Celluloid Junkie - 3273 Rankings
Member Since: Apr 6, 2009
Bio: Insatiable, omnivorous cinephile. For every film I watch, two more unwatched ones grow back in its place!
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|83 T9||Mother (2009) - Jan 09, 2010
"Terrifically well-made and tight character-driven mystery that recalls, and almost matches, Bong's earlier masterpiece Memories of Murder. Although the son is a weak character, as the film goes on you realise it is not about him but his mother (the clue was in the title). She is a remarkable and complex character, brilliantly acted by Kim Hye-Ja. The story unfolds slowly like an origami figure and there are some nice artistic touches in the direction of the silent scenes in particular. Great."
|82 T9||Palmetto (1998) - Apr 10, 2009
"This movie is underrated! I always enjoyed the idea of a modern take on a noir set in a very atypical tropical setting. There are some nice-looking locations and shots in this movie. The plot is ok, fairly original but with a silly ending. Harrelson and Sevigny put in good performances but Elisabeth Shue's femme fatale steals the show. Also the most accessible film by a difficult, inconsistent director."
|84 T10||Moon (2009) - Nov 09, 2009
"Really great minimalistic sci-fi debut; although the theme is not that complex, its exposition is spun out with great craft, allowing us to share the doubts of the main character while occupying an omniscient point of view. Humour is used well to alleviate the mood. At each plot point, the film seems to make exactly the right decision, and it's a pleasure to just sit back and be hand-held though to the end. The continuous "why?"s are all answered satisfactorily and with impeccable timing."
|30 T1||Synecdoche, New York (2008) - Dec 27, 2009
"Charlie Kaufman's head has disappeared so far up his own ass that it has re-emerged from his own mouth as a stinking, shit-smeared parody of itself. Evidently that was the inspiration for his latest movie, which is just awful, unintelligible, incoherent, meaningless drivel. One of the few films I have been unable to sit through to the end. Shades of the quirkiness that made BJM and Adaptation so good, but trying too hard, it vanishes into a puff of smoke that should set off anyone's BS detector."
|88 T10||Bad Boy Bubby (1993) - Sep 21, 2009
"Totally bizarre, but in large parts brilliant. There are just a couple of parts where the script loses its way, which keep this from being a work of genius. The parts played as a fish-out-of-water comedy are stronger than the parts as a religious allegory or morality tale. But together they create a nice balance. The underlying subtexts in this Australian film are complex and plentiful - as are the laughs, and grimaces. Why is this film, and Nicholas Hope, not more widely known?"
|79 T7||Greenberg (2010) - Jun 19, 2010
"At times Stiller's portrayal of the confused and directionless Greenberg left me cold. I could identify but not buy into or sympathise with his self-destructive eccentricities. Eventually, though, the film's characters did grow on me. Well, with Greta Gerwig it was not that difficult. I left fairly satisfied with the film's conclusions, but perhaps not with its journey there. The highlight was some of the relationships and dialogues, which were genuinely touching and real. More please, Baumbach."
|82 T9||Coldblooded (1995) - Mar 10, 2010
"Likeable for the minimalism and directness of its script, and for the relentlessly logical and emotionless world view of its central character. The humour is essentially black but tends more towards the quirky or weird. Good casting. Decent direction and production values despite the small scale of the film, a good example to budding filmmakers. The ending was slightly weak; the film seems to chicken out of having a message, after suggesting for quite a while that it is going to have one."
|87 T10||The Secret of My Success (1987) - Apr 15, 2009
"This exciting caper flick mixes elements of Ferris Bueller, Working Girl and Back To The Future. Fox plays himself and the script offers up plenty of fun surprises and precarious escapades. Who doesn't like situations where a character has to change his clothes in an elevator every 5 minutes to play different identities? Another quality 80s family film which can sit on a par with John Hughes's best efforts of that decade. The only downer is the awful tacked-on deus ex machina ending."
|90 T10||District 9 (2009) - Dec 06, 2009
"The documentary-like style makes this the most effective melding of sci-fi and reality that I have ever seen in the genre. The scale and ambition are huge, especially for an African film. And it pulls it off, with not one famous star. It also bravely alludes to some of the biggest problems South Africa has faced and continues to face, like racism, oppression, violence and AIDS. The film holds up a mirror to human civilisation. And at the same time, it's a sci-fi geek's wet dream in terms of FX!"
|82 T9||Shrew's Nest (2014) - Jan 24, 2017
"A superior psychological horror - that genre the Spanish seem to be so good at recently - which turns into a bloodbath. The story is a slow burner, but its elements fit very nicely together. Macarena Gómez carries the film tremendously - she steals every scene she's in. The mise-en-scène also deserves plaudits, with crisp cinematography, a well-chosen colour palette, period detail, and lots of religious imagery and intense facial close-ups. Suspenseful, terrifying, and good to look at too."