Film Freak - 720 Film Ratings
Member Since: Mar 7, 2015
Bio: i watch movies and write mini-reviews:
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|80 81%||BlacKkKlansman (2018) - Aug 26, 2018
"Jarringly constructed but-often as a result-always compelling: Great soundtrack and creative cinematography in tow, both director and protagonist "infiltrate hate," at times with deathly seriousness and scathing condemnation and at others simply laughing in its face. True to its rollercoaster form, the devastating coda makes it clear that the undercover mission's far from over (and possibly casts doubt on its effectiveness) but the gorgeous early dance scene provides a vision of a happy ending."
|80 81%||The Thing (1982) - Oct 12, 2019
"Here's the thing (sorry not sorry), this would've been a good movie even without those glorious and gutsy practical effects: the slow-burning plot of discovery and suspicion, the freezing Antarctica setting, the simmering tension and subtle chills of the ambiguous ending ("Why don't we just wait here for a little while, see what happens?"). But then you add in a cavity with teeth (hah), a spider-head ("You gotta be fuckin' kidding"), and an octopus dog and The Thing goes from good to great."
|30 0%||Animal House (1978) - Jan 03, 2019
"Ha ha! Look at the silly boy under the bleachers violate a woman's privacy! Ha ha! Look at the silly virgin consider raping a passed out girl and then get called "homo" when he chooses not to! Ha ha! Look at the silly friends run away screaming from the scary black people! Ha ha! What a bunch of goofballs! Get the fuck outta here, Animal House. Dumb and mischievous protagonists are funny (see the cafeteria load-up, courtroom contrast), ones with a disturbing disregard for others are not."
|85 92%||The Lighthouse (2019) - Oct 30, 2019
"Superhero movies are a treat to watch in the theatre to be sure, but this movie was a true feast (no need to call upon Triton, Eggers, I loved your cooking). Every shot is a marvel, matched by the exquisite sound design and fantastic dialogue as together they capture all the madness, mystery, dark humour, and weathered nature of the two memorable leads and the wild setting they occupy. The cyclical story starts to feel a little soggy 2/3s of the way in, but the searing climax makes up for it."
|90 97%||Monsters, Inc. (2001) - Jul 08, 2019
"Hilarious (high-energy, wise-cracking Mike is an absolute [actual] ball-"Roz, my tender, oozing blossom"-and has great chemistry with amiable big guy Scully) and heartfelt (I felt my heart melting at that final shot; Boo was absolutely adorable), with a clever premise that serves as the vehicle for a brilliant thematic thread commenting on the (actual) power of love, laughter, and creativity in the face of division, fear-mongering politics, and resignation to an unethical system of economics. "
|75 64%||Boogie Nights (1997) - Oct 04, 2019
"I dunno, amidst all its characters and plot lines, in the end it lacks a certain, ahem, thrust, with no clear arc or, heh, climax to speak of (the hypnotic back-and-forth between limo and truck came close but didn't quite land). That said, its "slice of life" structure is certainly done very well, with the majority of its many characters and scenes quite memorable and mull-worthy (Reilly's earnest Reed and the dramatic/comedic drug deal probably top the list). Great music and camerawork too."