Celluloid Junkie - 3663 Film Ratings
Member Since: Apr 6, 2009
Bio: Insatiable, omnivorous cinephile. For every film I watch, two more unwatched ones grow back in its place!
Check out astrakhan's...
|87 95%||The Secret of My Success (1987) - Apr 15, 2009
"This exciting caper flick mixes elements of Ferris Bueller, Working Girl and Back To The Future. Fox plays himself and the script offers up plenty of fun surprises and precarious escapades. Who doesn't like situations where a character has to change his clothes in an elevator every 5 minutes to play different identities? Another quality 80s family film which can sit on a par with John Hughes's best efforts of that decade. The only downer is the awful tacked-on deus ex machina ending."
|79 66%||Greenberg (2010) - Jun 19, 2010
"At times Stiller's portrayal of the confused and directionless Greenberg left me cold. I could identify but not buy into or sympathise with his self-destructive eccentricities. Eventually, though, the film's characters did grow on me. Well, with Greta Gerwig it was not that difficult. I left fairly satisfied with the film's conclusions, but perhaps not with its journey there. The highlight was some of the relationships and dialogues, which were genuinely touching and real. More please, Baumbach."
|85 93%||I Capture the Castle (2003) - Feb 28, 2010
"Immensely enjoyable, despite the story becoming a bit silly (too much book crammed into one film). The production values were top notch, cinematography and lighting in particular world class - stunning to look at. Props and costume really excelled themselves to bring the 1930s sparkling to life (with just a few anachronisms!) Superb casting and fine performances from all around, particularly Romola Garai, a "plain Jane" who the camera adores. A great depiction of teenage hormones and emotions."
|88 96%||Le Premier jour du reste de ta vie (2008) - Aug 18, 2009
"This film deals in universal issues of love, life, death and family that anyone can relate to. The lives of the protagonists are painted in such vivid detail, and their escapades are so emotionally fulfilling, that it creates an immersive experience which seems almost hyper-real. Huge credit to Bezonçon and all the cast for making such a satisfying coming-of-age movie, in fact five movies in one. Finally a modern French family is portrayed on the big screen, no holds barred. Great music too."
|82 85%||Tintin et le mystère de la toison d'or (1961) - Jan 12, 2010
"Delightful little adventure which will satisfy Tintin fans. The story is a class act, worthy of any Tintin book. The characters are suitably cartoonish and all look the part in a quirky way. The acting varies - Haddock and Calculus are superb, Tintin is energetic and quiffed but lacks that surprised/shocked expression from the comics, and Thomson & Thompson are a bit hopeless. Even Snowy gets his part to play, although the dog actor is unfortunately not as expressive as his cartoon counterpart."
|84 91%||Moon (2009) - Nov 09, 2009
"Really great minimalistic sci-fi debut; although the theme is not that complex, its exposition is spun out with great craft, allowing us to share the doubts of the main character while occupying an omniscient point of view. Humour is used well to alleviate the mood. At each plot point, the film seems to make exactly the right decision, and it's a pleasure to just sit back and be hand-held though to the end. The continuous "why?"s are all answered satisfactorily and with impeccable timing."
|88 96%||Bad Boy Bubby (1993) - Sep 21, 2009
"Totally bizarre, but in large parts brilliant. There are just a couple of parts where the script loses its way, which keep this from being a work of genius. The parts played as a fish-out-of-water comedy are stronger than the parts as a religious allegory or morality tale. But together they create a nice balance. The underlying subtexts in this Australian film are complex and plentiful - as are the laughs, and grimaces. Why is this film, and Nicholas Hope, not more widely known?"
|95 99%||Ward 13 (2003) - Apr 06, 2009
"Pure genius - and proof that an overactive sense of humour and a twisted mind are far more important than clay modelling skills when it comes to making a great stop-motion. The fantastic camera angles - reminiscent of Hitchcock, de Palma or Tarantino - show that the director has a true eye for cinema. For me this hilarious and thrilling film surpasses even the Oscar-winning achievements of Aardman."
|82 85%||Coldblooded (1995) - Mar 11, 2010
"Likeable for the minimalism and directness of its script, and for the relentlessly logical and emotionless world view of its central character. The humour is essentially black but tends more towards the quirky or weird. Good casting. Decent direction and production values despite the small scale of the film, a good example to budding filmmakers. The ending was slightly weak; the film seems to chicken out of having a message, after suggesting for quite a while that it is going to have one."
|78 57%||I Am Love (2010) - Apr 18, 2010
"Guadagnino brings fantastic camerawork and strong visuals reminiscent of Paolo Sorrentino. I loved his use of soft-focus, shallow depth-of-field photography with an abundance of natural light to show the intimacy of the romantic scenes. However I found the grandiose music off-putting and the script's grandiloquent brush strokes a bit pretentious - under all the posh trimmings the main course is a love story which is meaty enough to be a meal in itself. The soap opera ending was a disaster."