Celluloid Junkie - 3915 Rankings
Member Since: Jan 6, 2010
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|0 T1||Forrest Gump (1994) - Sep 03, 2015
"Fuck Forrest Gump, and everything it stands for. And if you stop to think about what it does stand for you may start to realise just how utterly noxious this film really is."
|85 T9||I Stand Alone (1998) - Feb 09, 2016
"With I Stand Alone, Gaspar Noe sets up a world that's utterly seedy and bleak, then introduces a character who leads such a grim and humourless existence that it can't fail to send the viewer into a deep funk. And then we're forced to see everything through the eyes of a protagonist that despises the whole human race. Now that's a scary position to be in, and makes this one of the more disturbing films around."
|100 T10||The White Ribbon (2009) - Mar 27, 2011
"There really aren't too many films these days that pack an emotional punch like The White Ribbon does, and it does so in a nicely understated way. The film oozes confidence, technical ability and pictorial elegance from every pore; the cinematography is beautiful, the pacing is precise and each and every performance is nailed perfectly. One of the very best films of the decade, or any other decade come to that."
|65 T5||Whiplash (2014) - Jan 06, 2015
"This could have been an absorbing portrait of the student-teacher dynamic, or maybe an intelligent rumination on the nature of creativity, or the abuse of power, but instead it heads off into 'Rocky' territory where merely wanting something badly enough and having a good work ethic guarantees results in the end - the most prevalent and tired theme in all of American mainstream films. Simmons is brilliant though."
|100 T10||There Will Be Blood (2007) - Sep 17, 2016
"There's so much to admire about this film: The striking cinematography and deftly handled editing, the weirdly discordant score, the utterly assured direction and first-rate camerawork, and of course Daniel Day-Lewis's towering performance. This is classic, powerfully cinematic storytelling at it's finest, and I'm confident it will still be watched and analysed a hundred years from now."
|95 T10||Songs from the Second Floor (2000) - Mar 27, 2011
"Some will find this style of film intolerable, but I think its languid pace, combined with its long static shots and unfeasibly long takes perfectly illustrates how insignificant an impact most of us make on the world around us, and is wonderfully effective at portraying the stultifying banality of most peoples' existence. As an added bonus it's funny too. Watching these people muddle through life's bleakness and absurdities made me smirk often, and occasionally utter a muted guffaw."
|95 T10||Winter Sleep (2014) - Jan 12, 2015
"Ceylan's pinpoint precise compositions of the stunning winter landscapes are breathtaking to behold and are the perfect backdrop for the icy atmosphere that's slowly revealed between the main players in this broody and insightful character study. Haluk Bilginer gives a great performance and he's ably supported by Melisa Sozen and Demet Akbag who play his resentful wife and bitter sister respectively. Film of the year."
|0 T1||Moulin Rouge! (2001) - Mar 04, 2014
"I can't think of any reason this films existence can be justified other than as some sort of torture device. Put it on repeat and leave your prisoner in front of it for half a day and you'll have your information."
|0 T1||War Horse (2011) - Jan 13, 2012
"From the clumsy and overbearing music to the uneven and intrusive cinematography which mostly tries to ape the work of many John Ford classics, this is not much more than one badly thought out and embarrassing scene after another, with nary a thought given to characterisation past rough stereotyping and only a passing interest in reality."
|40 T2||Inside Out (2015) - Jan 15, 2016
"Here's what really happened: Riley's parents were notorious drug dealers back in Minnesota but the Feds were closing in on them, so they sold all their furniture, skipped town and headed off to San Francisco to set up a meth lab. Figuring all the upheaval would make the obnoxiously upbeat Riley jittery they decided to switch her from Lithium to Valium, but the meds got mixed up in the move and they ended up giving her the DMT they had stashed in the glovebox for a special occasion. Poor Riley. "