Celluloid Junkie - 2733 Rankings
Member Since: Jun 29, 2007
Location: Los Angeles, California, USA
Bio: After a fairly Lynchian childhood in an American suburb, I moved to Japan at 13, saw foreign film, and it destroyed my fragile little mind. Now forever damaged, I live in LA, have degrees in Cinema and Religion, a Masters in Information Science, and watch too many films in between writing projects. Life goals: direct a film, and see a UFO.
|81 T8||Ancient Aliens (2009) - Oct 26, 2015
"COULD IT BE [insert hand gesture] that, hidden away from the furthest reaches of respectable scientific inquiry [pan to ruins of Puma Punku], this show piques SOME... KIND... of legitimate interest in real archaeology, linguistics, classics, & history? Some Ancient Astronaut theorists say Yes. [Insert CGI UFO over Giza Plateau] Further proof can be found by looking at the renewed interests in ancient artifacts [insert CGI glowing Ark of the Covenant], & the editing techniques... of other shows."
|90 T9||The Dark Knight Rises (2012) - Jul 30, 2012
"An overwhelmingly oppressive film on many different levels. Its penchant for melodrama over supreme logic makes sense for a film of its masked caliber - what was surprising for a comic opera, then, was every characters' recurring self-acknowledgement that they are acting out of very specific ideals, representing them, becoming walking synecdoches of some larger puzzle that generations from now will be piecing together for us. That it's also somehow a blockbuster makes this a frightening success."
|82 T8||Martha Marcy May Marlene (2011) - Dec 10, 2012
"Too many "cult" films focus on propaganda as if there are keywords that cause all who listen to them to fall prostrate at a masochist's feet. MMMM rightly revolves around three elements instead: emotion, ambiguity, & their intersection. A difficult subject, but Durkin makes it work because, like Hawkes' character, you feel immediately as if you are in good hands, and then it messes with you in deep and frightening ways. It's a beautiful debut film that will continue to say more with time passing"
|99 T10||My Darling Clementine (1946) - Apr 17, 2017
"Kurosawa once said My Darling Clementine is a template for what films can be - and it's hard to disagree with the sensei. Bridges myth and history, allegory and humanity, in a way only the great foundational fables can. Intervening years of romanticism and cynicism have not diluted its power in the slightest. "
|98 T10||Simon of the Desert (1965) - Dec 07, 2008
"SOTD is truncated, incomplete, and barely known - but it is the one Bunuel film I continually return to. This has something genuine to say about the falseness of altruism, the relationship between Man and God, and the death of the Enchanted Age. Or I'm reading too much into it. God bless Bunuel."
|98 T10||Videodrome (1983) - Sep 09, 2008
"All of Cronenberg's fascinations/obsessions, predominately his anxiety about society's influence over the body, only become more significant and horrifying in hindsight. My favorite films (of which this is one of them) leave me feeling as if it is a complete entity; nothing should or could be added or excised to make a more compelling feature. You could write books over what happens in this 80-min film."
|100 T10||A Serious Man (2009) - Feb 20, 2010
"A modern-day Job, but in this variation, despite the same pleading and anger due to surreal happenstance, God has no voice to rebut either the 3 rabbis or poor Larry. What does that mean? I dunno. Jefferson Airplane."
|99 T10||The Magician (1958) - Sep 12, 2010
"A black comedy mocking, of all things, the post-Reformation debate between reason and superstition - but here told through sex, drag, a ghost who won't quite die, a Papageno wannabe and a 220-year-old witch. While the Magician's facades (and the cinematic trappings that help him along) all dissolve by the film's end, does that mean reason wins? Kinda. Not really. Sometimes all you can do is laugh."
|8 T1||High School Musical (2006) - Sep 11, 2008
"Music that wants to be a musical. Works surprisingly well as a horror film."
|84 T9||Jacob's Ladder (1990) - Jan 11, 2010
" "It is easy to go down to hell; Night and Day the Gates of Dark Death stand wide; But to climb back up again, to retrace ones steps to the open air, there lies the problem, the difficult task." -Virgil, The Aeneid, Book VI. Yet, "The mind is its own place, and in itself Can make a heaven of hell, a hell of heaven." -John Milton. The film's pluses and minuses lie in the contradiction."