Pretty much what you would expect from a mid-level 90s TV production – likable and low-key making it an easy and undemanding watch, though the screenplay can’t really decide if it’s a redemption story for Hemingway (whose reason for redemption is murky at best) or a mending the familial bonds story for Keena’s titular daughter (especially via some awkward frisson between Hemingway and the President?) Still not bad if you know what you’re getting – 5 extra points for the explosion in the hut!