Conspiracy thriller about the assassination of a Black presidential candidate, released in the midst of militia mania but without the remotest specificity as to the ideology of the killers, or the candidate. No more guts or imagination in other areas, though Fenn's character is an art teacher for the apparent sole purpose of providing full-frontal nudity from female models. The strongest impression is sadness at Paul Winfield getting five-minute roles in this stuff at this point in his career.