<?xml version='1.0' encoding='ISO-8859-1'?>
<rss version='2.0' xmlns:content='http://purl.org/rss/1.0/modules/content/'>
 <channel>
  <title>Criticker: Recent Ratings</title>
  <link>https://www.criticker.com/</link>
  <description>A list of all the films StreetsAJed has rated at Criticker, ordered by rating date</description>
  <pubDate>Fri, 13 Nov 2026 23:43:56 +0000</pubDate>
  <language>en</language>
 <item>
  <title>Happy Little Bunnies (2021) - 80 - 13 Nov 2026</title>
  <link>https://www.criticker.com/film/Happy-Little-Bunnies/</link>
  <guid>Happy-Little-Bunnies-streetsajed</guid>
  <pubDate>Fri, 13 Nov 2026 00:00:00 +0000</pubDate>
  <description>StreetsAJed gave Happy Little Bunnies a rating of 80</description>
  <content:encoded>
   <![CDATA[
    <div style='margin:10px;border:1px #A3A3A3 solid;padding: 5px;'><img src='https://www.criticker.com/img/films/posters/80/Happy-Little-Bunnies.webp?v=1794613376' style='float:right;margin: 5px;' alt='Happy Little Bunnies'><span style='font-size:8pt;'>13 Nov 2026</span><br><b><a href='https://www.criticker.com/film/Happy-Little-Bunnies/'>Happy Little Bunnies (2021)</a></b><br><br><b>Rating:</b> 80<br><b>Percentile:</b> 83.8352<br><b>Review:</b> <i>I’m really, really not sure how to describe this. Or review it. It plays by no convention rules. Ostensibly, it’s about a man who goes to a psychiatrist because he’s suicidal and having nihilistic thoughts of harming others. Over time, the session turns dark, as the psychiatrist seems to be okay with amoral, selfish indulgence. Intercut with this are scenes of someone in a homemade bunny outfit killing random men. And the occasional cut to the di...</i><div style='clear:both;background-color: #A3A3A3; font-size:9pt; padding: 5px;'><a href='https://www.criticker.com/'>Criticker.com</a> - the Best Film Recommendations on the Net!</div></div>
    ]]>
  </content:encoded>
 </item>
 <item>
  <title>Slay Belles (2018) - 20 - 13 Nov 2026</title>
  <link>https://www.criticker.com/film/Slay-Belles/</link>
  <guid>Slay-Belles-streetsajed</guid>
  <pubDate>Fri, 13 Nov 2026 00:00:00 +0000</pubDate>
  <description>StreetsAJed gave Slay Belles a rating of 20</description>
  <content:encoded>
   <![CDATA[
    <div style='margin:10px;border:1px #A3A3A3 solid;padding: 5px;'><img src='https://www.criticker.com/img/films/posters/80/Slay-Belles.webp?v=1794613012' style='float:right;margin: 5px;' alt='Slay Belles'><span style='font-size:8pt;'>13 Nov 2026</span><br><b><a href='https://www.criticker.com/film/Slay-Belles/'>Slay Belles (2018)</a></b><br><br><b>Rating:</b> 20<br><b>Percentile:</b> 9.2908<br><b>Review:</b> <i>How did a movie only an hour and six minutes (and NINE MINUTES OF CREDITS) feel twice that? Let’s see … The three main characters are abrasive, obnoxious, unlikeable cliches that dress like a focus group’s idea of Suicide Girls doing harijuku cosplay. In other words, they don’t look or act like real people. Everybody puts “fuck” into every sentence, sometimes multiple times. They curse more than Andrew Dice Clay stubbing his toe. Film almost ever...</i><div style='clear:both;background-color: #A3A3A3; font-size:9pt; padding: 5px;'><a href='https://www.criticker.com/'>Criticker.com</a> - the Best Film Recommendations on the Net!</div></div>
    ]]>
  </content:encoded>
 </item>
 <item>
  <title>Scream Queens: Horror Heroines Exposed (2014) - 60 - 13 Nov 2026</title>
  <link>https://www.criticker.com/film/Scream-Queens-Horror-Heroines-Exposed/</link>
  <guid>Scream-Queens-Horror-Heroines-Exposed-streetsajed</guid>
  <pubDate>Fri, 13 Nov 2026 00:00:00 +0000</pubDate>
  <description>StreetsAJed gave Scream Queens: Horror Heroines Exposed a rating of 60</description>
  <content:encoded>
   <![CDATA[
    <div style='margin:10px;border:1px #A3A3A3 solid;padding: 5px;'><img src='https://www.criticker.com/img/films/posters/80/Scream-Queens-Horror-Heroines-Exposed.webp?v=1794612745' style='float:right;margin: 5px;' alt='Scream Queens: Horror Heroines Exposed'><span style='font-size:8pt;'>13 Nov 2026</span><br><b><a href='https://www.criticker.com/film/Scream-Queens-Horror-Heroines-Exposed/'>Scream Queens: Horror Heroines Exposed (2014)</a></b><br><br><b>Rating:</b> 60<br><b>Percentile:</b> 58.6767<br><b>Review:</b> <i>There are two archetypes of women important to the horror genre. One is in front of the camera, the Final Girl; the last survivor, the girl whose odyssey of horror transforms them into a steel warrior. The other is the Scream Queen, and this is the actress. They’re the iconic actresses of the industry. Elvira. Jamie Lee Curtis. Linnea Quigley. Lisa Wilcox. Danielle Harris. It’s a concept unique unto horror. It’s a typecasting of sorts, but one of...</i><div style='clear:both;background-color: #A3A3A3; font-size:9pt; padding: 5px;'><a href='https://www.criticker.com/'>Criticker.com</a> - the Best Film Recommendations on the Net!</div></div>
    ]]>
  </content:encoded>
 </item>
 <item>
  <title>The Worst of Faces of Death (1987) - 20 - 13 Nov 2026</title>
  <link>https://www.criticker.com/film/The-Worst-of-Faces-of/</link>
  <guid>The-Worst-of-Faces-of-streetsajed</guid>
  <pubDate>Fri, 13 Nov 2026 00:00:00 +0000</pubDate>
  <description>StreetsAJed gave The Worst of Faces of Death a rating of 20</description>
  <content:encoded>
   <![CDATA[
    <div style='margin:10px;border:1px #A3A3A3 solid;padding: 5px;'><img src='https://www.criticker.com/img/films/posters/80/The-Worst-of-Faces-of.webp?v=1794612333' style='float:right;margin: 5px;' alt='The Worst of Faces of Death'><span style='font-size:8pt;'>13 Nov 2026</span><br><b><a href='https://www.criticker.com/film/The-Worst-of-Faces-of/'>The Worst of Faces of Death (1987)</a></b><br><br><b>Rating:</b> 20<br><b>Percentile:</b> 9.2908<br><b>Review:</b> <i></i><div style='clear:both;background-color: #A3A3A3; font-size:9pt; padding: 5px;'><a href='https://www.criticker.com/'>Criticker.com</a> - the Best Film Recommendations on the Net!</div></div>
    ]]>
  </content:encoded>
 </item>
 <item>
  <title>Act of Violence (1949) - 70 - 13 Nov 2026</title>
  <link>https://www.criticker.com/film/Act-of-Violence/</link>
  <guid>Act-of-Violence-streetsajed</guid>
  <pubDate>Fri, 13 Nov 2026 00:00:00 +0000</pubDate>
  <description>StreetsAJed gave Act of Violence a rating of 70</description>
  <content:encoded>
   <![CDATA[
    <div style='margin:10px;border:1px #A3A3A3 solid;padding: 5px;'><img src='https://www.criticker.com/img/films/posters/80/Act-of-Violence.webp?v=1726841962' style='float:right;margin: 5px;' alt='Act of Violence'><span style='font-size:8pt;'>13 Nov 2026</span><br><b><a href='https://www.criticker.com/film/Act-of-Violence/'>Act of Violence (1949)</a></b><br><br><b>Rating:</b> 70<br><b>Percentile:</b> 71.9691<br><b>Review:</b> <i>I should love this.

