High Noon in Mayberry

High Noon in Mayberry
High Noon in Mayberry
1963
TV Episode
30m
A hard, wounded man with gun in hand comes to Mayberry looking for Andy. Barney, aiming to keep their sheriff alive, deputizes Otis and Gomer.
Directed by:
Bob SweeneyWriters:
Everett Greenbaum, James FritzellStarring:
Dub Taylor, Don Knotts, Ron HowardRonald William "Ron" Howard is an American actor, director and producer. He came to prominence as a child actor, playing Opie Taylor in the sitcom The Andy Griffith Show for eight years, and later as the teenaged Richie Cunningham in the sitcom Happy Days for six years. He made film appearances such as in American Graffiti in 1973 and while starring in Happy Days he also made The Shootist in 1976, as well as making his directorial debut with the 1977 comedy film Grand Theft Auto...(Wikipedia)
Big, burly, character actor, one of the toughest of screen heavies, Leo Gordon's powerful physique, combined with his deep, menacing voice, was guaranteed to strike fear into the heart of even the bravest screen hero. Director Don Siegel, who used Gordon in his prison film Riot in Cell Block 11 (1954), once said that "Leo Gordon was the scariest man I have ever met" - this coming from a man who had directed John Wayne, Clint Eastwood and Bette Midler! Siegel wasn't talking about just Gordon's sc
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Directed by:
Bob SweeneyWriters:
Everett Greenbaum, James FritzellStarring:
Dub Taylor, Don Knotts, Ron HowardRonald William "Ron" Howard is an American actor, director and producer. He came to prominence as a child actor, playing Opie Taylor in the sitcom The Andy Griffith Show for eight years, and later as the teenaged Richie Cunningham in the sitcom Happy Days for six years. He made film appearances such as in American Graffiti in 1973 and while starring in Happy Days he also made The Shootist in 1976, as well as making his directorial debut with the 1977 comedy film Grand Theft Auto...(Wikipedia)
Big, burly, character actor, one of the toughest of screen heavies, Leo Gordon's powerful physique, combined with his deep, menacing voice, was guaranteed to strike fear into the heart of even the bravest screen hero. Director Don Siegel, who used Gordon in his prison film Riot in Cell Block 11 (1954), once said that "Leo Gordon was the scariest man I have ever met" - this coming from a man who had directed John Wayne, Clint Eastwood and Bette Midler! Siegel wasn't talking about just Gordon's sc
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