Cap Nord

While in a broad sense clearly not as aesthetically accomplished as Serge Bozon's films, this nonetheless solidifies that whatever it is exactly that this La Lettre Du Cinéma crew are doing, it's significant, and at the very least resonates with me on an intensely personal level far beyond that of the vast majority of films that i see. Dare i say that if it were any more visually "good" and polished, as roughshod as it is, it might have been almost too close to my cinematic ideal to bear?