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|100 T10||Persona (1966) - Mar 27, 2011
"Exquisitely shot and featuring a terrifically raw performance by Bibi Andersson, this is Bergman's most concise and piercing examination of people teetering on the psychological brink. One of the most fascinating and engrossing films I've seen. "
|0 T1||Forrest Gump (1994) - Sep 03, 2015
"Fuck Forrest Gump, and everything it stands for. And if you stop to think about what it does stand for you may start to realise just how utterly noxious this film really is."
|0 T1||Moulin Rouge! (2001) - Mar 04, 2014
"I can't think of any reason this films existence can be justified other than as some sort of torture device. Put it on repeat and leave your prisoner in front of it for half a day and you'll have your information."
|10 T1||The Hobbit: An Unexpected Journey (2012) - Feb 10, 2014
"The most annoying character in the Lord of The Rings trilogy was the stupid dwarf. This film is full of stupid dwarves."
|0 T1||Warrior (2011) - Dec 31, 2011
"Bad Rocky knock-off with characterisations straight out of CSI Miami. By the end it's unintentionally hilarious in its hysterical determination to grip you by any means possible which here, because of the writers' complete lack of imagination, means we have a series of cliches from start to finish topped off with a laughable finale. Warrior makes all the Rocky films (including the really daft one set in Russia) seem like masterpieces of gritty realism and understatement."
|95 T10||Casino (1995) - Jan 06, 2010
"Goodfellas is great, but this is even better. The characters in Casino are much more interesting and fleshed out. From a motivational point of view there's really not much going on in Goodfellas beyond everyone wanting to make more money. In Casino it becomes more about power and control than just money, and the constantly shifting dynamic between Sam, Ginger, Nicky and Lester is fascinating (James Woods is brilliant too)."
|95 T10||Songs from the Second Floor (2000) - Mar 27, 2011
"Some will find this style of film intolerable, but I think its languid pace, combined with its long static shots and unfeasibly long takes perfectly illustrates how insignificant an impact most of us make on the world around us, and is wonderfully effective at portraying the stultifying banality of most peoples' existence. As an added bonus it's funny too. Watching these people muddle through life's bleakness and absurdities made me smirk often, and occasionally utter a muted guffaw."
|100 T10||There Will Be Blood (2007) - Sep 17, 2016
"There's so much to admire about this film: The striking cinematography and deftly handled editing, the weirdly discordant score, the utterly assured direction and first-rate camerawork, and of course Daniel Day-Lewis's towering performance. This is classic, powerfully cinematic storytelling at it's finest, and I'm confident it will still be watched and analysed a hundred years from now."
|95 T10||Aparajito (1956) - Oct 14, 2016
"In my view this is the best film of the Apu trilogy. The dynamics between Apu and his mother are fascinating, as we recognise his abandonment of her will probably be the death of her, but also know that he must leave her in order to experience all the world has to offer. The scenes of his enlightenment far from their provincial village are bracing, and Ray captures the almost limitless potential of youth perfectly. Masterful filmmaking."
|30 T2||American Sniper (2014) - Jan 08, 2015
"This felt like switching between Fox News and the Hallmark channel. Yes, it attempts to show the negative effects of war on soldiers, but only on American soldiers, and in an embarrassingly clunky way. The Iraqis have no voice in this film whatsoever - each one is portrayed as some sort of sneaky backstabbing savage; target practice for an ignorant hick and his buddies."