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0 film ratings

Criticker Zealot - 5899 Film Ratings

Member Since: Oct 21, 2007

Location: Copenhagen, Denmark

Age: 35

Gender: Male

Bio: My ratings explained:

95-100: Masterpieces and favorites
85-90: I loved it
75-80: Recommended
70: I liked it quite a bit
60: Pretty good
55: Average (or, I'm undecided)
40-50: Watchable
30: Bad
20: Terrible
0-10: Hopeless and/or offensive

I post all of my mini-reviews to, and I keep track of my favorite films at
more Featured Reviews
96 99% Donnie Darko (2001) - Sep 24, 2009
"This movie is special. At its heart Kelly's film is, I think, about teenage anxiety but on top of that he throws themes of destiny and faith which he explores in very original ways (predestined paths and time travel, satirizing self-help gurus and reductive teaching practices). All is done with considerable style. The musical montages are, for instance, quite impressive. Kelly's vision is deliciously weird and overwhelmingly ambitious but, at the same time, easy to consume and very rewatchable."
55 40% Dunkirk (2017) - Jul 20, 2017
"Impersonal. It's by design, but it's a mistake. For 'Dunkirk' plays more like a disaster movie than a war movie, and I needed a character to latch on to. Between Nolan's admittedly effective visual bombardments of my senses, and whenever Zimmer's woefully distracting and catastrophically overused score pulled me out of the experience, I found myself getting frustrated that I was unable to connect with it. Skillful though the editing may be, it fails to disguise the fact that the story is so-so."
60 51% The Sound of Music (1965) - Mar 11, 2011
"♫ pre-dict-able plot-lines and chea-sy ro-man-ces ♫ o-ver-hyped clas-sics and mu-si-cal dan-ces ♫ wild-ly an-noy-ing small chil-dren who sing ♫ that will ne-ver be my fa-vo-rite thing (... but, hey, on the other hand, it's hard to truly hate this.)"
100 99% Fight Club (1999) - Feb 02, 2012
"If it were possible to reexperience one film for the first time, I'd choose this. In terms of style Fincher is obviously peerless. The fusion of his edginess and wry humor with Pahlaniuk's discerning social commentary is dangerously perfect. Norton is utterly brilliant (beating himself up routine, voice-over) and - once you've gotten over the most knockout-awesome use of unreliable narration ever - the quality of his performance adds poignancy to what underneath all the attitude is a love story."
90 97% Coco (2017) - Mar 01, 2018
"Beautiful, both visually and thematically, and simply a joy to watch."
95 98% A Separation (2011) - Dec 02, 2011
"Accessible and engaging. Farhardi shows that what's practical must sometimes take precedence over an ideal when one is forced to prioritize conflicting responsibilities (church, state, family, integrity). Trusting the power of the moral predicaments, he avoids sentimentality and draws exquisite performances. His multifaceted story - both culturally specific and universally relatable - is told elegantly, with perfect unity. An empathetic glimpse into the complicated lives of realistic characters."
90 97% Winter Sleep (2014) - Jan 15, 2015
"Excellent from beginning to end. The play-like dialogues are flawlessly acted, and they stay captivating because of the brilliant writing which intertwines the complex study of an interesting character with relevant observasions on human psychology, ethical conundrums and class differences."
95 98% The Tree of Life (2011) - Sep 21, 2011
"An original and often mesmerizing coming-of-age ode, providing intimacy and personal perspective. McCracken is brilliant. Malick and Lubezki stunningly let us share his childhood, presenting family dynamics, formative years and the beauty of enjoying everyday life. The setup about ways of living seems reductive initially but they are, I gather, merely ideals thrust upon Jack, serving as a tool for organizing his trip down memory lane. I'll choose the way of grace and forgive the nature sequence."
30 11% Joy (2015) - Jan 06, 2016
85 93% Manchester by the Sea (2016) - Jan 23, 2017
"A kick in the guts. The story structure (flashbacks triggered by places and memories) is elegant, and Affleck - who owns the role as a chronically devastated wreck of a man - almost surpasses his work in 'The Assassination of Jesse James...'. By the way, if 'Manchester by the Sea' has you buttered up for even more pain and awkwardness and raw emotion, then look no further than Lonergan's previous work, 'Margaret'."