The camera work is gorgeous, lush, and intoxicating. Every visual aspect of noir you expect to see and then some is in Act of Violence, but there&#039;s more than that. There are Wellesian touches and shots you&#039;d see in westerns. Act of Violence is the kind of  movie where it doesn&#039;t treat its visuals as a crutch, but instead as a crucial, informing piece of the movie itself., accentuating and complimenting the story.

The tone is excellent. There are no unwelcome intrusio...</i><div style='clear:both;background-color: #A3A3A3; font-size:9pt; padding: 5px;'><a href='https://www.criticker.com/'>Criticker.com</a> - the Best Film Recommendations on the Net!</div></div>
    ]]>
  </content:encoded>
 </item>
 <item>
  <title>Death of a Unicorn (2025) - 50 - 13 Nov 2026</title>
  <link>https://www.criticker.com/film/Death-of-a-Unicorn/</link>
  <guid>Death-of-a-Unicorn-streetsajed</guid>
  <pubDate>Fri, 13 Nov 2026 00:00:00 +0000</pubDate>
  <description>StreetsAJed gave Death of a Unicorn a rating of 50</description>
  <content:encoded>
   <![CDATA[
    <div style='margin:10px;border:1px #A3A3A3 solid;padding: 5px;'><img src='https://www.criticker.com/img/films/posters/80/Death-of-a-Unicorn.webp?v=1749984054' style='float:right;margin: 5px;' alt='Death of a Unicorn'><span style='font-size:8pt;'>13 Nov 2026</span><br><b><a href='https://www.criticker.com/film/Death-of-a-Unicorn/'>Death of a Unicorn (2025)</a></b><br><br><b>Rating:</b> 50<br><b>Percentile:</b> 43.5222<br><b>Review:</b> <i>This is the most Blumhouse-ass A24 movie has ever made.

A $15 million dollar budget (how) and it shows.

Paul Rudd playing every Paul Rudd character you&#039;ve ever seen.

Jenna Ortega playing every Jena Ortega character you&#039;ve ever seen.

Richard E. Grant playing every bad guy Richard E. Grant has ever played.

Tea Leoni barely trying at being the amoral rich matriarch.

Will Poulter trying too hard at being a generic trust-fund jag-off.

