Koroshi

Koroshi
Koroshi
1968
Suspense/Thriller, Action
TV Movie
Secret agent John Drake (aka Danger Man) goes to Japan to infiltrate a secret society that specializes in murder.
Directed by:
Peter YatesAs a director, helped Steve McQueen achieve iconic status with Bullitt (1968), enjoyed a massive box-office success with The Deep (1977) and made one of the most beguiling of all youth movies in Breaking Away (1979). He maintained a steady career throughout five decades, but suffered the critical neglect so often accorded those who tackle a variety of subjects and genres and become known, somewhat disparagingly, as journeyman directors. (adapted from theguardian.com)
Writers:
Norman Hudis, Ralph SmartStarring:
Patrick McGoohan, Kenneth Griffith, Burt Kwouk, Maxine Audley, Ronald Howard, Yôko TaniDiminutive, graceful, porcelain pretty actress Yoko Tani was born and raised in France and was making a living as a Parisienne dancer when opportunities for film came her way in the mid-1950s. Appearing in a number of minor Eurasian parts in such French films as Marchandes d\'illusions (1954) [Nights of Shame], Ali Baba et les quarante voleurs (1954) [Ali Baba and the Forty Thieves], and Mannequins de Paris (1956) [Mannequins of Paris], she was also featured in a couple of Japanese productions be
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Cast & Info
Directed by:
Peter YatesAs a director, helped Steve McQueen achieve iconic status with Bullitt (1968), enjoyed a massive box-office success with The Deep (1977) and made one of the most beguiling of all youth movies in Breaking Away (1979). He maintained a steady career throughout five decades, but suffered the critical neglect so often accorded those who tackle a variety of subjects and genres and become known, somewhat disparagingly, as journeyman directors. (adapted from theguardian.com)
Writers:
Norman Hudis, Ralph SmartStarring:
Patrick McGoohan, Kenneth Griffith, Burt Kwouk, Maxine Audley, Ronald Howard, Yôko TaniDiminutive, graceful, porcelain pretty actress Yoko Tani was born and raised in France and was making a living as a Parisienne dancer when opportunities for film came her way in the mid-1950s. Appearing in a number of minor Eurasian parts in such French films as Marchandes d\'illusions (1954) [Nights of Shame], Ali Baba et les quarante voleurs (1954) [Ali Baba and the Forty Thieves], and Mannequins de Paris (1956) [Mannequins of Paris], she was also featured in a couple of Japanese productions be
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