We use cookies to improve your browsing experience on this site, show targeted ads, analyze traffic, and understand where our audiences come from. To learn more, read our Privacy Policy or contact us with any questions.
login | register
0 film ratings
You've rated 0 of 3 titles in this collection

Black Series

A collaborative collection moderated by tirefeet

"The Black Series (Czarna seria polskiego dokumentu) was a movement of Polish short Documentary films made in the 1950s. Compared to the optimistic and pro-regime documentaries shown before, the Black Series were openly critical of social problems, such as poverty, prostitution, and alcoholism. The movement came about as a response from film-makers Kazimierz Karabasz, Jerzy Hoffman, Edward Skórzewski, and W?adys?aw ?lesicki, who were unhappy with the lack of realistic and gritty looks into the life of the time. With Polish October in 1956, the ability to create such documentaries to be critical of current issues became more feasibly possible. These films shared both similar (albeit broad) subject matter as well as the way in which they were filmed. Typical setups involved a lack of narrative or voice-over commentary, cameras were setup from afar to not interfere with any action, very minimal staged elements were included (if any), fly-on-the-wall techniques of observing depth in reality, and dynamic use of music. (RYM)"

Current Filters x

Collection: Black Series x

Filters

Genre

Country


Year

Popularity

Very Popular
Unknown

Filmmaker

Collection

Release Type

Order By

Show

You've rated 0 of 3 titles in this collection

Black Series

A collaborative collection moderated by tirefeet

"The Black Series (Czarna seria polskiego dokumentu) was a movement of Polish short Documentary films made in the 1950s. Compared to the optimistic and pro-regime documentaries shown before, the Black Series were openly critical of social problems, such as poverty, prostitution, and alcoholism. The movement came about as a response from film-makers Kazimierz Karabasz, Jerzy Hoffman, Edward Skórzewski, and W?adys?aw ?lesicki, who were unhappy with the lack of realistic and gritty looks into the life of the time. With Polish October in 1956, the ability to create such documentaries to be critical of current issues became more feasibly possible. These films shared both similar (albeit broad) subject matter as well as the way in which they were filmed. Typical setups involved a lack of narrative or voice-over commentary, cameras were setup from afar to not interfere with any action, very minimal staged elements were included (if any), fly-on-the-wall techniques of observing depth in reality, and dynamic use of music. (RYM)"
Showing 1 - 3 of 3 results
Know another title which belongs in this collection? Sign up for a free account and you can add titles to it!