PS2-level CGI that looks worse than Pirate...</i><div style='clear:both;background-color: #A3A3A3; font-size:9pt; padding: 5px;'><a href='https://www.criticker.com/'>Criticker.com</a> - the Best Film Recommendations on the Net!</div></div>
    ]]>
  </content:encoded>
 </item>
 <item>
  <title>Coyote vs. Acme (2026) - 80 - 13 Nov 2026</title>
  <link>https://www.criticker.com/film/Coyote-vs-Acme/</link>
  <guid>Coyote-vs-Acme-streetsajed</guid>
  <pubDate>Fri, 13 Nov 2026 00:00:00 +0000</pubDate>
  <description>StreetsAJed gave Coyote vs. Acme a rating of 80</description>
  <content:encoded>
   <![CDATA[
    <div style='margin:10px;border:1px #A3A3A3 solid;padding: 5px;'><img src='https://www.criticker.com/img/films/posters/80/Coyote-vs-Acme.webp?v=1778771164' style='float:right;margin: 5px;' alt='Coyote vs. Acme'><span style='font-size:8pt;'>13 Nov 2026</span><br><b><a href='https://www.criticker.com/film/Coyote-vs-Acme/'>Coyote vs. Acme (2026)</a></b><br><br><b>Rating:</b> 80<br><b>Percentile:</b> 83.8352<br><b>Review:</b> <i>After this came out, I read reviews that said how surprisingly warm and emotional and inspiring the movie was. How it took a surprisingly complex situation -- the untouchable mega-corporation trying to bully the everyman in an effort to avoid justice -- and applied it to the Looney Tunes universe. That it was the best real world/animation blend since Roger Rabbit. I was prepared for a let-down. These movies that blow up big without initial studio backing have a hit-and-miss track record with ...</i><div style='clear:both;background-color: #A3A3A3; font-size:9pt; padding: 5px;'><a href='https://www.criticker.com/'>Criticker.com</a> - the Best Film Recommendations on the Net!</div></div>
    ]]>
  </content:encoded>
 </item>
 <item>
  <title>The Entity (1982) - 80 - 13 Nov 2026</title>
  <link>https://www.criticker.com/film/The-Entity/</link>
  <guid>The-Entity-streetsajed</guid>
  <pubDate>Fri, 13 Nov 2026 00:00:00 +0000</pubDate>
  <description>StreetsAJed gave The Entity a rating of 80</description>
  <content:encoded>
   <![CDATA[
    <div style='margin:10px;border:1px #A3A3A3 solid;padding: 5px;'><img src='https://www.criticker.com/img/films/posters/80/The-Entity.webp?v=1728310708' style='float:right;margin: 5px;' alt='The Entity'><span style='font-size:8pt;'>13 Nov 2026</span><br><b><a href='https://www.criticker.com/film/The-Entity/'>The Entity (1982)</a></b><br><br><b>Rating:</b> 80<br><b>Percentile:</b> 83.8352<br><b>Review:</b> <i>The ghost/haunting horror subgenre is one of very little ingenuity or variety. Ghosts haunt a place, make things fall off walls, frighten people, call in a psychic or something, arrive at some resolution, the end. There are outliers, of course; the all-out assault of Poltergeist, or flipping the perspective to the specter in I Am A Ghost and The Others.

The Entity takes a different route: what if the ghost haunts a person, wherever they go? And what if the ghost isn&#039;t just doing spooky, ha...</i><div style='clear:both;background-color: #A3A3A3; font-size:9pt; padding: 5px;'><a href='https://www.criticker.com/'>Criticker.com</a> - the Best Film Recommendations on the Net!</div></div>
    ]]>
  </content:encoded>
 </item>
 <item>
  <title>A Tale of Two Sisters (2003) - 50 - 13 Nov 2026</title>
  <link>https://www.criticker.com/film/A-Tale-of-Two-Sisters/</link>
  <guid>A-Tale-of-Two-Sisters-streetsajed</guid>
  <pubDate>Fri, 13 Nov 2026 00:00:00 +0000</pubDate>
  <description>StreetsAJed gave A Tale of Two Sisters a rating of 50</description>
  <content:encoded>
   <![CDATA[
    <div style='margin:10px;border:1px #A3A3A3 solid;padding: 5px;'><img src='https://www.criticker.com/img/films/posters/80/A-Tale-of-Two-Sisters.webp?v=1722694900' style='float:right;margin: 5px;' alt='A Tale of Two Sisters'><span style='font-size:8pt;'>13 Nov 2026</span><br><b><a href='https://www.criticker.com/film/A-Tale-of-Two-Sisters/'>A Tale of Two Sisters (2003)</a></b><br><br><b>Rating:</b> 50<br><b>Percentile:</b> 43.5222<br><b>Review:</b> <i>There are only so many plots for horror movies. Horror enthusiasts can rattle them off like sports fans can rattle off the starting line-up of their favorite team, and we know which ones do the formulas well, which ones do nothing but the formula, and which ones try to gussy it up with bells and whistles.

A Tale Of Two Sisters, sadly, falls into the third category. It is an absolutely lovely movie to look at. It is superbly acted.

