Celluloid Junkie - 2931 Film Ratings
Member Since: Jun 29, 2007
Location: Los Angeles, California, USA
Bio: After a fairly Lynchian childhood in an American suburb, I moved to Japan at 13, saw foreign film, and it destroyed my fragile little mind. Now forever damaged, I live in LA, have degrees in Cinema and Religion, a Masters in Information Science, and watch too many films in between writing projects. Life goals: direct a film, and see a UFO.
Check out Mentaculus's...
|20 4%||Godsend (2004) - Sep 10, 2008
"My (now-)wife and I almost stopped dating after seeing this in theatres. It was so dumb and so boring, we didn't make out, we were in so much awe at its badness. Leaving, we barely spoke. I puked up the Joe's Crab Shack later that evening. We've never gone back to Joe's Crab Shack. I've never seen the movie again. We married in spite of this evening."
|80 72%||Retribution (2006) - May 24, 2010
"Fascinating as it completely summarizes Kurosawa's previous work, going so far as to copy, shot-for-shot, a glorious scene from Pulse. But it's not so much a retread as a potent embodiment of the director's obsessions. The murders are merely a parenthesis in a story of urban decay, moral morass (pun intended) and a worldview - closer here than ever before - about to teeter off the edge towards a personal and grand apocalypse. Very recommended."
|90 89%||Kuruizaki sanda rodo (1980) - Jun 02, 2015
"One can easily name off the film's clear progeny: Miike, Otomo, Kitano, Anno, Tsukamoto, Sono, Kurosawa, Yukisada. And it's easy to see why. From its opening moments, its raw, unrestrained, angsty energy is viral, and ultimately, its primary theme. Yet despite the pedigree it inspired and left in its wake, Crazy Thunder Road is its very own stray and rabid dog, and ultimately a sensation, requiring Western rediscovery."
|94 94%||Samurai Rebellion (1967) - Jan 24, 2009
"I'll have to disagree with most here and say that the social dilemma of the film - beauracratic traditionalism vs. the sanctity of the family unit - is just as heartbreaking and wraught as Kobayashi's other works. This is Sirk with katanas; this heightened family melodrama is underscored by the incredible B&W cinematography, and showcases one of society's most universal follies. The extended-family-encounter scene is as brilliantly staged and handled as the more action-heavy ending."
|76 64%||Stone (2010) - Oct 15, 2011
"The conceit - the effects on a man's soul when regret, pride, arrogance and faith get thrown into a blender and set on 'puree' - is absolutely singular for a studio film. Especially one as expertly acted and well crafted as this. Yet the ending just ends. And whatever the reason (probably a weighty, pretentious one), it leaves a bad taste in your mouth. But I still want to recommend it as a bizarre, obscure film about the effects of faith on the faithless, which is a rare thing."
|80 72%||House (1977) - Mar 16, 2010
"I'm not going to pretend this is a good movie. It's not. It actually has to remind you at the beginning, "A Movie! House!" in case you get confused. But what it is is audiovisual insanity of the highest order: the absolute contempt for genre and script (horror/Toei Pink) creates an onslaught of editing and directorial experimentation not seen since the days Nikkatsu kicked Suzuki out on his ass for doing something new. Not a film; an experience."
|99 98%||My Darling Clementine (1946) - Apr 17, 2017
"Kurosawa once said My Darling Clementine is a template for what films can be - and it's hard to disagree with the sensei. Bridges myth and history, allegory and humanity, in a way only the great foundational fables can. Intervening years of romanticism and cynicism have not diluted its power in the slightest. "
|30 8%||The Fate of the Furious (2017) - Nov 10, 2018
"Possibly the douchiest movie in the history of douchebaggery. The first F&F was The Favorite Movie of my wife’s boyfriend before we dated, and he was a douchebag. Every plot point - from Charlize as a dreads-wearing crocodile at the world’s wettest watering hole to some contrived second Cuban Missile Crisis - is so desperate to appeal to his divine level of doucheness it can’t even succeed at full douche-attainment. It’s a Catch-22 of douche. I hope he enjoys it."
|88 87%||Jane Eyre (2011) - Mar 20, 2011
"The first filmed version of the novel that thoroughly understands the Gothic in its source. By turns frighteningly romantic and sublimely atmospheric - everything about the production is so solid the deep complexities in the story appear effortless. What deserves an even more honorable mention is the cinematography that lingers in the dark corners of the castle and the bags under Rochester's eyes more than the charm of Victorian gardens."
|10 1%||Highlander II: The Quickening (1991) - Nov 03, 2010
"Writer to Studio Exec: "OK, so the Immortals are actually Aliens." Exec: "What about the first movie?" W: "What first movie? Anyway, it's the future, and McLeod is old, but he has to fight an evil corporation from hiding the ozone layer from them." Exec: "He's old? Isn't he immortal?" W: "He is immortal!" Exec: "OK, I'll give you $35 million. Just steal more ideas from Blade Runner and Logan's Run if you need anything.""