Utøya - 22. juli (2018)
We meet Kaja (18) 12 minutes before the first shot is fired at the Utøya summer camp July 22nd 2011, which soon is to be the worst day in modern Norway's history. They know about Anders Behring Breivik's bomb in Oslo, but is he here now? (imdb)
Cast and Information
Directed By: Erik Poppe
Written By: Anna Bache-Wiig, Siv Rajendram Eliassen
Starring: Andrea Berntzen, Aleksander Holmen, Brede Fristad
Genres: Drama, Suspense/Thriller
AKAs: U - July 22, Utoya July 22
Country: Norway
Where to Stream
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Utøya - 22. juli belongs to 9 collections
1. 24 hour (or less) timeframe (public: moderated by djross - 24 stars)
2. Films available in HD (public: moderated by kubricksucks - 12 stars)
3. Terrorism (public: moderated by doganay - 5 stars)
4. Right-wing politics (public: moderated by djross - 3 stars)
5. Summer camp (public: moderated by iconogassed)
6. Canal+ VOD (public: moderated by msa)
7. DtC Doubling the Canon 2021 Nominees (public: moderated by lineuphere)
8. Scandinavian (private: cankutozturk - 7 stars)
9. 68th Berlin International Film Festival (Berlinale) (2018) ? (private: 5Z5qjRCfM2)
Browse the full list of collections
| Date | User | Rating | |
| Feb 26 |  |
YoG | 76 49% |
| Feb 10 | MonkeyIsland | 63 28% |
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| Dec 28, 2021 |  |
joachimt | 90 96% |
| Dec 07, 2021 | akali_ | 67 46% |
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| Nov 16, 2021 |  |
NickChengdu | 59 66% |
| Oct 21, 2021 | amaklp | 80 75% |
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| Sep 12, 2021 |  |
feublo | 80 57% |
| Aug 31, 2021 | Gorro | 72 63% |
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| Aug 29, 2021 | ObadaS | 60 0% |
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| Aug 13, 2021 | Mayhew | 80 68% |
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| Aug 08, 2021 |  |
Odinos | 70 0% |
| Aug 03, 2021 |  |
MessiahTool | 95 97% |
| Aug 02, 2021 |  |
deaddilly | 70 49% |
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I did not want to review this movie because I couldn't exactly justify why it should have been made in the first place. I'm still not quite sure, but there is no poetry in death and there is certainly none here.
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| Aug 01, 2021 |  |
juntakinte99 | 100 97% |
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Exceptional cinema is a machine for empathy; turning a historical moment into something visceral. That's what director Erik Poppe does here by showing the fallout of an act of terrorism/mass shooting. In a lesser movie two sentimental moments would've seemed cliched. And it would've featured the piece of human garbage who committed these crimes. Instead Utøya is endlessly creative and empathetic via an immersive single take, a hero with a great heart, and an ending which will change you.
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| Jul 25, 2021 |  |
Elisheva | 81 57% |
| Jul 20, 2021 | izleryazar | 75 69% |
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| Jun 03, 2021 |  |
tardini | 10 5% |
| Mar 21, 2021 | GermanoDRF | 77 67% |
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| Mar 18, 2021 | coklas92 | 90 97% |
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| Feb 11, 2021 | pl_ | 65 32% |
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| Jan 31, 2021 | Camilla | 85 57% |
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| Jan 24, 2021 |  |
Teproc | 65 64% |
| Jan 12, 2021 | emilija114 | 60 24% |
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| Jan 12, 2021 |  |
quente | 73 28% |
| Jan 10, 2021 |  |
edward | 72 52% |
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Terribly difficult to watch, yet effective. Incredibly well filmed. Different from July 22 in that you never see Anders Breivik and the viewer only knows what the kids know, which is very little. That aspect is a bit frustrating considering how long it lasts, but it's certainly more realistic than July 22.
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| Dec 23, 2020 |  |
sunny26 | 4 15% |
| Dec 14, 2020 |  |
porzano | 64 80% |
| Dec 11, 2020 |  |
kadikoy | 70 75% |
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22 Temmuz 2011 de yaşanan Norveç Utoya kampındaki terör saldırısı anlatılmış. Fakat dolaylı yoldan anlatılmış. Saldırı anına kadar pür dikkat izleten film, sonlara doğru kaçış hikayesine dönüşüyor. Masum gençlerin ölümünü gözümüze batırmadan izletmiş. Gerçek bir olay olduğu için abartılmamış. Filmin sonunda, Kaja dahil 77 kişi, ada da mezar oluyor. Asla Anlamayacaksınız.
