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Two cops, a rookie (Phillippe) and a grizzled vet (Statham), pursue an accomplished bank robber. (imdb)

The memoirs of Captain Charles Ryder who is stationed at Brideshead Castle during WWII and remembers his involvement with the owners of the Brideshead estate: the aristocratic yet Catholic Flyte family and in particular brother and sister Sebastian and Julia.

A dying professor leaves his great-nephew a collection of documents pertaining to the Cthulhu Cult. The nephew begins to learn why the study of the cult so fascinated his grandfather. Bit-by-bit he begins piecing together the dread implications of his grandfather's inquiries, and soon he takes on investigating the Cthulhu cult as a crusade of his own.

The Work of Director Chris Cunningham offers a feast of visual ingenuity, with Cunningham involving you in his nightmares. From the urban monstrosities of Aphex Twin's "Come to Daddy" to the limb-shattering weirdness of Leftfield's "Afrika Shox," Cunningham's music videos emphasize the freakish and the bizarre

Mr. Bean returns but not for long as he goes on his travels to the south of France where mishap and mayhem begin, by the end Bean even has his video diaries at the Cannes Film Festival. (imdb)

A tough detective's mother comes to visit him and begins to meddle in his life and career. (imdb)

Based on the real-life experiences of Ed Horman, this is the story of an American father of conservative background who comes to a South American country to search for his missing son.

Follows the history of the Roman Empire, from the death of Marcellus to Claudius' own death. As Claudius narrates his life, we witness Augustus' attempts to find an heir, often foiled by his wife Livia who wants her son Tiberius to become emperor.

Nick and Frank Starkey were both policemen. A scandal forced Nick to leave the force, now a serial killer has driven the police to take him back. A web that includes Frank's wife, bribery, and corruption all are in the background as Nick tries to uncover the secret of where the killer will strike next, and finally must lay a trap without the police. (imdb)

This film, made in the summer of 1960 by the sociologist Edgar Morin and the ethnographer Jean Rouch, aimed to be as 'true as a documentary, but with the content of a fiction film.' Facilitated by improved technology (16mm film, sync sound, light hand held cameras) it pioneered a direct or live aesthetic dubbed 'cinema verite'... (IMDB Comments)