Celluloid Junkie - 2814 Film Ratings
Member Since: Jun 29, 2007
Location: Los Angeles, California, USA
Bio: After a fairly Lynchian childhood in an American suburb, I moved to Japan at 13, saw foreign film, and it destroyed my fragile little mind. Now forever damaged, I live in LA, have degrees in Cinema and Religion, a Masters in Information Science, and watch too many films in between writing projects. Life goals: direct a film, and see a UFO.
Check out Mentaculus's...
|94 94%||Toy Story 3 (2010) - Jun 23, 2010
"Pixar is the only American animation studio that can take some of our most iconic characters, have them swim in existentialism, get tortured by a villain who refuses redemption, and send them to a literal hell and back - but do it with such undeniable tact, grace and aplomb nobody even bats an eye. Actually, it might make the ending that much more stirring. It's a good thing there are credits videos for those... um, other people, clearly... who teared up."
|82 77%||Nazarín (1959) - Aug 19, 2011
"I can see it now: When I die and go to heaven, after I pass over the threshold and catch up with all the souls from life - who will I see but Bunuel, sipping a dry martini and arguing passionately with Michael over some arbitrary theological definition of the Eucharist. I'll introduce myself, we'll talk about his art. Then he'll take me aside, out of earshot of the saints, and whisper earnestly, "How the fucking hell did I get here?""
|94 94%||Secret Sunshine (2007) - Jun 13, 2012
"Exhausting. This should be used in Christian circles - not to show the damnation of the faith, because it never goes down that rabbit hole; nor as propaganda, because the Church in many ways exacerbates Sin-ae's suffering. But that's why it should be seen. What Chang-dong Lee is showing is a person's slow mutation of insufferable grief into pride, and the community's part to play in the matter. Lee's getting to the point using only a few performances and nuanced cinematography is masterful."
|42 16%||Noah (2014) - May 11, 2015
"The entirety of my viewing I kept asking myself Why this was made. It's too off-script for a Christian audience, too religious for the blockbuster audience, too mystical for the Jewish audience, too campy for the adults and too adult for the kids. Luckily time will wash this one away as a mistake. On the plus side, Nick Nolte has finally been typecast as a rock. "
|68 48%||9 (2009) - May 29, 2011
"A movie for 13 year old philosophers, regressed Marxist sociologists, or Taoist paranoid schizophrenics. The story's simplicity of narrative and character was refreshing, as was its brutally frank depiction of death. But it felt like it was far too broad for what was clearly going to be a niche story with a small audience - and ultimately the film pleases no one."
|97 97%||Barry Lyndon (1975) - Sep 08, 2008
"Basically, Barry Lyndon is like walking through an art gallery, and each painting gives you just that much more of the story. I love the veneer of artifice (hinting at class divisions) that permeates the dialogue and narration, which is only underscored by the natural lighting and costumes: there's no romanticism here, everyone's simultaneously butt-ugly and beautiful. And I don't care how long this is, if you get swept up in the visual aura, this can be 8 hours long and still a joy to behold."
|80 72%||Retribution (2006) - May 24, 2010
"Fascinating as it completely summarizes Kurosawa's previous work, going so far as to copy, shot-for-shot, a glorious scene from Pulse. But it's not so much a retread as a potent embodiment of the director's obsessions. The murders are merely a parenthesis in a story of urban decay, moral morass (pun intended) and a worldview - closer here than ever before - about to teeter off the edge towards a personal and grand apocalypse. Very recommended."
|84 80%||Jacob's Ladder (1990) - Jan 11, 2010
" "It is easy to go down to hell; Night and Day the Gates of Dark Death stand wide; But to climb back up again, to retrace ones steps to the open air, there lies the problem, the difficult task." -Virgil, The Aeneid, Book VI. Yet, "The mind is its own place, and in itself Can make a heaven of hell, a hell of heaven." -John Milton. The film's pluses and minuses lie in the contradiction."
|90 89%||Dracula (1992) - Jul 05, 2017
"In my 30 years of living, I have never before finished this - I always turn it off somewhere, disgusted. After finally forcing myself through, I firmly believe this is one of the most vile and evil films ever made, hyperbole duly noted. The film's logic - as if in a fever dream of a terminal patient, or in the last involuntary synapses of a man dying mid-coitus - shuns all Good in service of Love. The film's "deficiencies", I think, are distractions for the subversive moral. It's mad genius."
|99 98%||My Darling Clementine (1946) - Apr 17, 2017
"Kurosawa once said My Darling Clementine is a template for what films can be - and it's hard to disagree with the sensei. Bridges myth and history, allegory and humanity, in a way only the great foundational fables can. Intervening years of romanticism and cynicism have not diluted its power in the slightest. "