But as soon as you see that the story revolves around a ...</i><div style='clear:both;background-color: #A3A3A3; font-size:9pt; padding: 5px;'><a href='https://www.criticker.com/'>Criticker.com</a> - the Best Film Recommendations on the Net!</div></div>
    ]]>
  </content:encoded>
 </item>
 <item>
  <title>Disconnected (1983) - 80 - 13 Nov 2026</title>
  <link>https://www.criticker.com/film/Disconnected/</link>
  <guid>Disconnected-streetsajed</guid>
  <pubDate>Fri, 13 Nov 2026 00:00:00 +0000</pubDate>
  <description>StreetsAJed gave Disconnected a rating of 80</description>
  <content:encoded>
   <![CDATA[
    <div style='margin:10px;border:1px #A3A3A3 solid;padding: 5px;'><img src='https://www.criticker.com/img/films/posters/80/Disconnected.webp?v=1766395127' style='float:right;margin: 5px;' alt='Disconnected'><span style='font-size:8pt;'>13 Nov 2026</span><br><b><a href='https://www.criticker.com/film/Disconnected/'>Disconnected (1983)</a></b><br><br><b>Rating:</b> 80<br><b>Percentile:</b> 83.8352<br><b>Review:</b> <i>There are two scenes that, I think, encapsulate Disconnected&#039;s ambition and construction.

The first scene is of its main character, Alicia. She has suffered a loss. She is at home shortly after the funeral, wearing only a long shirt and underwear. She is sitting in the couch, legs pulled up close to her chest, a glass of gin in her hand and the bottle nearby. She is crying, but we only see it. Any sound the scene might be expected to have is muted by a very loud ticking clock. It is gorgeo...</i><div style='clear:both;background-color: #A3A3A3; font-size:9pt; padding: 5px;'><a href='https://www.criticker.com/'>Criticker.com</a> - the Best Film Recommendations on the Net!</div></div>
    ]]>
  </content:encoded>
 </item>
 <item>
  <title>Cemetery Man (1994) - 80 - 13 Nov 2026</title>
  <link>https://www.criticker.com/film/Cemetery-Man/</link>
  <guid>Cemetery-Man-streetsajed</guid>
  <pubDate>Fri, 13 Nov 2026 00:00:00 +0000</pubDate>
  <description>StreetsAJed gave Cemetery Man a rating of 80</description>
  <content:encoded>
   <![CDATA[
    <div style='margin:10px;border:1px #A3A3A3 solid;padding: 5px;'><img src='https://www.criticker.com/img/films/posters/80/Cemetery-Man.webp?v=1719498374' style='float:right;margin: 5px;' alt='Cemetery Man'><span style='font-size:8pt;'>13 Nov 2026</span><br><b><a href='https://www.criticker.com/film/Cemetery-Man/'>Cemetery Man (1994)</a></b><br><br><b>Rating:</b> 80<br><b>Percentile:</b> 83.8352<br><b>Review:</b> <i>How does one review a movie so deliberately non-conformist as Cemetery Man? A movie that has only two main characters, but somehow has half a dozen subplots, all involving them, but no main plot or even a singular through-line beyond &quot;events revolve around the cemetery&quot;? How does one try to explain a movie that changes tones from erotic to sweet to darkly comedic to bleak to existential?

I&#039;m not sure. It is almost useless to discuss plot or character motivations or other nitty-gritty detai...</i><div style='clear:both;background-color: #A3A3A3; font-size:9pt; padding: 5px;'><a href='https://www.criticker.com/'>Criticker.com</a> - the Best Film Recommendations on the Net!</div></div>
    ]]>
  </content:encoded>
 </item>
 <item>
  <title>Goodnight Mommy (2015) - 40 - 13 Nov 2026</title>
  <link>https://www.criticker.com/film/Goodnight-Mommy/</link>
  <guid>Goodnight-Mommy-streetsajed</guid>
  <pubDate>Fri, 13 Nov 2026 00:00:00 +0000</pubDate>
  <description>StreetsAJed gave Goodnight Mommy a rating of 40</description>
  <content:encoded>
   <![CDATA[
    <div style='margin:10px;border:1px #A3A3A3 solid;padding: 5px;'><img src='https://www.criticker.com/img/films/posters/80/Goodnight-Mommy.webp?v=1719584832' style='float:right;margin: 5px;' alt='Goodnight Mommy'><span style='font-size:8pt;'>13 Nov 2026</span><br><b><a href='https://www.criticker.com/film/Goodnight-Mommy/'>Goodnight Mommy (2015)</a></b><br><br><b>Rating:</b> 40<br><b>Percentile:</b> 29.6157<br><b>Review:</b> <i>I love language. I&#039;m eternally fascinated by its intricacies and quirks. It&#039;s why, during the lifetime of George Carlin, many of my favorite routines of his revolved around language, like &quot;Hello &amp; Goodbye&quot; and &quot;Euphemisms&quot;. One aspect of language I find interesting is how synonyms can have implied differences. Listening and hearing both seem to be versions of the same verb, but there is an implied difference; one is the actual action of perceiving sound, and the other refers to actively payin...</i><div style='clear:both;background-color: #A3A3A3; font-size:9pt; padding: 5px;'><a href='https://www.criticker.com/'>Criticker.com</a> - the Best Film Recommendations on the Net!</div></div>
    ]]>
  </content:encoded>
 </item>
 <item>
  <title>Backrooms (2026) - 40 - 13 Nov 2026</title>
  <link>https://www.criticker.com/film/Backrooms-2026/</link>
  <guid>Backrooms-2026-streetsajed</guid>
  <pubDate>Fri, 13 Nov 2026 00:00:00 +0000</pubDate>
  <description>StreetsAJed gave Backrooms a rating of 40</description>
  <content:encoded>
   <![CDATA[
    <div style='margin:10px;border:1px #A3A3A3 solid;padding: 5px;'><img src='https://www.criticker.com/img/films/posters/80/Backrooms-2026.webp?v=1775277766' style='float:right;margin: 5px;' alt='Backrooms'><span style='font-size:8pt;'>13 Nov 2026</span><br><b><a href='https://www.criticker.com/film/Backrooms-2026/'>Backrooms (2026)</a></b><br><br><b>Rating:</b> 40<br><b>Percentile:</b> 29.6157<br><b>Review:</b> <i>I like my horror movies in one of two flavors: deep, rich stories with complex characters and a compelling narrative, or, in lieu of all that, a no-holds-barred roller coaster of carnage. Yes, there can be nuances and crossover, and yes, this is a bit of an over-simplification for illustration purposes, but the bottom line is simple: either make me think or make me white-knuckle the sofa.

