Celluloid Junkie - 3327 Rankings
Member Since: Apr 6, 2009
Bio: Insatiable, omnivorous cinephile. For every film I watch, two more unwatched ones grow back in its place!
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|82 T9||Shrew's Nest (2014) - Jan 24, 2017
"A superior psychological horror - that genre the Spanish seem to be so good at recently - which turns into a bloodbath. The story is a slow burner, but its elements fit very nicely together. Macarena Gómez carries the film tremendously - she steals every scene she's in. The mise-en-scène also deserves plaudits, with crisp cinematography, a well-chosen colour palette, period detail, and lots of religious imagery and intense facial close-ups. Suspenseful, terrifying, and good to look at too."
|79 T7||Greenberg (2010) - Jun 19, 2010
"At times Stiller's portrayal of the confused and directionless Greenberg left me cold. I could identify but not buy into or sympathise with his self-destructive eccentricities. Eventually, though, the film's characters did grow on me. Well, with Greta Gerwig it was not that difficult. I left fairly satisfied with the film's conclusions, but perhaps not with its journey there. The highlight was some of the relationships and dialogues, which were genuinely touching and real. More please, Baumbach."
|88 T10||Bad Boy Bubby (1993) - Sep 21, 2009
"Totally bizarre, but in large parts brilliant. There are just a couple of parts where the script loses its way, which keep this from being a work of genius. The parts played as a fish-out-of-water comedy are stronger than the parts as a religious allegory or morality tale. But together they create a nice balance. The underlying subtexts in this Australian film are complex and plentiful - as are the laughs, and grimaces. Why is this film, and Nicholas Hope, not more widely known?"
|87 T10||The Secret of My Success (1987) - Apr 15, 2009
"This exciting caper flick mixes elements of Ferris Bueller, Working Girl and Back To The Future. Fox plays himself and the script offers up plenty of fun surprises and precarious escapades. Who doesn't like situations where a character has to change his clothes in an elevator every 5 minutes to play different identities? Another quality 80s family film which can sit on a par with John Hughes's best efforts of that decade. The only downer is the awful tacked-on deus ex machina ending."
|77 T6||Micmacs (2009) - Nov 30, 2009
"What if Ocean's Eleven was remade by Terry Gilliam in France? You'd have Jean-Pierre Jeunet's "Micmacs a Tire-Larigot", a zany caper film about society's outsiders sticking it to the man. Very strange, but ultimately quite likeable and with a good anti-gun message. A tart with a heart."
|84 T10||Midnight in Paris (2011) - May 14, 2011
"A fun escapist adventure in which Allen tries to catapult us and himself into an alluring bygone world of fantasy and romance, but every time he comes close to making magic he is let down by his urge for silliness and buffoonery. The film is propelled largely by jazz music, costumes and name-dropping, a gimmick which brings regular laughs. But it also feels lightweight with a lot of loose ends. More of a sketched idea, than polished prose. Still it's one of his most entertaining films in years."
|82 T9||Tintin et le mystère de la toison d'or (1961) - Jan 11, 2010
"Delightful little adventure which will satisfy Tintin fans. The story is a class act, worthy of any Tintin book. The characters are suitably cartoonish and all look the part in a quirky way. The acting varies - Haddock and Calculus are superb, Tintin is energetic and quiffed but lacks that surprised/shocked expression from the comics, and Thomson & Thompson are a bit hopeless. Even Snowy gets his part to play, although the dog actor is unfortunately not as expressive as his cartoon counterpart."
|88 T10||Le Premier jour du reste de ta vie (2008) - Aug 18, 2009
"This film deals in universal issues of love, life, death and family that anyone can relate to. The lives of the protagonists are painted in such vivid detail, and their escapades are so emotionally fulfilling, that it creates an immersive experience which seems almost hyper-real. Huge credit to Bezonçon and all the cast for making such a satisfying coming-of-age movie, in fact five movies in one. Finally a modern French family is portrayed on the big screen, no holds barred. Great music too."
|78 T6||I Am Love (2010) - Apr 18, 2010
"Guadagnino brings fantastic camerawork and strong visuals reminiscent of Paolo Sorrentino. I loved his use of soft-focus, shallow depth-of-field photography with an abundance of natural light to show the intimacy of the romantic scenes. However I found the grandiose music off-putting and the script's grandiloquent brush strokes a bit pretentious - under all the posh trimmings the main course is a love story which is meaty enough to be a meal in itself. The soap opera ending was a disaster."
|30 T1||Synecdoche, New York (2008) - Dec 27, 2009
"Charlie Kaufman's head has disappeared so far up his own ass that it has re-emerged from his own mouth as a stinking, shit-smeared parody of itself. Evidently that was the inspiration for his latest movie, which is just awful, unintelligible, incoherent, meaningless drivel. One of the few films I have been unable to sit through to the end. Shades of the quirkiness that made BJM and Adaptation so good, but trying too hard, it vanishes into a puff of smoke that should set off anyone's BS detector."