough and assertive protagonist who tackles each overwhelming problem head-on.
Rated 23 Apr 2018
yiannosYiannos
Rated 01 Sep 2018
53
32nd
Soderbergh is often praised for his diversity, but to this viewer he is an ordinary journeyman forced into polystylism because he isn't talented enough to forge his own singular path. Unsane is more faux experimentation from the king of the nerds shot with the usual detachment that is readily mistaken for intelligence. Despite its surface appearance, it's average genre fare jazzed up with a visual gimmick (shot on an i-phone! Brilliant!) and lame social critique, but Foy does solid work.
Rated 01 Sep 2018
gideonGideon
Rated 04 Jun 2018
3
92nd
Went in with quite reserved expectations, but gradually became more and more impressed with Unsane. For Soderbergh to pull this off with relatively shitty Iphone 7s takes some serious skill. Sure it isn't perfect, but in a way it contributes to the slightly absurdist and claustrophobic atmosphere. There is an almost palpable tension throughout, the actors doing the best they can and an interesting script to boot. I was impressed. I thought I'd never request cam phone films, but here we are.
Rated 04 Jun 2018
tipartipar
Rated 04 Jul 2018
69
83rd
Psychological Thriller, not that much Horror but awesome although the last part made me want to skip it.
Rated 04 Jul 2018
chadisdangerchadisdanger
Rated 25 Mar 2018
69
22nd
Although smartly directed as always (the iPhone photography actually adds an urgency and uncomfortable clarity that fits the story) and with a fierce and completely committed performance by Claire Foy, this unfortunately doesn't add up to all that much. It begins cleverly but, without giving anything away, it ends up following a less interesting path as the plot unfolds. Well crafted but less interesting than it appears at first.
Rated 25 Mar 2018
ecitizeneCitizen
Rated 28 Jun 2018
60
59th
Claire Foy is amazing, beautiful and entertaining in this surprisingly decent low budget thriller. She carries the movie well. A few of the plot points seemed unlikely, but the suspense was good with many tense moments. Joshua Leonard was suitably creepy, sick and pathetic. Clever writing keeps it interesting. Good music and production quality. Juno Temple was perhaps underutilized. Some uneven pacing, but overall this was satisfying.
Rated 28 Jun 2018
vandelay1Vandelay1
Rated 13 Jun 2018
67
71st
good movie
Rated 13 Jun 2018
bowfingerbowfinger
Rated 06 Apr 2018
50
42nd
meh all the way.
Rated 06 Apr 2018
ribcageribcage
Rated 31 Aug 2018
51
27th
Ehhhhhh so it's not the mindbender or character piece I'd hoped for. The camera gimmick was used effectively, but I'm not in jawdrop awe. It plays out like a movie 15-20 years old. Butttt it did hit a nostalgia spot for those cheapie thrillers and I was at least tuned in for the first half soooo hell it's worth a look.
Rated 31 Aug 2018
hofschneiderHofschneider
Rated 31 Mar 2018
88
88th
This gut punishing movie only had one flaw: Matt Damon's casting. It took away attention from an otherwise brilliant 'prevent rape' / 'She asked for it' scene. (You are stalked? He doesn't matter, but you should sell your car). In general Soderbergh, the writing and Foy's edgy acting accumulate a ridiculous mountain of what women have to go through on a daily basis. Believe women - or people will die! (Oh yeah, and it was shot on an iPhone.That didn't help with feeling comfortable either)
Rated 31 Mar 2018
jasongirl67Jasongirl67
Rated 12 Oct 2018
75
69th
Didn't expect much from this movie and the beginning is sorta slow took to long trying to determine if she's actually "cray - cray" but turned out to be a fairly good suspense film Sure there are some plot points that don't make a lotta sense but you'll find that in a lot of films
Rated 12 Oct 2018
basedoneBasedOne
Rated 11 Aug 2018
7
42nd
A solid thriller for the modern social media era. Solid performance for Foy who fluctuates between frustrated, paranoid, and arrogant throughout the movie. Brought down by horror movie cliches near the end though as the conclusion is increasingly drawn out.