What I do not want, what I cannot stand, is the movie that does neither. The movie that doesn&#039;t just r...</i><div style='clear:both;background-color: #A3A3A3; font-size:9pt; padding: 5px;'><a href='https://www.criticker.com/'>Criticker.com</a> - the Best Film Recommendations on the Net!</div></div>
    ]]>
  </content:encoded>
 </item>
 <item>
  <title>The Reflecting Skin (1990) - 20 - 13 Nov 2026</title>
  <link>https://www.criticker.com/film/The-Reflecting-Skin/</link>
  <guid>The-Reflecting-Skin-streetsajed</guid>
  <pubDate>Fri, 13 Nov 2026 00:00:00 +0000</pubDate>
  <description>StreetsAJed gave The Reflecting Skin a rating of 20</description>
  <content:encoded>
   <![CDATA[
    <div style='margin:10px;border:1px #A3A3A3 solid;padding: 5px;'><img src='https://www.criticker.com/img/films/posters/80/The-Reflecting-Skin.webp?v=1721572120' style='float:right;margin: 5px;' alt='The Reflecting Skin'><span style='font-size:8pt;'>13 Nov 2026</span><br><b><a href='https://www.criticker.com/film/The-Reflecting-Skin/'>The Reflecting Skin (1990)</a></b><br><br><b>Rating:</b> 20<br><b>Percentile:</b> 9.2908<br><b>Review:</b> <i>Some arrogant film student with a camera saw a David Lynch movie and thought he could imitate it, not understanding that Lynch actually built worlds and characters within his weirdness and wasn&#039;t just weird for the sake of it, and anyone who watches this vapid, empty, irritating, arrogant, phony garbage suffers for it. No matter what the description says, this ain&#039;t horror. It ain&#039;t even close. It&#039;s arthouse for the sake of arthouse nonsense. The scenery is pretty. The rest is incompetent, em...</i><div style='clear:both;background-color: #A3A3A3; font-size:9pt; padding: 5px;'><a href='https://www.criticker.com/'>Criticker.com</a> - the Best Film Recommendations on the Net!</div></div>
    ]]>
  </content:encoded>
 </item>
 <item>
  <title>The Love Hypothesis (2026) - 70 - 13 Nov 2026</title>
  <link>https://www.criticker.com/film/The-Love-Hypothesis/</link>
  <guid>The-Love-Hypothesis-streetsajed</guid>
  <pubDate>Fri, 13 Nov 2026 00:00:00 +0000</pubDate>
  <description>StreetsAJed gave The Love Hypothesis a rating of 70</description>
  <content:encoded>
   <![CDATA[
    <div style='margin:10px;border:1px #A3A3A3 solid;padding: 5px;'><img src='https://www.criticker.com/img/films/posters/80/The-Love-Hypothesis.webp?v=1790085547' style='float:right;margin: 5px;' alt='The Love Hypothesis'><span style='font-size:8pt;'>13 Nov 2026</span><br><b><a href='https://www.criticker.com/film/The-Love-Hypothesis/'>The Love Hypothesis (2026)</a></b><br><br><b>Rating:</b> 70<br><b>Percentile:</b> 71.9691<br><b>Review:</b> <i>Rom-coms are a lot like AC/DC albums.

