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Just about perfect dissection of the battle of the left and right in the political process has resonances equal to 2026, and 2012, and 1988 in its clear-eyed and hard edged examination of the foibles of messaging on both sides of the aisle. Brilliantly witty dialogue (“Anyone not Everyone”) marks an early triumph for Larrain – lo-fi aesthetic works to give real sense of verisimilitude; terrific anchor work from Bernal, matched by a support cast who really breathe life into the potentially dry proceedings. Gripping, riveting stuff.
Mini Review: Just about perfect dissection of the battle of the left and right in the political process has resonances equal to 2026, and 2012, and 1988 in its clear-eyed and hard edged examination of the foibles of messaging on both sides of the aisle. Brilliantly witty dialogue (“Anyone not Everyone”) marks an early triumph for Larrain – lo-fi aesthetic works to give real sense of verisimilitude; terrific anchor work from Bernal, matched by a support cast who really breathe life into the potentially
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