Rated 11 Aug 2018
capodelnullacapodelnulla
Rated 31 May 2018
75
69th
soderbergh her zamanki gibi harika bir zanaatkarlıkla, normalde basit bir numara olacak iphone'la çekme işini hikayeyi geliştiren biçimde kullanıyor. foy'un harika performansıyla, bir yanan iyi bir thriller olarak işliyor, diğer yandan hikayenin basit olay zincirine içkin temalar keşfediliyor. soderbergh soderbergh diye slogan atasım var.
Rated 31 May 2018
mwgerbmwgerb
Rated 17 Nov 2018
58
61st
Steven Soderbergh retired from filmmaking. Then he decided he was bored and wanted to make a B-movie on an iPhone. It's pretty good.
Rated 17 Nov 2018
elmakebabielmakebabi
Rated 27 Sep 2018
50
21st
Subject is good but the story is all over the place. You can't even feel claustrophobia.
Rated 27 Sep 2018
astrakhanastrakhan
Rated 17 Jul 2018
75
37th
Only interesting for the first 15 minutes. Foy's troubled protagonist becomes too submissive too soon, and snap, we've lost interest. All the psychological trickery and ambiguity - supposedly the meat and potatoes of the film - seems half-hearted. I was disappointed with the characters and also with the apparent technological step backwards Soderbergh chose to take (shooting on some cheap digital device makes an ugly image, so it ought to have a reason for being that way).
Rated 17 Jul 2018
mattorama12mattorama12
Rated 22 Oct 2018
63
42nd
Very mixed bag. On the one hand, you have Foy's great performance (American accent excepting), an interesting premise/set-up, and some direction that gave effect to the tension here. On the other hand, the plot quickly devolved into uninspired horror that asked for massive suspension of disbelief. Probably worth seeing just for the impressive work with the iPhone.
Rated 22 Oct 2018
britneeeebritneeee
Rated 03 Oct 2018
70
44th
This is one of the few movies I got to see in theaters this year sadly, but even if I'd seen more, I'd say this was one of the better. The cheap look doesn't ruin anything for me, I don't find myself wishing it was a better quality. The characters were believable enough, which meant the acting must have been somewhat decent. I was on edge and excited to watch the film progress, regardless of which turns it took.
Rated 03 Oct 2018
jschlanskyJSchlansky
Rated 03 Oct 2018
70
58th
The script is bad, but it seems pretty clear that the inherent weaknesses and limitations are exactly what drew Soderbergh to this project
Rated 03 Oct 2018
easydiffeasydiff
Rated 12 Oct 2018
75
82nd
Really tense and unsettling in a "no no NO NO NO" kind of way. Soderburgh is at the top of his game.
Rated 12 Oct 2018
parexus2Parexus2
Rated 16 Jul 2018
80
93rd
Excellent atmosphere. Very well done.
Rated 16 Jul 2018
rottentRottenT
Rated 24 Mar 2018
79
55th
Unsane unleashes Steven Soderbergh's inner B-movie maestro, wading into timeless psychological thriller territory and giving it a high-tech filmmaking spin.
Rated 24 Mar 2018
edwardedward
Rated 12 Dec 2018
37
37th
The first half of the film hinges on an effectively clever, and mostly realistic premise for a horror film. I was pretty sold on what seemed like a solid B movie. But then for whatever inane reason, about halfway through it just goes to shit. It felt like the script was hijacked by an eight year old who ruined a decent film with gratuitous, improbable cliches and recklessness all over.
Rated 12 Dec 2018
mike365365mike365365
Rated 19 Nov 2019
45
10th
Just dumb.
