Bernhard Schulze

Fassbinder's version of Ibsen's A Doll's House for television develops a radical yet scrupulous reading of the play. Stripped of sentimentality and giving Nora (Carstensen) self-assurance from the start, this studio production delivers its critique of bourgeois marriage with a force rarely matched even in the theatre. Almost every scene is shot through latticework, net curtains, cut glass, ornate mirrors, so that the characters are perhaps visually obscured but always intellectually focused. (Time Out)