Colin Burgess

"Shepherd’s Delight" attempts to confront the problem of humour head-on, referring directly (since a large part of the film is composed of jokes and their analysis) to the viewer’s perception of the film itself. The film is largely concerned with how context determines the reading of information. [...] the film’s statements oscillate between the deadly serious (concentrating particularly on an examination of the more sinister aspects of humour) and the totally bogus. (John Smith, 1984)

Drew is approaching the end of his twenties and, with it, his relative youth. Looking to make a sudden change, he decides to quit his cushy desk job and “embrace life.” Cycling quickly through friends, hobbies, and goals, it’s not long until Drew realizes he has no idea what to do with his newfound freedom.

Jim and Dave, a dad and a step-dad, have trouble bonding during a 3-day weekend upstate with their son, Branson.

Six weeks after getting into a drunk driving accident that leaves her jaw wired shut, Rayna tries to have a fun night out with her friends.

A perpetual worrywart finds himself unable to leave his house after discovering a giant version of himself protruding from his front lawn.