Rated 19 Nov 2019
peyrinpeyrin
Rated 20 Jun 2021
75
69th
The slimy gaslighting dialogue really hits. I wasn't so sure about the iPhone stunt at first but the way he uses it to invade private spaces is scarily effective.
Rated 20 Jun 2021
king_zazvorking zazvor
Rated 04 Apr 2020
65
35th
Much better than Contagion. I didn't know it was shot an iPhone when I watched it, but I appreciated the aesthetic and feel it effectively contributes to the mood. I find the set-up about a mental institution that holds you against your will much more interesting than the stalker storyline that eventually takes over. Ultimately, it seems like a lazy attempt to make a point that corrupt institutions harbor bad apples.
Rated 04 Apr 2020
michaelman99MichaelMan99
Rated 26 Jan 2020
74
51st
This film was shot on an iPhone! That's amazing. The overall film is pretty good, it's surprisingly enjoyable and well-acted. I liked it.
Rated 26 Jan 2020
judo_koalaJudo Koala
Rated 04 Oct 2018
50
12th
Lmao what a mess.
Rated 04 Oct 2018
tdetde
Rated 26 Oct 2023
79
67th
Cok gergin
Rated 26 Oct 2023
aflickeringAFlickering
Rated 10 Oct 2019
2
17th
for all its purported value as a bastion of connectivity and safety, the cellphone is also the ultimate enabler of voyeuristic impulses, detachment from reality, and filling the pockets of those in power. here soderbergh traps his could-be unstable heroine in a maze of them, having her flail under the uncomfortably close surveillance of we the many-faced stalker and paying customer, modernising and energising a tired old trope at least a little. shoulda called it shock siridor though.
Rated 10 Oct 2019
philamentalphilamental
Rated 28 Jan 2019
32
5th
Personally, I really hate the 'Why wont anyone believe me?' niche sub-genre so this was never gonna play well for me. However while the iPhone cinematography actually works well during the hospital scenes, providing a claustrophobic feel, it was irritating and gimmicky during the normal scenes. Despite all this, Unsane could have worked ok if it didn't require the viewer to just accept a constant stream of farcical developments that I just couldn't stomach as I wasn't enjoying the ride anyway.
Rated 28 Jan 2019
lonewolf2003Lonewolf2003
Rated 30 Jan 2021
68
35th
Starts well as being about woman whose grips on realit is nicely ambiguous. Had some severe doubts when the twist comes halfway the movie. But settles into an okay tense thriller after that. SS's use of an iPhone to film this really heightens the unsettling paranoiac claustrophobic mood. Foy does a fine job in carrying the movie.
Rated 30 Jan 2021
fenixdownfenixdown
Rated 24 Jul 2018
62
19th
Creatively filmed, but wasn't that interesting.
Rated 24 Jul 2018
moviepoopmoviepoop
Rated 21 Nov 2020
81
85th
Unsane, bir iPhone’la (kesinlikle sadece bir iPhone değil) nasıl oldukça iyi bir film yapılabileceğini gösteriyor. Bu noktada da aslında neyle çektiğimiz değil, ne çektiğimizin önemli olduğunu görüyoruz. Filmin sürekli geniş açı lens ile çekilmesi gerçekten gerilimli bir hava katmış. Oyunculuklarda çok iyiydi. Soderbergh, çok bulunmayan deneysel yönetmenlerden. Senaryoda kalburüstüydü. Sonuç olarak; her amatör filmcinin bir bakması gereken, genel izleyicinin is
Rated 21 Nov 2020
menuarmenuar
Rated 14 Jun 2023
100
0th
everything is different its a thriller with depth and its profound in story telling
Rated 14 Jun 2023
ytadelYtadel
Rated 02 Sep 2018
5
57th
Beyond the admittedly interesting iPhone gimmick I'm not sure there's a ton of a meat on the bone; a creepy atmosphere but a screenplay that kind of devolves into something kind of straightforwardly slasher-y we've seen a million times before.
