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A quiet drifter is tricked into a janitorial job at the now condemned Wally's Wonderland. The mundane tasks suddenly become an all-out fight for survival against wave after wave of demonic animatronics.

This silent film, essentially a string of images loosely tied together, was almost certainly inspired by surrealistic classics (IMDB Comments)

A tire is on his way through the desert to kill or destroy everything passing his way. At first it's only things or animals but then it's starting to kill people as well. Till he meets a girl he seems to be fond of. After sparing her, the sheriff wants to use her as a decoy to lure the tire into a trap.

A cinematic odyssey exploring David Bowie's creative and musical journey. From visionary filmmaker Brett Morgen, and sanctioned by the Bowie estate.

Despite its nearly four-hour running time, this is a uniquely personal look at movies from one of the late 20th century's great directors and film historians... (imdb)

As the tagline reveals, this movie deals with life and death of the legendary Ludwig van Beethoven. Beside all the work he is known for, the composer once wrote a famous love letter to a nameless beloved and the movie tries to find out who this beloved was. (imdb)

The film is based on the real life events of a con artist, impostor, and multiple prison escapee Steven Jay Russell (Jim Carrey). While incarcerated, Russell falls in love with his cell mate, Phillip Morris (Ewan McGregor). After Morris is released from prison, Russell escapes from prison four times in order to be reunited with Morris. (wikipedia.com)

This documentary provides an in-depth look at Fox News and the dangers of ever-enlarging corporations taking control of the public's right to know. (MoveOn.org / Center for American Progress)

Bunuel's first feature has more of a plot than Un Chien Andalou, but it's still a pure Surrealist film (imdb)

When Martin (Liam Neeson) emerges from a coma following an auto accident in Berlin, nothing is as it should be: Not only does his wife (January Jones) no longer recognize him, but a stranger (Aidan Quinn) has apparently taken over his identity. With assassins chasing him and the police unsympathetic to his story, Harris must reassemble his world piece by piece, helped only by the one person (Diane Kruger) who seems able to grasp his plight.