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| Nov 26, 2020 | mfl | 53 27% |
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| Nov 26, 2020 |  |
TheShiznit | 54 65% |
| Nov 17, 2020 | krulltott | 60 53% |
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| Nov 12, 2020 | dr_Robert | 3 39% |
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| Nov 05, 2020 | emilpemil | 73 40% |
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| Sep 27, 2020 |  |
TMDaines | 75 57% |
| Sep 14, 2020 |  |
Joanita | 85 39% |
| Aug 19, 2020 | CountO | 80 68% |
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| Aug 15, 2020 | Faruk O. | 85 50% |
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| Jul 25, 2020 |  |
twijfel | 32 10% |
| Jul 25, 2020 |  |
Neoptolemos | 75 51% |
| Jul 23, 2020 |  |
zehra | 70 32% |
| Jul 23, 2020 |  |
Eggeplante | 70 59% |
| Jul 18, 2020 |  |
Ludium | 70 29% |
| Jul 12, 2020 | Der_Bodo | 70 0% |
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| Jul 09, 2020 | jhmee8 | 100 96% |
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| Jul 04, 2020 |  |
kappeuter | 80 91% |
| Jun 29, 2020 |  |
ShadiAfarin | 70 11% |
| Jun 05, 2020 |  |
Cuervo | 67 56% |
| May 28, 2020 | Gossamer | 1 31% |
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| May 16, 2020 |  |
Flitskonijn | 10 0% |
| May 03, 2020 | sprfede | 75 63% |
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| Apr 23, 2020 | DennisJ1976 | 60 51% |
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| Apr 20, 2020 |  |
Fäctarn | 87 94% |
| Apr 13, 2020 | poloko | 70 0% |
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| Mar 31, 2020 |  |
ibodirector | 60 39% |
| Mar 29, 2020 |  |
cankutozturk | 71 19% |
| Mar 15, 2020 |  |
ludvigsen | 80 86% |
| Jan 25, 2020 | DylanLeo2018 | 80 70% |
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| Dec 19, 2019 | deluxe1 | 70 72% |
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| Dec 07, 2019 | Hennimore | 74 80% |
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| Nov 14, 2019 |  |
frederic_g54 | 6 35% |
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The art of omission can make for a tense viewing experience, by disallowing the viewer to witness, in this case only letting us hear the atrocity taking place. As a fictionalized treatment of a tragic event, however, it took too many narrative, even technical liberties for my taste, some of which felt out of place given the severity of the situation. For the most part, though, the film is quite compelling and Solveig Birkeland as the injured girl absolutely kills it in the one scene she's in.
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| Nov 05, 2019 | gackt | 55 18% |
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| Oct 29, 2019 |  |
VegA | 65 44% |
| Oct 24, 2019 | flipperrbm | 8 93% |
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| Oct 14, 2019 |  |
FrankXVI | 60 17% |
| Oct 04, 2019 |  |
thewire | 44 31% |
| Oct 01, 2019 | Ace666 | 80 82% |
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| Sep 23, 2019 | miedzcu | 72 64% |
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| Sep 23, 2019 | CXBN | 90 92% |
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| Sep 19, 2019 |  |
Oktay | 50 17% |
| Sep 12, 2019 |  |
onuryilyang | 66 29% |
| Sep 01, 2019 |  |
Moribunny | 70 74% |
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Told in real time, realistic, and suspenseful despite (or rather, as a result of) wisely avoiding cheap thrills. It's a politically meaningful topic, so I want to think this movie does a service to its cause in the way a fictional work should - by persuasively conveying an experience.
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| Sep 01, 2019 | daniel1980 | 80 67% |
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| Aug 17, 2019 |  |
soytoma | 72 75% |
| Aug 02, 2019 | rakke | 80 76% |
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| Jul 31, 2019 |  |
d_r_e_s_ | 3 65% |
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Made with respect for the victims and their horrible experience. Very well put together. *Good
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| Jul 30, 2019 |  |
gabpasternak | 80 85% |
| Jul 23, 2019 |  |
devrimozkan | 64 51% |
| Jul 19, 2019 |  |
babuba | 83 76% |
| Jul 12, 2019 |  |
EmreZabun3 | 57 21% |
| Jul 08, 2019 | Rd. Vortex | 77 52% |
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| Jun 13, 2019 |  |
Mr.Cinema | 67 74% |
| May 08, 2019 |  |
whitelighter | 63 49% |
| May 06, 2019 |  |
lockstock | 76 82% |
| Apr 27, 2019 | T86g | 86 88% |
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| Apr 22, 2019 |  |
dundjay | 54 30% |
| Apr 21, 2019 |  |
Phelipe | 69 49% |
| Apr 20, 2019 | Jorg | 60 27% |
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| Apr 19, 2019 |  |
luc | 85 94% |
| Apr 14, 2019 |  |
peekingpanda | 55 64% |
| Apr 11, 2019 | YogiJogg | 100 98% |
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| Apr 08, 2019 |  |
howler19 | 54 57% |
| Apr 08, 2019 |  |
tsumanne | 30 11% |
| Apr 06, 2019 |  |
Ringshifter | 63 44% |
| Mar 31, 2019 |  |
P u l p | 13 2% |
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Yes it is heartbreaking, brutal and all the other things..., but let's look at this movie from another angle: "Why was this made?" (actually 2 movies with same story, same year). Some Norwegian right-winged extremist who is against muslims and immigrants kills 77 Norwegian people (and [surprisingly] sentenced to 21 years of preventive detention in prison!) and what Norway government does? Bans muslims and immigrants, of course.