Rated 02 Sep 2018
jj1986JJ1986
Rated 21 Apr 2019
50
29th
The first half - with the institutional involuntary commitment - is much more interesting than the second half with the - SPOILERS - murderer who has almost completely free rein of the facility. Gives up the ghost that Sawyer's stalker is really there way too quickly.
Rated 21 Apr 2019
moraesfelipemoraesfelipe
Rated 07 Apr 2020
50
33rd
The iPhone approach doesn't bother me -- its deep, sparse lighting, for example -- but it also doesn't serve to anything new, despite Soderbergh's constant vibrant interest in fabricating scenes of unease and discomfort. He continues in his crusade of criticizing late capitalism and cheap human connections in the era of digital life and disposable images, but I think the divided plot -- #metoo stalker thriller vs asylum thriller - never gets as intriguing as he planned. Foy and Leonard are great
Rated 07 Apr 2020
iyisinekiyisinek
Rated 17 Jan 2019
73
58th
Akıl hastanesi, SP Psikolojik sorunları olan bir kadın psikoloğa gider. Psikolog kendisine bir form verir ve doldurmasını ister. Kadın formu dikkatli okumaz. Psikolog rutin bir form olduğunu söyler. Nihayetinde formun amacı kadını hastaneye yatırmakmış. Kadın rızası dışında hastaneye yatırılır ve 7 gün orada tutulur. Hasta bakıcılardan biri onun geçmişteki saplantılı erkek arkadaşıdır. Bu arada kadın buradan kurtulmaya çalışır.)
Rated 17 Jan 2019
foxyrussianFoxyRussian
Rated 29 Oct 2020
32
11th
Ok you're locked in a mental institution while Steven Soderbergh films you on his iPhone, just don't get aggressive and you'll be let out in 24 hours. Oh no. Ok don't hit anyone else and you'll be out in 7 days. Oh no that's coffee in the crazy woman's face. Just dont play 5D chess with your real or delusion stalker, you've called him an idiot, he's very dumb. oh no. The script is pretty awful, the main character is beyond dumb. Claire Foy slips into a British accent very often.
Rated 29 Oct 2020
bluesmanbluesman
Rated 04 Jul 2018
70
56th
iPhone reklamı için mi bilmiyorum ama, Steven Soderbergh, Unsane adlı gerilim filmini gerçekten sadece iPhone ile çektiyse kendisini ayakta alkışlıyorum.
Rated 04 Jul 2018
cetincelikcetincelik
Rated 14 Apr 2018
71
62nd
Her seferinde farklı bir filmle karşımıza gelmeye devam ediyor Soderbergh. Iphone7 ile çekilmesi filmi daha da tekinsiz bir atmosfere sokmuş. Merakla izleniyor.
Rated 14 Apr 2018
gkfilmgkfilm
Rated 14 Aug 2021
50
23rd
Entertainment: 3.5. Spirit: 0.5. Sustainability: 0.5. Family: 0.5
Rated 14 Aug 2021
addehaddeh
Rated 24 May 2020
60
38th
I love experimental Soderbergh, but a few rewrites would have benefitted this film a lot.
Rated 24 May 2020
hajikarimihajikarimi
Rated 03 Jul 2018
88
37th
1645: i wonder after this long list of movies from mental hospitals; how someone sane can do insane acts and make his/her situation more bad!
Rated 03 Jul 2018
matthagenmatthagen
Rated 09 Oct 2023
53
56th
The mystery fizzles too quickly, but there's some psychological fun to be had. I admire Soderbergh's DIY spirit.
Rated 09 Oct 2023
rihreyrihrey
Rated 11 Dec 2020
49
53rd
stupid decisions: the movie
Rated 11 Dec 2020
paulofilmopaulofilmo
Rated 06 Feb 2019
50
9th
soderblergh
Rated 06 Feb 2019
kojiKoji
Rated 16 Dec 2020
6
53rd
all shot on an iphone, very cool
Rated 16 Dec 2020

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