Nicholas King "Nick" Nolte is an American actor, film producer, voice artist, comedian, and former model.Nolte's first major film role was starring opposite Jacqueline Bisset and Robert Shaw in 1977's The Deep. He followed this with Who'll Stop the Rain in 1978 and North Dallas Forty, based on the Peter Gent novel, in 1979. The 1982 buddy cop/convict film 48 Hrs. strongly bolstered his film career and made his co-star Eddie Murphy a box-office sensation...(Wikipedia)

Eugene Roche has 24 credits at Criticker, including: Slaughterhouse-Five, When a Man Loves a Woman, Foul Play, The Late Show and Cotton Comes to Harlem

Charles Tyner has 22 credits at Criticker, including: Planes, Trains and Automobiles, Harold and Maude, Fail-Safe, Jeremiah Johnson and The Longest Yard

Louise Latham has 23 credits at Criticker, including: Marnie, The Sugarland Express, The Philadelphia Experiment, Love Field and White Lightning

John Larch has 32 credits at Criticker, including: Dirty Harry, The Amityville Horror, Play Misty for Me, Written on the Wind and 7 Men from Now

Joyce Van Patten has 36 credits at Criticker, including: Grown Ups, Marley & Me, St. Elmo's Fire, This Must Be the Place and The Bad News Bears

Lawrence Pressman has 26 credits at Criticker, including: 9 to 5, Shaft, Angus, Trial and Error and The Hellstrom Chronicle

Andy Griffith has 45 credits at Criticker, including: Waitress, A Face in the Crowd, The Andy Griffith Show, No Time for Sergeants and Matlock

Sheree North has 39 credits at Criticker, including: Maniac Cop, The Shootist, Charley Varrick, The Outfit and Telefon

Tim O'Connor has 17 credits at Criticker, including: The Naked Gun 2½: The Smell of Fear, Sssssss, Buck Rogers in the 25th Century, Double Shock and Buck Rogers in the 25th Century

John Calvin has 10 credits at Criticker, including: Critters 3, Boris and Natasha, California Dreaming, Almost Pregnant and Foolin' Around

Delightfully daffy and an apple dumpling of a darling, wizened character actress Ruth McDevitt was born Ruth Shoecraft in Michigan but raised in Ohio where her father served as a county sheriff. She attended the American Academy of Dramatic Art with designs of becoming an actress but married a Florida widower soon after and put full focus on being a wife. Her husband died in 1934 and, at age 40+, Ruth decided to dabble again with community theater productions which reignited her passion. She bec