Celluloid Junkie - 3901 Rankings
Member Since: Jan 6, 2010
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|40 T2||Inside Out (2015) - Jan 15, 2016
"Here's what really happened: Riley's parents were notorious drug dealers back in Minnesota but the Feds were closing in on them, so they sold all their furniture, skipped town and headed off to San Francisco to set up a meth lab. Figuring all the upheaval would make the obnoxiously upbeat Riley jittery they decided to switch her from Lithium to Valium, but the meds got mixed up in the move and they ended up giving her the DMT they had stashed in the glovebox for a special occasion. Poor Riley. "
|100 T10||There Will Be Blood (2007) - Sep 17, 2016
"There's so much to admire about this film: The striking cinematography and deftly handled editing, the weirdly discordant score, the utterly assured direction and first-rate camerawork, and of course Daniel Day-Lewis's towering performance. This is classic, powerfully cinematic storytelling at it's finest, and I'm confident it will still be watched and analysed a hundred years from now."
|0 T1||Moulin Rouge! (2001) - Mar 04, 2014
"I can't think of any reason this films existence can be justified other than as some sort of torture device. Put it on repeat and leave your prisoner in front of it for half a day and you'll have your information."
|50 T3||The Thin Red Line (1998) - Jan 06, 2016
""Okay boys, we have to take that bunker! Now it's not gonna be easy, but rest assured - oh look, a turtle". "
|0 T1||About Time (2013) - Mar 09, 2014
"Think of Groundhog Day. Now take away all the cleverness and originality, replace Bill Murray with someone with no personality, cobble together a string of embarrassingly unfunny scenes and lots of vomit-inducing sentimentality and you'll end up with this abortion. "
|0 T1||War Horse (2011) - Jan 13, 2012
"From the clumsy and overbearing music to the uneven and intrusive cinematography which mostly tries to ape the work of many John Ford classics, this is not much more than one badly thought out and embarrassing scene after another, with nary a thought given to characterisation past rough stereotyping and only a passing interest in reality."
|30 T2||American Sniper (2014) - Jan 08, 2015
"This felt like switching between Fox News and the Hallmark channel. Yes, it attempts to show the negative effects of war on soldiers, but only on American soldiers, and in an embarrassingly clunky way. The Iraqis have no voice in this film whatsoever - each one is portrayed as some sort of sneaky backstabbing savage; target practice for an ignorant hick and his buddies."
|0 T1||Warrior (2011) - Dec 31, 2011
"Bad Rocky knock-off with characterisations straight out of CSI Miami. By the end it's unintentionally hilarious in its hysterical determination to grip you by any means possible which here, because of the writers' complete lack of imagination, means we have a series of cliches from start to finish topped off with a laughable finale. Warrior makes all the Rocky films (including the really daft one set in Russia) seem like masterpieces of gritty realism and understatement."
|95 T10||Aparajito (1956) - Oct 14, 2016
"In my view this is the best film of the Apu trilogy. The dynamics between Apu and his mother are fascinating, as we recognise his abandonment of her will probably be the death of her, but also know that he must leave her in order to experience all the world has to offer. The scenes of his enlightenment far from their provincial village are bracing, and Ray captures the almost limitless potential of youth perfectly. Masterful filmmaking."
|85 T9||I Stand Alone (1998) - Feb 09, 2016
"With I Stand Alone, Gaspar Noe sets up a world that's utterly seedy and bleak, then introduces a character who leads such a grim and humourless existence that it can't fail to send the viewer into a deep funk. And then we're forced to see everything through the eyes of a protagonist that despises the whole human race. Now that's a scary position to be in, and makes this one of the more disturbing films around."