AC/DC have seventeen albums over their fifty year career, and other than the necessary change in vocalist when Bon Scott passed away, you wouldn&#039;t know it listening to them. Every album has a song or two about how much they like rock and roll, a song or two about how much they like to perform rock and roll or how thoroughly they rock, and several songs about the love of women. AC/DC are not prone to musical exploration. They are dependable, a meat-and-...</i><div style='clear:both;background-color: #A3A3A3; font-size:9pt; padding: 5px;'><a href='https://www.criticker.com/'>Criticker.com</a> - the Best Film Recommendations on the Net!</div></div>
    ]]>
  </content:encoded>
 </item>
 <item>
  <title>Mausoleum (1983) - 20 - 13 Nov 2026</title>
  <link>https://www.criticker.com/film/Mausoleum/</link>
  <guid>Mausoleum-streetsajed</guid>
  <pubDate>Fri, 13 Nov 2026 00:00:00 +0000</pubDate>
  <description>StreetsAJed gave Mausoleum a rating of 20</description>
  <content:encoded>
   <![CDATA[
    <div style='margin:10px;border:1px #A3A3A3 solid;padding: 5px;'><img src='https://www.criticker.com/img/films/posters/legacy/Mausoleum.jpg' style='float:right;margin: 5px;' alt='Mausoleum'><span style='font-size:8pt;'>13 Nov 2026</span><br><b><a href='https://www.criticker.com/film/Mausoleum/'>Mausoleum (1983)</a></b><br><br><b>Rating:</b> 20<br><b>Percentile:</b> 9.2908<br><b>Review:</b> <i>For anybody reading who doesn&#039;t know the names Roger Corman and Charles Band, they are two legendary names in the horror community, due to their prolific contributions to the B-level (and sub-B-level) tier of movies. Band is the man behind Full Moon Productions, which was formed with the intent of making low-budget genre movies while trying to capture a big-time feel. Their late 80&#039;s and early 90&#039;s movies are the stuff of straight-to-video legend, with a production value that barely creeps ov...</i><div style='clear:both;background-color: #A3A3A3; font-size:9pt; padding: 5px;'><a href='https://www.criticker.com/'>Criticker.com</a> - the Best Film Recommendations on the Net!</div></div>
    ]]>
  </content:encoded>
 </item>
 <item>
  <title>Images (1972) - 40 - 13 Nov 2026</title>
  <link>https://www.criticker.com/film/Images/</link>
  <guid>Images-streetsajed</guid>
  <pubDate>Fri, 13 Nov 2026 00:00:00 +0000</pubDate>
  <description>StreetsAJed gave Images a rating of 40</description>
  <content:encoded>
   <![CDATA[
    <div style='margin:10px;border:1px #A3A3A3 solid;padding: 5px;'><img src='https://www.criticker.com/img/films/posters/80/Images.webp?v=1723645173' style='float:right;margin: 5px;' alt='Images'><span style='font-size:8pt;'>13 Nov 2026</span><br><b><a href='https://www.criticker.com/film/Images/'>Images (1972)</a></b><br><br><b>Rating:</b> 40<br><b>Percentile:</b> 29.6157<br><b>Review:</b> <i>A few weeks prior to watching Images, I saw Die My Love. It was, for me, an abject failure, portraying the downward spiral of a woman caught in the deepest throes of post-partum depression with both insulting hyperbole and clinical detachment. It is a movie incapable of generating sympathy for its lead character, as it was not designed to do so.

Images is that movie all over again, but with one crucial difference: Die My Love, for all the fault I found with it, at least tied a trigger to i...</i><div style='clear:both;background-color: #A3A3A3; font-size:9pt; padding: 5px;'><a href='https://www.criticker.com/'>Criticker.com</a> - the Best Film Recommendations on the Net!</div></div>
    ]]>
  </content:encoded>
 </item>
 <item>
  <title>Buffet Infinity (2025) - 60 - 13 Nov 2026</title>
  <link>https://www.criticker.com/film/Buffet-Infinity/</link>
  <guid>Buffet-Infinity-streetsajed</guid>
  <pubDate>Fri, 13 Nov 2026 00:00:00 +0000</pubDate>
  <description>StreetsAJed gave Buffet Infinity a rating of 60</description>
  <content:encoded>
   <![CDATA[
    <div style='margin:10px;border:1px #A3A3A3 solid;padding: 5px;'><img src='https://www.criticker.com/img/films/posters/80/Buffet-Infinity.webp?v=1791353782' style='float:right;margin: 5px;' alt='Buffet Infinity'><span style='font-size:8pt;'>13 Nov 2026</span><br><b><a href='https://www.criticker.com/film/Buffet-Infinity/'>Buffet Infinity (2025)</a></b><br><br><b>Rating:</b> 60<br><b>Percentile:</b> 58.6767<br><b>Review:</b> <i>It&#039;s entirely possible, even if you&#039;re a huge horror fan, to have not come across analog horror. It&#039;s a subgenre that mostly exists on YouTube. It&#039;s an offshoot of found footage, taking the form of old TV broadcasts. The story is relayed through broadcast signal intrusion, with visual static and old VHS-style graphics, is often cryptic about its overarching story, and told episodically (usually in videos a few minutes in length). Instead of going for outright terror, it usually more focuses o...</i><div style='clear:both;background-color: #A3A3A3; font-size:9pt; padding: 5px;'><a href='https://www.criticker.com/'>Criticker.com</a> - the Best Film Recommendations on the Net!</div></div>
    ]]>
  </content:encoded>
 </item>
 <item>
  <title>Primate (2026) - 30 - 13 Nov 2026</title>
  <link>https://www.criticker.com/film/Primate-2026/</link>
  <guid>Primate-2026-streetsajed</guid>
  <pubDate>Fri, 13 Nov 2026 00:00:00 +0000</pubDate>
  <description>StreetsAJed gave Primate a rating of 30</description>
  <content:encoded>
   <![CDATA[
    <div style='margin:10px;border:1px #A3A3A3 solid;padding: 5px;'><img src='https://www.criticker.com/img/films/posters/80/Primate-2026.webp?v=1767675810' style='float:right;margin: 5px;' alt='Primate'><span style='font-size:8pt;'>13 Nov 2026</span><br><b><a href='https://www.criticker.com/film/Primate-2026/'>Primate (2026)</a></b><br><br><b>Rating:</b> 30<br><b>Percentile:</b> 19.4929<br><b>Review:</b> <i>So, they took Cujo, moved it to Hawaii, populated it with vapid Gen Z&#039;er stereotypes instead of a mom and her kid, set in a palatial estate instead of a car in a rural driveway, and traded the car for a pool but gave the kids multiple opportunities to get out of the pool. And turned rabies into a super-virus that causes total infection in less than two days, and can make a chimpanzee sadistic, malevolent, and calculating. Oh, and with no explanation whatsoever, have rabies show up in Hawaii, ...</i><div style='clear:both;background-color: #A3A3A3; font-size:9pt; padding: 5px;'><a href='https://www.criticker.com/'>Criticker.com</a> - the Best Film Recommendations on the Net!</div></div>
    ]]>
  </content:encoded>
 </item>
 <item>
  <title>Together (2025) - 80 - 13 Nov 2026</title>
  <link>https://www.criticker.com/film/Together-2025/</link>
  <guid>Together-2025-streetsajed</guid>
  <pubDate>Fri, 13 Nov 2026 00:00:00 +0000</pubDate>
  <description>StreetsAJed gave Together a rating of 80</description>
  <content:encoded>
   <![CDATA[
    <div style='margin:10px;border:1px #A3A3A3 solid;padding: 5px;'><img src='https://www.criticker.com/img/films/posters/80/Together-2025.webp?v=1767437321' style='float:right;margin: 5px;' alt='Together'><span style='font-size:8pt;'>13 Nov 2026</span><br><b><a href='https://www.criticker.com/film/Together-2025/'>Together (2025)</a></b><br><br><b>Rating:</b> 80<br><b>Percentile:</b> 83.8352<br><b>Review:</b> <i>While horror is my favorite movie genre, I have my limits. I don&#039;t enjoy torture porn. Rape/revenge repulses me to no end. And body horror has never been my thing. I am a firm supporter, however, in Roger Ebert&#039;s statement that dismissing an entire genre is mistaking snobbery for taste, and that it&#039;s on the viewer to find the exception to the rule. Hellraiser is a distant forebearer to torture porn. I enjoy the Cronenberg remake of The Fly. And now, I can add Together to my short list of body...</i><div style='clear:both;background-color: #A3A3A3; font-size:9pt; padding: 5px;'><a href='https://www.criticker.com/'>Criticker.com</a> - the Best Film Recommendations on the Net!</div></div>
    ]]>
  </content:encoded>
 </item>
 <item>
  <title>Jagged Mind (2023) - 30 - 13 Nov 2026</title>
  <link>https://www.criticker.com/film/Jagged-Mind/</link>
  <guid>Jagged-Mind-streetsajed</guid>
  <pubDate>Fri, 13 Nov 2026 00:00:00 +0000</pubDate>
  <description>StreetsAJed gave Jagged Mind a rating of 30</description>
  <content:encoded>
   <![CDATA[
    <div style='margin:10px;border:1px #A3A3A3 solid;padding: 5px;'><img src='https://www.criticker.com/img/films/posters/80/Jagged-Mind.webp?v=1733062712' style='float:right;margin: 5px;' alt='Jagged Mind'><span style='font-size:8pt;'>13 Nov 2026</span><br><b><a href='https://www.criticker.com/film/Jagged-Mind/'>Jagged Mind (2023)</a></b><br><br><b>Rating:</b> 30<br><b>Percentile:</b> 19.4929<br><b>Review:</b> <i>The whole idea of making a movie using an &quot;X meets Y&quot; or &quot;X but under Y circumstances&quot; formula is for it to be shorthand for a bigger concept. You don&#039;t just say &quot;Die Hard on a bus&quot; or &quot;Friday the 13th meets Last Action Hero&quot; and stop there. Those aren&#039;t movies, those are pitches.

