Fun and Games for Everyone

One of the major revelations to emerge from the resurgence of the Zanzibar films is Bard's FUN AND GAMES FOR EVERYONE, a velveteen, chiaroscuro boogie-woogie chess match of a film, which documents a vernissage for an Olivier Mosset exhibition. The new print practically drips inky blacks and blinding whites as art circle dandies dissolve in and out of view, as if melting into the background and morphing into a Mosset diachromatic tableau. (Andréa Picard,)