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Simon of the Desert
Simon, a deeply religious man living in the 5th century, wishes to be nearer to God, so he lives on top of a column, where he fights a struggle against the temptations offered to him by Satan.
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Paul Blart: Mall Cop 2
Paul Blart is headed to Las Vegas to attend a Security Guard Expo with his teenage daughter, Maya, before she departs for college. While at the convention, he inadvertently discovers a heist -- and it's up to Blart to apprehend the criminals. (imdb)
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Martin
A young man, who believes himself to be a vampire, goes to live with his elderly and hostile cousin in a small Pennsylvania town where he tries to redeem his blood-craving urges. (imdb)
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Silver Streak
On a long-distance train trip, a man finds romance but also finds himself in danger of being killed, or at least pushed off the train. (imdb)
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Nevada Smith
A naive half-Indian, half-white man evolves into a hardened killer as he tracks down his parents' murderers. (IMDb)
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In This World
This film follows the hazardous journey of two Afghan boys as they travel from Pakistan through Iran, Turkey, Italy, France and the UK in search of refuge in London. (Sundance Film Series)
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The Blair Witch Project
On October 21, 1994, Heather Donahue, Joshua Leonard and Michael Williams hiked into Maryland's Black Hills Forest to shoot a documentary film on a local legend, "The Blair Witch." They were never heard from again. One year later, their footage was found. The Blair Witch Project is their legacy. (Artisan Entertainment)
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[Rec] 2
The action continues from [Rec], with the medical officer and a SWAT team outfitted with video cameras are sent into the sealed off apartment to control the situation.
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Metallica: Some Kind of Monster
Three years in the making, this documentary provides a fascinating, in-depth portrait of the most successful heavy metal band of all time, as they faced monumental personal and professional challenges while recording their first studio album of original songs in five years. (IFC Films)
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The Gleaners & I
An intimate, picaresque inquiry into French life, as lived by the country's poor and its provident, as well as by the film's own director, Agnès Varda. The aesthetic, political and finally moral point of departure for Varda are gleaners, those individuals who pick at already-reaped fields for the odd potato, the leftover turnip, and in previous generations were immortalized by the likes of Millet and Van Gogh. (Zeitgeist Films)
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