Jagged Mind said &quot;Groundhog Day as a horror movie made by Lifetime&quot; and stopped there, and it shows in every minute.

That&#039;s no fault of the actors, who are trying their best to give this thing some life, but i...</i><div style='clear:both;background-color: #A3A3A3; font-size:9pt; padding: 5px;'><a href='https://www.criticker.com/'>Criticker.com</a> - the Best Film Recommendations on the Net!</div></div>
    ]]>
  </content:encoded>
 </item>
 <item>
  <title>Die My Love (2025) - 30 - 13 Nov 2026</title>
  <link>https://www.criticker.com/film/Die-My-Love/</link>
  <guid>Die-My-Love-streetsajed</guid>
  <pubDate>Fri, 13 Nov 2026 00:00:00 +0000</pubDate>
  <description>StreetsAJed gave Die My Love a rating of 30</description>
  <content:encoded>
   <![CDATA[
    <div style='margin:10px;border:1px #A3A3A3 solid;padding: 5px;'><img src='https://www.criticker.com/img/films/posters/80/Die-My-Love.webp?v=1747742508' style='float:right;margin: 5px;' alt='Die My Love'><span style='font-size:8pt;'>13 Nov 2026</span><br><b><a href='https://www.criticker.com/film/Die-My-Love/'>Die My Love (2025)</a></b><br><br><b>Rating:</b> 30<br><b>Percentile:</b> 19.4929<br><b>Review:</b> <i>Die My Love is not a movie.

It has all the necessary ingredients of a movie. Actors, sets, lighting, and so on. But it is not a movie.

