Celluloid Junkie - 3663 Film Ratings
Member Since: Apr 6, 2009
Bio: Insatiable, omnivorous cinephile. For every film I watch, two more unwatched ones grow back in its place!
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|92 98%||Living in Oblivion (1995) - Mar 30, 2010
"Right from scene 1 I could tell this was going to be brilliant. The portrayal of the endless frustrations and compromises of a low-budget film shoot is caricaturish, but also gloriously true to some real life experiences I have had. Film world outsiders can learn just how hard it is to make a film by watching this, and us insiders can laugh about the process. The performances are also superb across the board, particularly Steve Buscemi and Dermot Mulroney. DiCillo is a very underrated director."
|95 99%||Ward 13 (2003) - Apr 06, 2009
"Pure genius - and proof that an overactive sense of humour and a twisted mind are far more important than clay modelling skills when it comes to making a great stop-motion. The fantastic camera angles - reminiscent of Hitchcock, de Palma or Tarantino - show that the director has a true eye for cinema. For me this hilarious and thrilling film surpasses even the Oscar-winning achievements of Aardman."
|82 85%||Tintin et le mystère de la toison d'or (1961) - Jan 11, 2010
"Delightful little adventure which will satisfy Tintin fans. The story is a class act, worthy of any Tintin book. The characters are suitably cartoonish and all look the part in a quirky way. The acting varies - Haddock and Calculus are superb, Tintin is energetic and quiffed but lacks that surprised/shocked expression from the comics, and Thomson & Thompson are a bit hopeless. Even Snowy gets his part to play, although the dog actor is unfortunately not as expressive as his cartoon counterpart."
|77 49%||Micmacs (2009) - Nov 30, 2009
"What if Ocean's Eleven was remade by Terry Gilliam in France? You'd have Jean-Pierre Jeunet's "Micmacs a Tire-Larigot", a zany caper film about society's outsiders sticking it to the man. Very strange, but ultimately quite likeable and with a good anti-gun message. A tart with a heart."
|84 91%||Midnight in Paris (2011) - May 14, 2011
"A fun escapist adventure in which Allen tries to catapult us and himself into an alluring bygone world of fantasy and romance, but every time he comes close to making magic he is let down by his urge for silliness and buffoonery. The film is propelled largely by jazz music, costumes and name-dropping, a gimmick which brings regular laughs. But it also feels lightweight with a lot of loose ends. More of a sketched idea, than polished prose. Still it's one of his most entertaining films in years."
|78 57%||I Am Love (2010) - Apr 18, 2010
"Guadagnino brings fantastic camerawork and strong visuals reminiscent of Paolo Sorrentino. I loved his use of soft-focus, shallow depth-of-field photography with an abundance of natural light to show the intimacy of the romantic scenes. However I found the grandiose music off-putting and the script's grandiloquent brush strokes a bit pretentious - under all the posh trimmings the main course is a love story which is meaty enough to be a meal in itself. The soap opera ending was a disaster."
|88 96%||Bad Boy Bubby (1993) - Sep 21, 2009
"Totally bizarre, but in large parts brilliant. There are just a couple of parts where the script loses its way, which keep this from being a work of genius. The parts played as a fish-out-of-water comedy are stronger than the parts as a religious allegory or morality tale. But together they create a nice balance. The underlying subtexts in this Australian film are complex and plentiful - as are the laughs, and grimaces. Why is this film, and Nicholas Hope, not more widely known?"
|82 85%||Coldblooded (1995) - Mar 10, 2010
"Likeable for the minimalism and directness of its script, and for the relentlessly logical and emotionless world view of its central character. The humour is essentially black but tends more towards the quirky or weird. Good casting. Decent direction and production values despite the small scale of the film, a good example to budding filmmakers. The ending was slightly weak; the film seems to chicken out of having a message, after suggesting for quite a while that it is going to have one."
|84 91%||Moon (2009) - Nov 09, 2009
"Really great minimalistic sci-fi debut; although the theme is not that complex, its exposition is spun out with great craft, allowing us to share the doubts of the main character while occupying an omniscient point of view. Humour is used well to alleviate the mood. At each plot point, the film seems to make exactly the right decision, and it's a pleasure to just sit back and be hand-held though to the end. The continuous "why?"s are all answered satisfactorily and with impeccable timing."
|82 85%||Shrew's Nest (2014) - Jan 24, 2017
"A superior psychological horror - that genre the Spanish seem to be so good at recently - which turns into a bloodbath. The story is a slow burner, but its elements fit very nicely together. Macarena Gómez carries the film tremendously - she steals every scene she's in. The mise-en-scène also deserves plaudits, with crisp cinematography, a well-chosen colour palette, period detail, and lots of religious imagery and intense facial close-ups. Suspenseful, terrifying, and good to look at too."