Cinema Addict - 1746 Rankings
Member Since: May 2, 2007
Location: Sneedville, TN, USA
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|100 T10||Syndromes and a Century (2006) - Sep 03, 2009
"More tonal poem than narrative, Syndromes's bifurcated structure explores the distance between the fertile/feminine, the mechanical/masculine. The camera proves a medium between the two, capturing the same exchanges from startling, unexpected angles. The visual convergence of solar eclipse and dark pipe suggests a blurring of time and space and even subjectivity. Visual representation of Buddhist cyclicality, rural/urban discordance, our inability to learn from our mistakes? Dunno, but I love it"
|88 T9||Scott Pilgrim vs. the World (2010) - Aug 13, 2010
"Not just canny commentary on how this generation's experiences are inextricably mediated through the prism of pop culture; it captures an attendant myopia, too. Any coincidence the film parallels Scott's fundamental narcissism w/ the endless parade of exclusionary inside jokes? Or that Scott (and by extension the audience) finds it impossible to separate his culture-saturated inner world from the world at large? It's all exhilaratingly, uninhibitedly hyperreal: Baudrillard would have a field day"
|0 T1||Pearl Harbor (2001) - Oct 05, 2007
"Bay directs the slaughter by air of hundreds of sailors with the same weight that he directs giant robot-cars punching each other in their metallic faces. In other words, Michael Bay is a sociopath, which is seemingly at odds with his desire to slather every one of his pictures with a treacly sentimentality -- what, I presume, he most closely approximates human emotion to be, the better to distract us from his own glaring lack of it."
|100 T10||Dogville (2003) - Jun 08, 2009
"Well, that was the most fucked-up community production of Our Town I'VE ever seen."