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| Mar 24, 2019 | Prendelo | 74 41% |
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| Mar 22, 2019 |  |
DarrenCB | 70 42% |
| Mar 17, 2019 | Parasite | 30 21% |
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| Mar 10, 2019 |  |
ManInBlack | 7 74% |
| Mar 06, 2019 |  |
sacmersault | 74 64% |
| Mar 01, 2019 |  |
NhanLa | 70 56% |
| Feb 06, 2019 |  |
finchereznor | 70 28% |
| Feb 04, 2019 | qa.criticker | 84 79% |
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| Jan 26, 2019 |  |
knuth | 80 77% |
| Jan 21, 2019 |  |
Mentaculus | 88 87% |
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It has been a long while since a film kept me this terrified and engaged. My heart stopped. By allowing the film to unfold in real time, as one masterful long take with great child performances, you get the full horrific impact: the excruciating gravity of a real terror event. And I can't understate this enough: it does all of this without even accidentally (through the vagaries of film language) dignifying the gunman. Your thoughts are with the victims. As well it should be.
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| Jan 15, 2019 | sonique | 55 33% |
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| Jan 14, 2019 |  |
mevrensel | 75 48% |
| Jan 04, 2019 | Kabbjeh | 75 80% |
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| Dec 31, 2018 |  |
LuxNatalis | 71 79% |
| Dec 27, 2018 | crmassari | 55 36% |
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| Dec 26, 2018 |  |
brkshn | 70 47% |
| Dec 16, 2018 |  |
Licio | 79 40% |
| Dec 14, 2018 |  |
banadolu | 40 10% |
| Dec 12, 2018 |  |
Methouse | 72 44% |
| Dec 12, 2018 |  |
Laddie Bird | 55 39% |
| Dec 11, 2018 |  |
YigitAta | 3 38% |
| Dec 10, 2018 |  |
avgcrtckr | 59 64% |
| Dec 10, 2018 |  |
filmaffinity | 65 63% |
| Dec 09, 2018 |  |
Kaan Kavusan | 55 22% |
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50 kez izledik herhalde, random shootlara karşı survival hikayesi. yeni bir şey yok ve olay da yok aslında
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| Dec 09, 2018 | baronliu | 65 43% |
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| Dec 07, 2018 |  |
Akinz | 75 50% |
| Dec 06, 2018 |  |
fat!h | 20 4% |
| Dec 06, 2018 |  |
filmdoc | 78 68% |
| Dec 06, 2018 |  |
lauratron | 70 38% |
| Nov 27, 2018 |  |
capodelnulla | 20 3% |
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standart soruyu tekrar hatırlatıyor: bir katliamı hele bir de tek plan ile tekar yaşatmayı amaçlayarak canlandırmak neyi sağlıyor? etik açıdan tartışmaya açık olmasının ötesinde sinematografik açıdan da tartışmaya açık şeyler var. bunu getirmesi değerli ama film için aynı şeyi söylemek zor. saldırının kurbanlarıyla beraber kamerayı dakikalarca yere ve onlara sabitlemekle izleyene bunu anlatmak ötesinde imkanlar varken bu çok ucuz.
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| Nov 20, 2018 |  |
joeroxy | 75 73% |
| Nov 14, 2018 |  |
kyriei2 | 50 27% |
| Nov 13, 2018 | emrhnsrcn | 65 39% |
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| Nov 05, 2018 |  |
MaxVonSydow | 70 70% |
| Oct 28, 2018 | Seppskit | 35 21% |
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| Oct 15, 2018 | siweq86 | 40 6% |
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| Oct 15, 2018 |  |
laika | 64 32% |
| Oct 14, 2018 |  |
Langelund (CinemaZone.dk) | 50 34% |
| Oct 13, 2018 |  |
Temptershell | 85 88% |
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Świetnie zrealizowany film o tragicznych wydarzeniach sprzed 7 lat. Całkiem inny kierunek niż produkcja dostepna na platformie Netflix pt. 22 Lipca. Ciekawe, wstrząsające i bardzo potrzebne widowisko.
