With Strings Attached
With Strings Attached
With Strings Attached
1966
Drama, Crime
TV Episode
51m
A young concert violinist virtuoso begins to buckle under both the strain of performing and the demands of his authoritative manager Max, himself a former violinist. Kimble suspects he might resort to a desperate act to rid himself of Max.
Created by:
Roy Huggins
28 total credits
Roy Huggins has 28 credits at Criticker, including: The Fugitive, Maverick, U.S. Marshals, Too Late for Tears and Pushover
6 total credits
John Kneubuhl has 6 credits at Criticker, including: The Screaming Skull, Two on a Guillotine, In a Plain Paper Wrapper, Nightmare and Storm
Directed by:
Leonard J. Horn 11 total credits
Leonard J. Horn has 11 credits at Criticker, including: Hijack!, Lost Flight, The Magic Garden of Stanley Sweetheart, Corky and The New Original Wonder Woman
Writers:
Roy Huggins 28 total credits
Roy Huggins has 28 credits at Criticker, including: The Fugitive, Maverick, U.S. Marshals, Too Late for Tears and Pushover
6 total credits
John Kneubuhl has 6 credits at Criticker, including: The Screaming Skull, Two on a Guillotine, In a Plain Paper Wrapper, Nightmare and Storm
Starring:
Donald Pleasence
149 total credits
Donald Henry Pleasence, OBE, (5 October 1919 - 2 February 1995) was an English actor who gained more than 200 screen credits during his long career, often having been typecast as villainous and/or psychopathic characters, Pleasence is possibly best known for his work in two of cinema's most enduringly successful franchises: the James Bond and Halloween series. (Wikipedia)
4 total credits
Carol Eve Rossen has 4 credits at Criticker, including: The Stepford Wives, The Fury, Genesis, Tiger Left, Tiger Right and May God Have Mercy
56 total credits
David Janssen was born to be a TV star. The Janssen family settled in Hollywood when he was a teenager and he attended Fairfax High School, where he developed an interest in acting. His film debut was a bit part in It's a Pleasure (1945), and at the age of 18 signed a contract with 20th Century-Fox. However, the studio dropped him after allegedly becoming disenchanted with his odd hairline and big prominent ears. Janssen had better luck at Universal, where he signed on in the early 1950s and bec
Ratings & Reviews
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Cast & Info
Created by:
Roy Huggins 28 total credits
Roy Huggins has 28 credits at Criticker, including: The Fugitive, Maverick, U.S. Marshals, Too Late for Tears and Pushover
6 total credits
John Kneubuhl has 6 credits at Criticker, including: The Screaming Skull, Two on a Guillotine, In a Plain Paper Wrapper, Nightmare and Storm
Directed by:
Leonard J. Horn 11 total credits
Leonard J. Horn has 11 credits at Criticker, including: Hijack!, Lost Flight, The Magic Garden of Stanley Sweetheart, Corky and The New Original Wonder Woman
Writers:
Roy Huggins 28 total credits
Roy Huggins has 28 credits at Criticker, including: The Fugitive, Maverick, U.S. Marshals, Too Late for Tears and Pushover
6 total credits
John Kneubuhl has 6 credits at Criticker, including: The Screaming Skull, Two on a Guillotine, In a Plain Paper Wrapper, Nightmare and Storm
Starring:
Donald Pleasence 149 total credits
Donald Henry Pleasence, OBE, (5 October 1919 - 2 February 1995) was an English actor who gained more than 200 screen credits during his long career, often having been typecast as villainous and/or psychopathic characters, Pleasence is possibly best known for his work in two of cinema's most enduringly successful franchises: the James Bond and Halloween series. (Wikipedia)
4 total credits
Carol Eve Rossen has 4 credits at Criticker, including: The Stepford Wives, The Fury, Genesis, Tiger Left, Tiger Right and May God Have Mercy
56 total credits
David Janssen was born to be a TV star. The Janssen family settled in Hollywood when he was a teenager and he attended Fairfax High School, where he developed an interest in acting. His film debut was a bit part in It's a Pleasure (1945), and at the age of 18 signed a contract with 20th Century-Fox. However, the studio dropped him after allegedly becoming disenchanted with his odd hairline and big prominent ears. Janssen had better luck at Universal, where he signed on in the early 1950s and bec
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