It is also -- if you want to parse words and their assumed meanings -- not a film (or a Film). It aspires to be. It wears this aspiration on its sleeves, its chest, and maybe a jaunty hat too. It is trying, with everything it has, to be taken seriously, because It Has Something To Say, and it wants to do so with as much flourish and pageantry as possible...</i><div style='clear:both;background-color: #A3A3A3; font-size:9pt; padding: 5px;'><a href='https://www.criticker.com/'>Criticker.com</a> - the Best Film Recommendations on the Net!</div></div>
    ]]>
  </content:encoded>
 </item>
 <item>
  <title>Secret Beyond the Door... (1948) - 40 - 13 Nov 2026</title>
  <link>https://www.criticker.com/film/Secret-Beyond-the-Door/</link>
  <guid>Secret-Beyond-the-Door-streetsajed</guid>
  <pubDate>Fri, 13 Nov 2026 00:00:00 +0000</pubDate>
  <description>StreetsAJed gave Secret Beyond the Door... a rating of 40</description>
  <content:encoded>
   <![CDATA[
    <div style='margin:10px;border:1px #A3A3A3 solid;padding: 5px;'><img src='https://www.criticker.com/img/films/posters/80/Secret-Beyond-the-Door.webp?v=1728137944' style='float:right;margin: 5px;' alt='Secret Beyond the Door...'><span style='font-size:8pt;'>13 Nov 2026</span><br><b><a href='https://www.criticker.com/film/Secret-Beyond-the-Door/'>Secret Beyond the Door... (1948)</a></b><br><br><b>Rating:</b> 40<br><b>Percentile:</b> 29.6157<br><b>Review:</b> <i>If you&#039;re not familiar with William Castle, he is, to use a phrase the kids no longer say, &quot;a whole-ass mood&quot;. A director of B-level westerns and noir films, Castle pivoted to horror in the late 50&#039;s, usually releasing his movies with some kind of publicity stunt, like issuing &quot;life insurance certificates&quot; in case anybody died of fright during the showing. Castle&#039;s horror movies are a weird, often off-balance attempt at combining Hitchcockian suspense and dread with more lurid, proto-slasher ...</i><div style='clear:both;background-color: #A3A3A3; font-size:9pt; padding: 5px;'><a href='https://www.criticker.com/'>Criticker.com</a> - the Best Film Recommendations on the Net!</div></div>
    ]]>
  </content:encoded>
 </item>
 <item>
  <title>Anatomy of a Fall (2023) - 90 - 13 Nov 2026</title>
  <link>https://www.criticker.com/film/Anatomy-of-a-Fall/</link>
  <guid>Anatomy-of-a-Fall-streetsajed</guid>
  <pubDate>Fri, 13 Nov 2026 00:00:00 +0000</pubDate>
  <description>StreetsAJed gave Anatomy of a Fall a rating of 90</description>
  <content:encoded>
   <![CDATA[
    <div style='margin:10px;border:1px #A3A3A3 solid;padding: 5px;'><img src='https://www.criticker.com/img/films/posters/80/Anatomy-of-a-Fall.webp?v=1772091775' style='float:right;margin: 5px;' alt='Anatomy of a Fall'><span style='font-size:8pt;'>13 Nov 2026</span><br><b><a href='https://www.criticker.com/film/Anatomy-of-a-Fall/'>Anatomy of a Fall (2023)</a></b><br><br><b>Rating:</b> 90<br><b>Percentile:</b> 92.2544<br><b>Review:</b> <i>Using ambiguity in film -- the deliberate omission of information -- is risky. Most movies save ambiguity for the ending; The Thing&#039;s tense last drink between Mac and Childs, or American Psycho&#039;s slow zoom into Patrick Bateman&#039;s face as he realizes how far gone he may be. But to make an entire movie where ambiguity is the point, where the search for the truth is more important than revealing it, is throwing the dice and hoping for snake eyes. The average viewer wants the dots connected in a m...</i><div style='clear:both;background-color: #A3A3A3; font-size:9pt; padding: 5px;'><a href='https://www.criticker.com/'>Criticker.com</a> - the Best Film Recommendations on the Net!</div></div>
    ]]>
  </content:encoded>
 </item>
 <item>
  <title>Family Plot (1976) - 80 - 13 Nov 2026</title>
  <link>https://www.criticker.com/film/Family-Plot/</link>
  <guid>Family-Plot-streetsajed</guid>
  <pubDate>Fri, 13 Nov 2026 00:00:00 +0000</pubDate>
  <description>StreetsAJed gave Family Plot a rating of 80</description>
  <content:encoded>
   <![CDATA[
    <div style='margin:10px;border:1px #A3A3A3 solid;padding: 5px;'><img src='https://www.criticker.com/img/films/posters/80/Family-Plot.webp?v=1730384354' style='float:right;margin: 5px;' alt='Family Plot'><span style='font-size:8pt;'>13 Nov 2026</span><br><b><a href='https://www.criticker.com/film/Family-Plot/'>Family Plot (1976)</a></b><br><br><b>Rating:</b> 80<br><b>Percentile:</b> 83.8352<br><b>Review:</b> <i>I&#039;m intrigued by the idea of an artist getting to write their final chapter. There are so many bands and directors and writers whose final works were never intended to be that. When an artist is afforded to the opportunity, it&#039;s interesting to see what they do with it. Do they turn it into an epitaph? The culmination of their life&#039;s work? Or do they stay the course, business as usual?

I don&#039;t know if Alfred Hitchcock intended for Family Plot to be his swan song, but it sure feels that way....</i><div style='clear:both;background-color: #A3A3A3; font-size:9pt; padding: 5px;'><a href='https://www.criticker.com/'>Criticker.com</a> - the Best Film Recommendations on the Net!</div></div>
    ]]>
  </content:encoded>
 </item>
 </channel>
</rss>