Cinema Addict - 2048 Rankings
Member Since: Nov 7, 2006
Location: Olathe, KS, USA
Bio: Read my full reviews here! http://mymoviemusings.wordpress.com
I like just about anything; I have my preferences (I find myself leaning towards crime, noir, and epics), but I'm not an extremely discriminate moviewatcher. Chances are, if it's a classic and/or well-received by most, I'll probably like it, so I guess I'm kind of predictable. I also love anything with great cinematography and gorgeous visuals; my very favorites are populated by-and-large with movies that are, among their other merits, pleasing to the eye.
|4 T8||The Lost City of Z (2016) - Apr 22, 2017
"A classicist adventure film, the subtle surface pleasures of which conceal a whirling eddy of emotions: the simultaneity of discovery and destruction, the loss of youth and innocence, the fear and freedom of the unknown, the insatiable appetite for what remains tantalizingly beyond our grasp...It's a throwback period picture with a restrained contemporary sensibility, wedding the promise of adventure to the bittersweet nostalgia of a Malick film, Eden sought and lost in the same breath. "
|3 T6||Never Let Me Go (2010) - Apr 21, 2017
"An elegiac portrait of lost youth and innocence that is too frustratingly allusive for its own good; it's a story that should either have been twice as long, to further our impression of these characters and deepen the emotional resonance of their plight, or half as expository, to make us feel more keenly the barely-remembered nostalgia in which it trades. Still, I really enjoyed it, and for my complaints, it's a unique premise given a thoughtful and beautiful treatment."
|4 T8||Polytechnique (2009) - Apr 21, 2017
"Polytechnique pulls off the tricky feat of filming a massacre with enough finesse to avoid either pulling its punches or reveling in the horrific brutality of the ordeal, as well as effectively other-izing the perpetrator of the massacre while maintaining the dignity of the his victims. It's an impressive balancing act, all the more important for what heavy material he's dealing with. "
|4 T8||Sorcerer (1977) - Apr 18, 2017
"One of the most tactile films I've ever seen; every frame seems to drip with rain, sweat, grime, mud, and blood. The environment, so hostile and overwhelming to the protagonists, seems to pulse off the screen. It takes a while to get going, but boy, once it does...that bridge sequence is jaw-dropping. "
|4 T8||Rushmore (1998) - Apr 16, 2017
"Interesting to finally see Wes Anderson's breakthrough all these years later, as he's burrowed deeper and deeper into fussy artifice in later films. Ironically, this had the effect of making Rushmore feel fresh and novel, more natural and spontaneous and every bit as funny and charming as his later work, if perhaps not quite as polished or emotionally affecting as my favorites of his. "
|3 T6||The Eyes of My Mother (2016) - Apr 13, 2017
"A horror film as if directed by Bela Tarr, or perhaps Michael Haneke circa The White Ribbon: slow, austere, grim, oppressively dark, shot in a high-contrast black-and-white to emphasize its otherwordliness as the characters violently grapple with each other at the edge of the world. As much as anything, about the internalized misogyny women are capable of carrying due to the circumstances of their adolescence."
|4 T8||Black Robe (1991) - Apr 13, 2017
"Wants for a strong central character off of which to bounce its ideas about religion and ethics, but nonetheless an unusually thoughtful and serious film examining the relationship between missionaries and their charges. Its portrayal of the Quebecois natives may not be precisely authentic, but it does treat them far more humanely and respectfully than most films of this ilk. I'm a sucker for films about the unconquered wilderness, and this is a strong entrant in that field."
|4 T8||The Hudsucker Proxy (1994) - Apr 08, 2017
"I suppose the broadness of the comedy is one reason this film has gone overlooked in the Coen catalogue, but it feels of such a piece with their usual sensibilities that I can't understand why fans wouldn't take great pleasure in it all the same. Perhaps it's because I'm a sucker for its milieu, particularly the fantastic Art Deco designs and the riffs on 50s archetypes. The wordplay alone would make this well worth watching."
|4 T8||The Thin Blue Line (1988) - Apr 06, 2017
"Beyond its thorough accounting of an horrifying miscarriage of justice, The Thin Blue Line is a testament to the ability of documentary to be every bit as cinematic, as gripping as fiction. Morris shows that he's capable of far more than simply filming talking heads."
|3 T6||Born in Flames (1983) - Apr 05, 2017
"Members of the Democratic Party in 2017 should be forced to watch this, Clockwork Orange-style, until they learn three important lessons: 1) racism and sexism are intrinsically tied to class; 2) direct, sometimes violent, action is vital and necessary; 3) for god's sake, unify."