Lillian Schwartz

A combination of vertical and horizontal lines, developed from radiation treatment of human cancer.

Computers and lasers combine to thematise artifical mutation.

Lines and rectangles are the geometric shapes basic to ENIGMA, a computer graphics film full of subliminal and persistent image effects. In a staccato rhythm, the film builds to a climax by instantly replacing one set of shapes with another, each set either changing in composition and color or remaining for a moment to vibrate strobiscopically and then change. (lillian.com)

Extended editing techniques based on Land's experiments affect the viewer's sensory perceptions. (lillian.com)

A playful concoction of computer produced images, a few hand-animated scenes and shots of lab equipment. Made largely from left-overs from scientific research.

A colorful collage, with a subtle ecology theme, made largely from footage from trial runs of programs used for many of the other films. (lillian.com)

Shapes of various colours transforming to an electronic soundtrack.

Early computer animation of a running man.

Shows diagonal red squares and other shapes such as cones and pyramids on black on white backgrounds.