The Monster of Florence
Making a miniseries about a serial killer always has potential, but here the result doesn't quite deliver. The Monster of Florence aims to be an elegant, atmospheric true crime story -slow, reflective, and serious- but it ends up being too slow for its own good. Instead of building tension, it drains it. There's no clear main character or strong narrative thread to pull the viewer in, and the story feels scattered and unfocused.
Stefano Sollima tries to add depth through fragmented storytelling, jumping back and forth in time and showing events from different perspectives. It's an interesting idea, but confusion wins over intrigue. At times, it feels more like an exercise in style than a compelling story.
The best part lies in the atmosphere -that unsettling Tuscan landscape, the impeccable cinematography, and the ever-present sense of quiet danger. There's talent behind the camera, but also a lack of rhythm and emotional grip.
It's not a failure, but definitely a missed opportunity. If you're looking for a human, grounded take on the case without sensationalism, you might find something here. But if you expect a gripping, addictive thriller, you'll likely tune out before the end.
Stefano Sollima tries to add depth through fragmented storytelling, jumping back and forth in time and showing events from different perspectives. It's an interesting idea, but confusion wins over intrigue. At times, it feels more like an exercise in style than a compelling story.
The best part lies in the atmosphere -that unsettling Tuscan landscape, the impeccable cinematography, and the ever-present sense of quiet danger. There's talent behind the camera, but also a lack of rhythm and emotional grip.
It's not a failure, but definitely a missed opportunity. If you're looking for a human, grounded take on the case without sensationalism, you might find something here. But if you expect a gripping, addictive thriller, you'll likely tune out before the end.
Mini Review: Making a miniseries about a serial killer always has potential, but here the result doesn't quite deliver. The Monster of Florence aims to be an elegant, atmospheric true crime story -slow, reflective, and serious- but it ends up being too slow for its own good. Instead of building tension, it drains it. There's no clear main character or strong narrative thread to pull the viewer in, and the story feels scattered and unfocused. Stefano Sollima...