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| Oct 13, 2018 |  |
KMcNeil | 6 56% |
| Oct 05, 2018 |  |
walkabout | 65 53% |
| Sep 30, 2018 |  |
HKi | 75 81% |
| Sep 26, 2018 |  |
gargantua | 10 2% |
| Sep 22, 2018 |  |
I am prowler | 64 68% |
| Sep 19, 2018 |  |
Cowman | 85 96% |
| Sep 19, 2018 |  |
hamidallen | 78 37% |
| Sep 17, 2018 | eppulf | 89 96% |
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| Sep 10, 2018 |  |
Mockus | 40 8% |
| Sep 10, 2018 | DePalma | 58 54% |
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| Sep 07, 2018 | slatenf | 77 47% |
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| Sep 07, 2018 |  |
jagarnyfiken | 28 8% |
| Sep 02, 2018 |  |
tramploo | 79 46% |
| Sep 01, 2018 |  |
patman | 49 17% |
| Aug 28, 2018 |  |
tenant | 15 4% |
| Aug 21, 2018 |  |
TechnoPop | 25 4% |
| Aug 15, 2018 |  |
Blair | 87 75% |
| Jul 22, 2018 |  |
RuruSmasher | 87 61% |
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Don't think any of us ever wanted to find out what it's like to be in the middle of an active shooter situation, but this film sort of does that. It's shot in one take and we follow Kaja, the main character, who's trying to survive. The film is brutal, visceral, and anxiety-inducing, the tension never really stops, neither do the gunshots you hear at all time. Really glad they did not focus on the shooter at all, but decided to build empathy for the victims and survivors.
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| Jun 17, 2018 |  |
Gideon | 2 59% |
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A technical marvel, in all honesty quite the feat. But that's where the quality more or less comes to a screeching halt. The film starts out quite strong, but soon the one take approach becomes repetitive in its nature. The camera basically follows one character, Kaja, from (hiding) place to place, where each scene is stretched beyond means. It just doesn't work, as another Criticker pointed out. In film there needs to be balance, an alpha and omega. The one take approach remains a gimmick.
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| May 30, 2018 |  |
KasperL | 80 86% |
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Respectful and brilliantly executed, but ... fuck.
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| May 24, 2018 | HTD | 9 80% |
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| May 15, 2018 |  |
lena_c | 5 92% |
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My heart is still pounding. What a horrifying day. I admire the young boys and girls who said yes to tell this story. I'm amazed of the production and how they did it all in one piece. And I loved that the focus was on the survivors and not the horrible man who remains name- and faceless in this movie. He deserves NO time on the screen. *Very good
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| May 05, 2018 | huftis | 80 75% |
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| Apr 25, 2018 |  |
Bunken | 80 88% |
| Apr 23, 2018 |  |
LordBeefJerk | 80 86% |
| Apr 20, 2018 |  |
Roshambo | 80 94% |
| Apr 10, 2018 | Caveman | 84 86% |
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| Mar 24, 2018 | Sadman | 91 96% |
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Absolutely horrifying to watch, which is exactly as it should be. Erik Poppe and the writers set out to make something that seems impossible to handle with the proper amount of respect for the victims and their experience. This movie does exactly that.
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| Mar 20, 2018 |  |
Torgils | 79 51% |
| Mar 19, 2018 |  |
TarantinOle | 79 74% |
| Mar 19, 2018 |  |
cagedwisdom | 100 90% |
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Probably the first time I've ever said this about a Norwegian film: Masterpiece. Handles its subject matter perfectly, and the actual production is beyond impressive.
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| Mar 18, 2018 |  |
roonay3k | 40 14% |
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As a Norwegian I had high expectations about this. Terrible acting, awful dialogue and annoying filming is keywords, but the worst part is that you actually didn't see the killer more than 2 seconds the entire movie. I get that they didn't want it to be about him, but you are actually missing the key ingredient in this movie. It happened so much on that day, and we are restricted to follow just a few kids on their journey that day. Not nearly as emotional and brutal as it should have been,
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| Mar 08, 2018 |  |
Sachaz | 84 89% |
| Average Percentile 54.59% from 166 Ratings |  |