Diablo
Utterly enjoyable (and gleefully nasty) throwback to the sort of cheapies that Norris and Bronson used to inhabit in the 80s – Adkins proves a marginally more charismatic presence than either of his forebearers to pick up the torch, and Zaror is the kind of easily boo-able (and hissable) villain that sets theses sort of films alight. Obviously don’t come for revolutionary plotting or characterisation, but it does the job it needs to with style and verve, with Espinoza proving masterful at staging some brutally graphic violence and mayhem.
Mini Review: Utterly enjoyable (and gleefully nasty) throwback to the sort of cheapies that Norris and Bronson used to inhabit in the 80s – Adkins proves a marginally more charismatic presence than either of his forebearers to pick up the torch, and Zaror is the kind of easily boo-able (and hissable) villain that sets theses sort of films alight. Obviously don’t come for revolutionary plotting or characterisation, but it does the job it needs to with style and verve, with Espinoza proving masterful at st
